Ascending from Vilenica Cavern – Glen Sorestad

 

One hundred thirty-four stone steps

drag us into the somber underground.

It is so novel an act, we have no thought

of what lies ahead when the time

comes to return to the comfort of earth.

 

Here in Slovenia’s Karst region

this huge limestone cave awes the breath

from us as, step by step, we descend

from sunlit warmth to eight degrees —

a constant, day or night, year in or out.

 

In this well-used cavern at a location

that is not its lowest depth at all,

but a spacious room where music

is played and prayers are uttered,

we listen to a brass ensemble blow

bats right-side-up, with notes flying

into every rock niche, sliding up

and down stalactites and stalagmites,

reaching out and up, shivering

a thousand candles with delight.

 

Over flicker and sputter of tapers

poets declaim poems and bring

evening to a close. Now we must

ascend to dark Slovenian night.

One hundred thirty-four steps: the test.

 

Up from the underground we climb,

single file, a stream of souls spiralling

to an imagined heaven. Our first steps

identical to those of the descent,

but now steps enlarge and each leg

must somehow be lifted higher.

A cruel joke? Has someone altered

the step size while we were below?

At one hundred steps we huff

and wheeze, wanting to stop

and rest, but there is no stop,

no looking back on this ascent

from the underworld, just keep

our eyes on the climber ahead

and hope that person doesn’t stop

or falter because these steps

will not suffice for two. If one

person stops, then we all must.

 

The only sounds are footfall

on stone, the puff and gasp,

and the rustle of clothing.

Just when we think our hearts

will burst and our leaden legs

will not budge another step,

we are returned to earth.

Night is cool, a lighted path

leads us to food and wine.

 

Sorestad 5x7Glen Sorestad is a Canadian poet whose work has appeared in publication in various parts of the world, has appeared in over 60 anthologies and textbooks, and has been translated into eight languages. Sorestad lives with his wife Sonia in Saskatoon on the northern plains.

The Emerald Tide – Robert Pelgrift

 

How can I hold on to this leafy scene

of emerald lights that, numberless, do glint

in glistening points at times more gold than green –

a scene that shimmers with each shade and tint?

 

Mirroring these leaves, the emerald tide

seems motionless, a glassy pool at rest,

till it meets a sharply riffled divide

whose race freezes in a curled, crystal crest.

 

How to possess these fleeting greens and golds,

that shimmer in and out of leafy heights?

Would that their beauty could ever abide

in verse, just as the crystal cascade holds

its crest, and, mirroring the green gold lights,

the watery leaves rest in the glassy tide.

 

RYP JR picRobert Youngs Pelgrift, Jr. practiced law in New York City for many years and is now an editor for a legal publisher, working in New York City.  His poems have been published in various anthologies and in The Lyric, The Rotary Dial and The Galway Review.

The Trawl – Robert Pelgrift

 

We stand on this sandy point in the bay,

where the channel races into squally seas,

knee deep in riffles that mirror the gray

of iron clouds rushed by the gusting breeze.

 

Partly clothed by the sea, I scarcely heed

the raw, bitter rain.  Balanced here, I stand,

and see schooling, swerving silversides lead

quick unseen hunters past our ledge of sand.

 

In their path, we stretch, then draw, our small seine,

and the wet, the chill, the gray, the chop recall

the old village ships, struck by gusts and spray

as they ploughed these waves.  And now once again,

we net our catch, as those ships dragged their trawl

of silver to the beach across the bay.

 

RYP JR picRobert Youngs Pelgrift, Jr. practiced law in New York City for many years and is now an editor for a legal publisher, working in New York City.  His poems have been published in various anthologies and in The Lyric, The Rotary Dial and The Galway Review.

Spanish lace – Ann Christine Tabaka

 

Bare tree branches

Intricately intertwined

Giving the illusion of black Spanish lace

Reaching out

Across an angry sky

The fiery glow of sunset

Darkened by purple clouds

Accentuating the effect

Seductively drawing me in

Capturing me

In a mysterious web of imagination

Filling me

With awe

 

13221756_10206392177779458_3188055745494222119_nAnn Christine Tabaka is better known by her middle name, Chris. She has been writing poems and rhymes since she was fourteen. She was an artist, a chemist, and a personal trainer. Her poems are in the Contemporary Group’s anthology “Dandelion in a Vase of Roses,” and the poetry journals “Whispers,” “The Society of Classical Poets,” “Indiana Voice Journal,” “Halcyon Days Magazine,” and “Scarlet Leaf Review.”

The Painter – Robert Pelgrift

 

What woodland shall my vision paint today?

Like Millais, I’ll mold each leaf of this oak,

Scribe each twig, score its trunk with a fine stroke,

With sunlit drops trim lines of green and gray.

