Soft Landing – Jessica Michael

 

I spend an afternoon listening for the sound sun makes when it hits the ground,

a symphony as it slides off blades of grass, drowns itself in pools of shadow,

then stumble up a broken mountain to see how wind is cradled.

 

Not a single straight line is made anywhere.

 

Perhaps this accounts for our human obsession with maps,

our need to press curves into grids.

They say it is for memory, but I don’t believe them—

you can’t remember this.

 

How land spreads before sunset fire.

How ravens fly without moving a wing.

How a single leaf makes the decision to fall.

 

Does earth know to catch it when it does?

 

 

10036_2Jessica Michael lives and writes in Prescott, AZ when she’s not traveling this intriguing blue planet. Her work has appeared in Allegro, Comstock Review, Red Fez, Rebelle Society, Outdoor Australia, and others. Find her poetry and photography at www.authorjessicamichael.com or follow her on Instagram as @authorjessicamichael.

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Foal – Anthony Watts

 

On Thorncombe Hill

I saw the world

 

balanced

upon four saplings

 

itself-begetting

in the dew of the foal’s eyes

 

who whinnying

down nostrils newly bored

 

printed upon that

immemorial quietude

 

his infant sneeze.

 

 

Anthony Watts - head & shoulder portrait (3)Anthony Watts has been writing ‘seriously’ for about 40 years. He has won 26 First Prizes in poetry competitions and was longlisted for the National Poetry Competition 2014. His poems have appeared in magazines and anthologies, including Poetry Salzburg Review, The Rialto and Riggwelter. His fifth collection, Stiles, is due to be published by Paekakariki Press. His home is in rural Somerset and his main interests are poetry, music, walking and binge thinking – activities which he finds can be happily combined.

Belated Farewells – Linda Rhinehart

 

That summer night we walked

together under the moon,

brighter than a fluorescent snow

globe in a Halloween window;

You told me to look up, so I did; I saw

a scattering of sun-dipped stars behind,

stepping stone to bright unknown horizons.

Later that night mist fell over a silent ocean,

and now I sit alone before a window

wondering if there is anything I could have said,

if there was anything I could have done,

and the moon a mere piece of cloth

pinned to an ink-dark sky.

 

 

IMG_1172Linda Rhinehart, 30, is a student, writer and translator currently living and studying in Cardiff, Wales. In the past she has lived in Switzerland, the USA and Germany. She has been writing poetry for around three years and reading it for a lot longer. In her spare time she enjoys playing piano, going for walks in nature and cats.

Granada – Hannah Patient

 

We step outside of time for just three days

and make this place our own: get coffee

every morning at the same café, where

ageing waiters all wear neat blue waistcoats.

This city’s pomegranate-like, they say:

bursting at the seams with juicy seeds

of things to come, of things that might have been.

We walk around the town in midday heat

and everything slows down: we’re living at the speed

of unripe fruit on orange trees and buskers in the streets.

Lost in Sacromonte, we give up and watch

the whole world pass us by, the palace

on its lonely hill a solid compass point.

As night falls, we get brave and mess around:

go rambling through the undergrowth

in the belly of the town, eat tapas in

our favourite bar as the Spanish sun goes down.

We join processions through the streets

where children chant and incense swings;

get punch-drunk on the smell of it,

turn sleepy listening to the man who sings

each night, alone, in the courtyard by our house.

 

I say that like it’s ours; of course it’s not –

nothing here really belongs to us.

The next day when the sun grows restless, hot,

we pack our bags and leave for a new place.

Time speeds up once more; how quickly we forget

the peerless lustre of these Andalusian days.

 

 

35842420_883314205202005_529810939248115712_nHannah Patient is a third-year English student at Somerville College, Oxford, and the former Essex Young Poet of the Year. Her work has appeared in publications including ASH, The Oxford Review of Books, Blacklist Journal and The Purple Breakfast Review. In her spare time she enjoys exploring crumbling buildings, watching detective dramas and eating chips with mayonnaise.

Colorful Combinations – Deborah Guzzi

 

Being of earth, wind, fire, and water, I amble wide-eyed in a world of color.

Elements form metaphoric limbs, link the undefined—in a world of color.

 

Unified, stalwart, we stride, side by side, reveling in the differences

from the molten core to the tide-line—enshrined in a world of color.

 

There are no weeds, no right place or time; all life’s sublime, beauteous

in the blessed-eye, like unto like, all entwined in a world of color.

 

Rays, wings, seeds—exploding suns—jellyfish in the sea,

quarks to leptons to universes, all primed in a world of color.

 

Gather the multitudes—reform and combine—splatter watercolors

for all creations shines—life’s sublime in a world of color.

 

 

 

debbie 3aDeborah Guzzi writes full time. Her third book, The Hurricane, is available through Prolific Press. Her poetry appears in Allegro, Artificium, Shooter, Amethyst Review and Foxglove Journal in the UK, Existere, The Ekphrastic Review, Scarlet Leaf Review and Subterranean Blue Poetry, Canada – Tincture, Australia – mgv2>publishing, France – Cha: Asian Review, China – Vine Leaves Literary Journal, Australia – The Scarlet Leaf Review – Greece, Ribbons, pioneertown, Sounding Review, Bacopa Literary Review, The Aurorean, Liquid Imagination, The Tishman Review, Page & Spine and others in the USA.

How I love – Joe Albanese

 

From your hope is how I hear you

Through your unabashed scars is how I feel you

 

Between each thought I always see you

And it’s in your flowing that I know you

 

The sacred and magic are born from you

For simple being, the world should thank you

 

In crowded streets I may have lost you

But with heart-star lantern, I’ll search for you

 

Although ghosts may sometimes haunt you

It’s because who wouldn’t live beside you?

 

From your laughter I cannot save you

But in tears I’d never have you

 

If it’s in the sunlight that I want you

Then it’s in its shadows I am with you

 

If all our lives I never reach you

Then let these words be how I love you.

 

 

JoeAlbanese_photoJoe Albanese is a writer from New Jersey. His work can be found in publications across the U.S. and in ten other countries. Joe’s novel, Caina (Mockingbird Lane Press), and his novella, Smash and Grab (Books to Go Now), were both published in 2018.

A Stone – Oak Ayling

 

Do you think

A stone taken up from the ground

Forgets where it is from?

Erased of place, of memory?

 

Do you think it remembers

The rough kiss

The tender current

The air, the ocean

The chatter of falcons nesting?

 

Does it still think fondly

Of the year you were born?

 

 

IMG_20181005_083822_391Oak Ayling is a young woman quietly stitching poetry into the blurry windswept border between Cornwall and Devon, England. Highly commended by Indigo Press in the Geoff Stevens Memorial Prize 2018, her work can be found in Anti Heroin Chic Magazine, the fast growing lit mag From Whispers to Roars and forthcoming charitable anthology ‘Shorthand’ by author Helen Cox in support of UK homeless charity Streetlink.

Cabin life – John Grey

 

Dawn unfastens the point of being here –

a shimmering globe rotating –

newly acquired light and heat and air.

 

Quiet breakfast

then a walk

sipping the vin rose of the morning,

a feeling hastily translated

from the woman on my arm –

a ledge of sandstone,

a forest nook,

and time, a small favor

that we forget to ask.

 

We could be mistaken for dew

except we hold on longer.

Or hummingbirds,

buzzing, fluttering,

distancing ourselves from small talk

but embracing the hunger

of small unimportant lives.

 

Person to person,

tree to tree –

and a running stream of course –

running on this spot.

 

 

unnamed-bioJohn Grey is an Australian poet, US resident. Recently published in Nebo, Euphony and Columbia Review with work upcoming in Leading Edge, Poetry East and Midwest Quarterly.