Or perhaps like Monet, I will essay

An inward sight; the folds of a green cloak,

Heedlessly strewn, in memory evoke

Wooded foothills in mists of green and gray.

 

My visions like my poem, seek the real,

Beyond the real, this wood as it should be;

As in my poem’s words, I read in my Millais

From image to image toward this ideal,

Or I glimpse wood or poem in memory,

The remembrance painted in my Monet.

 

RYP JR picRobert Youngs Pelgrift, Jr. practiced law in New York City for many years and is now an editor for a legal publisher, working in New York City.  His poems have been published in various anthologies and in The Lyric, The Rotary Dial and The Galway Review.

Dragonfly – Lynn White

 

It was so beautiful,

gleaming huge and iridescent

gold and green and blue and black.

With wings that should have been clear,

filled with shining rainbows

not like this, twisted at strange angles

and dulled with sticky silk.

Not stuck there waiting

to be prepared for some spider’s supper.

 

I held it gently

and took it from the web.

I carefully removed the sticky silk

and saw the rainbows sparkle as they should,

saw its eyes brighten and gleam

with the prospect of freedom.

It took a while, this disentanglement,

a delicate task to free this fragile creature.

 

And when it was ready,

I opened my fingers and

let it fly away.

It bit me then.

No parting kiss,

but a bite that

left a bruise.

Such gratitude!

 

Lynn...Lynn White lives in north Wales. Her work is influenced by issues of social justice and events, places and people she has known or imagined. She is especially interested in exploring the boundaries of dream, fantasy and reality. Her poem ‘A Rose For Gaza’ was shortlisted for the Theatre Cloud ‘War Poetry for Today’ competition 2014. This and many other poems have been widely published on line and in print publications. Find her at https://www.facebook.com/pages/Lynn-White-Poetry/1603675983213077 and lynnwhitepoetry.blogspot.com.

New Haven – Michael A. Griffith

 

I miss the flowers of our old garden,

roses, foxglove, bleeding hearts, lilacs and lilies.

 

We had a garden that,

when tended well,

looked like part of Eden.

 

I have a new “our.”

You have a new “we.”

 

Both will start new gardens

and grow new things

as well as plant familiar flowers:

roses, bleeding hearts, lilies.

But enough new will grow

to make our own new paths to Eden.

 

Same sun, different rays, different light.

Different rainbows from opposite arcs.

Stars set in different ways in the same sky,

yours night while I see day.

 

Our own clouds upon which

to build new castles,

each its own

new haven for two.

 

14203237_10154314920188046_3424560890240457416_n-1Michael Griffith turned to poetry during a long stay in a nursing-care facilty to keep his mind healthy as his body grew healthier. So far poetry is doing the trick. He resides in Somerset County, NJ.

Tickling Heaven – Fabrice B. Poussin

 

What will he do, the sequoia living in the city,

to belong in the geometric skyline above the sea?

 

Can he compete, layer by layer, for a life deserved

against the structure made brick by brick, of blood?

 

Does he often cry, dislodged as his old friends

have been for so long, homeless among millions?

 

Is survival an option, for the giant without years,

who faces clones of metal and molten rock?

 

Attempting to breathe, bleeding a sweet thick sap,

how can Earth guarantee his daily meals!

 

Far from mile-long roots, unable to move,

shackled in rebar, concrete, and ill will.

 

Far above his cheap imitation of a false brother,

a single tear begins a journey to shake new grounds.

 

Me-BWFabrice Poussin teaches French and English at Shorter University. Author of novels and poetry, his work has appeared in Kestrel, Symposium, The Chimes, and dozens of other magazines. His photography has been published in The Front Porch Review, the San Pedro River Review and more than 200 other publications.

Respite – Ken Allan Dronsfield

 

face, a wrinkled rustic tan

eyes, clouded faded blue

tattered, old yellow raincoat

stands, watching the sea

dog, spying hungry gulls

his boat, sits needing care

ocean, claims yet another

clouds, billow and race east

waves, crest and roll to land

memories, fade upon twilight

inhales, now more shallow

life, in respite rises higher.

 

Ken Allan Dronsfield, Bio PictureKen Allan Dronsfield is a published poet from New Hampshire, now residing in Oklahoma. He loves thunderstorms and hiking. His published work can be found in reviews, journals, magazines and anthologies throughout the web and in print venues. His poetry has been nominated for two Pushcart Prize Awards and the Best of the Net for 2016.

The Ebb and Flow – Ken Allan Dronsfield

 

From atop the great redwood trees

dragonflies fantasize of summertime;

of warmer mornings, balmy winds

dodging flycatchers and bullfrogs.

The grasses are green along a pond

baby goslings enjoy the new sunrise;

barn owls love a midnight stellar show

wolves howl and worship the full moon.

Beating hearts prevail in creeks or marshes

deep rivers and great bays ebb and flow

large animals enjoy the salty sweet grass

beautiful wild flowers grace rolling hills.

As the sun now rises in the eastern skies,

from within that great awakening forest

a lone cicada sings his mating sonnet

within the ebb and flow of life’s circle.

 

Ken Allan Dronsfield, Bio PictureKen Allan Dronsfield is a published poet from New Hampshire, now residing in Oklahoma. He loves thunderstorms and hiking. His published work can be found in reviews, journals, magazines and anthologies throughout the web and in print venues. His poetry has been nominated for two Pushcart Prize Awards and the Best of the Net for 2016.

Comparing Scars – James Diaz

 

the apple did fall far from the tree

and went out into the dark

with almost no light

inside

 

some places are all haunting

nothing else matters

but that you leave there shaken

 

when I was younger

I had an impossible dream

that I could grow old

and not be happy

but still be in the world

 

living in a place no one could find

I wouldn’t have needed much

a chair, a table, a bowl, a spoon

a front door

a few years of silence

of forgetting.

 

IMG_8420James Diaz is the founding editor of the literary arts & music journal Anti-Heroin Chic. His work has appeared most recently in HIV Here & Now, Foliate Oak, Chronogram, and Cheap Pop Lit. His first book of poems, This Someone I Call Stranger, is forthcoming from Indolent Books (2017.)

Bali – John Grey

 

Sea water laps against the docks,

the bright, inclusive restaurants,

their gaily painted menus

selling their show

to passing tongues.

 

The air is good enough to eat,

lawa, babi guling,

cascading smells of soy and chili.

 

Night-clubs

soundtrack the breeze.

Some places, its one guy strumming a guitar.

another, the tuneful choral chimes of gamelan.

 

A myna bird rocks on a branch,

converses with the deep loll of a gong.

 

An old woman perches against

the post office wall,

tenun woven cloths spread before her

 

Old men,

their brown faces weathered like figs,

look out at the few moored boats

that appear and disappear

in swaying dock lights.

 

Signposts lead to pleasures great and small.

Sounds or sights, food or drink.

it’s a sorry night

when everyone’s not inebriated with something.

 

unnamed-bioJohn Grey is an Australian poet, US resident. His work has recently been published in New Plains Review, Stillwater Review and Big Muddy Review, and is upcoming in Louisiana Review, Columbia College Literary Review and Spoon River Poetry Review.

The Moon’s Call – Natalie Crick

 

Hush now,

The sound of the moon

Budding on the float of her own white voice,

 

Her call, like

Spider silk strung from the darkest

Branches, swaying woozily.

 

Moon turns her ripe eye

To the ground, making

Music that melts,

 

The whole wood

Lit with alarm,

Dawn like a black knife.

 

Natalie Crick PhotoNatalie Crick, from the UK, has poetry published or forthcoming in a range of journals and magazines including Interpreters House, Ink In Thirds, The Penwood Review, The Chiron Review and Rust and Moth. Her work also features or is forthcoming in a number of anthologies, including Lehigh Valley Vanguard Collections 13. This year her poem ‘Sunday School’ was nominated for the Pushcart Prize.

Another Thing – Danielle Dix

 

It is something to understand

you share the space between the sky

and the land

the time that falls from jumping

to standing

the beat of breathing

the peak and plunge of the sun

But as stone to grain,

from mist to rain,

It’s another thing to change

 

2016-11-13 07.13.17Danielle Dix is a poet with a tendency to focus on the challenges that people create within themselves. She is ruled by her impulsive nature, drools for travel, and is compiling a set of poems that she hopes will not fall prey to abandonment in a cardboard box. She tweets at @DanielleNoelDix.

Hillside – Ella Kennett

 

I stride up the green staircase,

Its steep struggling surface

is a workout for the lungs.

Never mind the breath of the sky,

holding me hostage in its grip.

 

Adventure calls like the howling of wolves,

and though our fingertips

have conceded to the cold

Having a hand to hold,

exposes skin to expedition

and makes us immune

to the climate,

as we climb higher.

 

Laughter echoes down the rabbit hole.

I’m an animal for your attention,

clawing at your love

Like a fox in the night,

searching for prey.

 

The views up here

are high and mighty

but you, the antidote

are much more beautiful,

than what my eyes can describe.

 

ek-picElla is an 18-year-old A Level student from Kent, England who loves music and film alongside literature. She hopes to study English Literature and Creative Writing at university after she finishes her last year at school. She writes at ellagkpoetry on Instagram.