The day the rain finally came – Michael H. Brownstein

 

Flood water drizzles away in the mid-Missouri heat of July,

mud hardens into adobe brick and the early morning dark olive

green sky is not full of dew, but resin and hard tack.

When the first breeze blows late morning, it is not

the dust of the earth that lifts itself into air,

but the dead of the earth – dead seeds, dead fall,

the dried out carcasses of crayfish and tulip lipped toads.

Suddenly the green grass is beard grizzled and graying,

the ants bring drying blood back to their queen,

large bees settle in the shade of a blossom and sleep.

Then, one afternoon, a cackle in the sky, the clouds

gather into bundles of storm and heat lightning.

When the rains come, everything moves out of the way.

Cracks in the clay eat what they can and the river

opens its huge mouth to take in everything else –

ants, bees, the dead wood congregating on the dying grass.

Then it is over and hotter and stiller and even a shift in weather

cannot rise all of the dead things decomposing into the air.

 

 

unnamed (3)Michael H. Brownstein’s work has appeared in American Letters and Commentary, Skidrow Penthouse, Convergence, Meridian Anthology of Contemporary Poetry, The Pacific Review, and others. In addition, he has nine poetry chapbooks including A Period of Trees (Snark Press, 2004), Firestorm: A Rendering of Torah (Camel Saloon Press, 2012), and The Possibility of Sky and Hell: From My Suicide Book (White Knuckle Press, 2013). He is the admin for project Agent Orange (projectagentorange.com).

Along the Gridley River – William Doreski

 

On the waterfall trail the moss

wigs with damp an intelligence

greater than ours. Painted

 

trillium spikes the roving eye

with rippled, blood-streaked petals.

We pause by the deepest pool

 

and watch the falls fall into it.

Trout? you speculate. No more

hooking fish by the lip. I broke

 

my fly rod years ago. Let the big

specimens die of old age,

as I plan to do when the light

 

thickens and the waterfalls freeze

and pharmaceuticals no longer

excite my favorite organs.

 

We enjoy the contrast of rock-

broken and still water, the swirl

of leaf decay icing the pool

 

like the world’s first birthday cake.

Nature’s always rebirthing itself

in a shrug of clichés. Brightly

 

ethered, it wings about us on fire

with floral imperatives. Leaning

on each other in the mist of flies,

 

we let the mood distinguish us

from the other forms of life.

Among them, only falling water

 

and maybe the painted trillium

seem mobile enough to track us

to our secret mutual lair.

 

 

william-doreski175William Doreski lives in Peterborough, New Hampshire. He has published three critical studies and several collections of poetry. His work has appeared in many journals. He has taught writing and literature at Emerson, Goddard, Boston University, and Keene State College. His new poetry collection is A Black River, A Dark Fall.

Gone – Kenneth Pobo

 

While eating at a diner just north

of Shreveport,

the world ended.

I hadn’t even gotten

my cherry pie yet.

A drizzly day, clouds

had many vacancies.

 

I’d like to remember Earth

at seventy-five degrees,

an abundance of Winston Churchill

fuchsias blooming

in a window box

held to a wooden garage.

Instead,

 

a confused moon mourns

tides it can no longer turn.

 

 

imagejpeg_0_2 (2)Kenneth Pobo had a book of ekphrastic poems published in 2017 by Circling Rivers called Loplop in a Red City. Forthcoming from Clare Songbirds Publishing House is a book of his prose poems called The Antlantis Hit Parade. Check out Ink Pantry, Brittle Star, and West Texas Literary Review to find more of his work.

An Almost Empty City – Samuel W. James

 

The sea is tired and the sky above seems runny

while on the shore of the sea

humans swarm like bees;

you’d think the slow waves were made of honey.

 

Inland, mile by mile, the leaves seem to glow

with the lime leaves’ piercing greens

which is only the sun’s gleam,

and neither the trees nor the sun even know.

 

The bees themselves patrol the streets

and they are the only ones.

Even down to the concrete, the world is sweet;

down to the marrow of its bones.

Its secretive souls need not be discreet

when the humans have all either hidden or flown.

 

 

 

SWJ picSamuel W. James’ poems can also be found in AllegroThe Eyewear ReviewThe Fortnightly ReviewDissident VoiceThe Literary HatchetAmsterdam QuarterlyLondon GripClockwise CatPeeking CatSentinel QuarterlyScarlet Leaf ReviewDoor is a JarThe Beautiful SpaceElsewhere Journal and Ink, Sweat and Tears.

Worlds Apart – Deborah Guzzi

 

beneath my skin

milk flows like fire:

today I have eaten

 

my daughter’s mouth pulls

her hands knead my breast, her world

deep brown eyes hidden

long black lashes flutter closed

no more but she suckles on

 

in the shade we sit

beside the hotel’s grand door:

no coins in my bowl

 

 

 

debbie 3aDeborah Guzzi writes full time and travels for inspiration. Her third book The Hurricane is available through Prolific Press and at aleezadelta@aol.com. Her poetry appears in: Allegro Poetry Magazine and Artificium in the UK, Existere – Journal of Arts and Literature and Scarlet Leaf Review, Canada – Tincture, Australia – Cha: Asian Literary Review, China – Eunoia in Singapore – Vine Leaves Literary Journal – Greece, mgv2>publishing – France, and Ribbons: Tanka Society of America, pioneertown, Sounding Review, Bacopa Literary Review, Shooter, The Aurorean, Crack the Spine Literary Magazine, Liquid Imagination, Concis, The Tishman Review, Page & Spine & others in the USA. the-hurricanedg.com.

Earthquake – Susan Richardson

 

The earth rolls beneath my feet, a wave

carrying me across the courtyard.

I sink into his mouth.

Afternoon erupts with fear as the

ground spits back its shaking aftermath.

Sunburned pavement cracks in his grasp.

Evening whispers its descent,

peppering the sky with darkened clouds.

Far below, the world stands still.

 

 

 

IMG_0069Susan Richardson is living, writing and going blind in Hollywood. She was diagnosed with Retinitis Pigmentosa in 2002 and much of her work focuses on her relationship to the world as a partially sighted woman. In addition to poetry, she writes a blog called “Stories from the Edge of Blindness”. Her work has been published in: Stepping Stones Magazine, Wildflower Muse, The Furious Gazelle, The Hungry Chimera, Sheila-Na-Gig, Chantarelle’s Notebook, Foxglove Journal, Literary Juice and Sick Lit Magazine, with pieces forthcoming in Amaryllis. She was also awarded the Sheila-Na-Gig Winter Poetry Prize.

Turn the Wheel – Ali Jones

 

He marks the year with stones,

feels the fire in trees rising,

 

when the sky calls up life.

He inhales beneath the horse chestnut,

 

stands in his father’s footprints,

eyeing the benign branch caught stars.

 

His mother leashes his hand,

they ride on wind dogs and go hunting

 

for the best kindling, where hills

are clouded with sheep.

 

In autumn, leaves throned gold,

he pockets treasures, and watches

 

the flames recede in the fall of red and yellow,

dry wood transformed in age.

 

He mounts an iron horse,

flesh consumed with the spirit of speed,

 

the season carries his skeleton to cage

a man’s soul, while roots travel

 

down, sinking with winter’s life,

to condense into vital coal.

 

 

 

Author photo 2Ali Jones is a teacher and mother of three. Her work has appeared in Fire, Poetry Rivals, Strange Poetry, Ink Sweat and Tears, Snakeskin Poetry, Atrium, Mother’s Milk Books, Breastfeeding Matters, Breastfeeding Today and Green Parent magazine. She has also written for The Guardian.