foliage hatching – Martin Potter

 

twitch-woods

fresh trees’ switches

sprout cocoons

along spring-necks

 

the fledge-buds

begin to fan free

bat-wing tender

in salad green

 

wing-take

flutter-leaf among

anchored branches

earth by root-claw

 


Martin Potter (https://martinpotterpoet.home.blog) is a British-Colombian poet and academic, based in Manchester, and his poems have appeared in AcumenThe French Literary ReviewEborakonInk Sweat & TearsThe Poetry Village, and other journals. His pamphlet In the Particular was published in 2017.

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Consequences of Salt – Tammy L. Evans

 

Angry water reflects a mirror of

Distorted decisions

Shown to me one by one

Like a slide projector I have broken.

 

My pretend life is

Different from the one before me

 

A handcuff of small lotioned hands

Full of promise and sweat

 

Salt lures me with

                                        Crunch

Substance and

                     Bite.

 

But dissolves rendering it invisible

Before I can ask what my purpose is

 

Orphaned again

Not by death but by

Dissolving back

Into this version of myself.

 


Tammy L. Evans writes, walks, inspires, and teaches. She is the conjurer of everyday magic with short concise poems and stories. Her fiction has been published in Gone Lawn, Cabinets of Heed, Spelk, Five on the Fifth, Clover and White, Fiction Berlin Kitchen, Shorts Magazine, and Elephants Never. She is the lead moderator for the Sarah Selecky Centered community and a teacher for the school. You can connect with Tammy through IG @inspiretammy.

Soft W – Kristy Snedden

 

She perks up her heads

and debates which exit

to use. A few consonants

run for my throat but the vowels

want to journey through

my heart, get polished

by the oxygen rich blood

flow into the crowded world.

 

Now the consonants talk

to each other and to my throat

which makes guttural noises

and feels lost without vowels.

But the ws come, wanting

who, where, what, when.

With soft puffs of air

and a whoosh they blow

 

the letters out of my mouth.

Like magnets the vowels

and consonants pull to

each other and rearrange

themselves by the relativity

of the morning light.

And there she is, ushering

me out of granite into form.

 


Kristy Snedden has been a trauma psychotherapist for forty-plus years. She began writing poetry in June 2020.  Her work appears or is forthcoming in various journals and anthologies, including Snapdragon, The Examined Life Journal, Open Minds Quarterly, Pensive, and Anti-Heroin Chic. She is a 2024 Pushcart Prize nominee. In her free time, she can be found hiking in the Appalachian Mountains near her home or hanging out with her husband listening to their dogs tell tall tales. You can follow her on Instagram @kristy_snedden_poetry.

fog fall – Martin Potter

 

stepped inside to sidestep

a throat-tickle chill in the air

an hour later fog fell

 

haze of night had smothered

murk-wise the tight street

only your own echoes

 

bounce off walls pavement

resonant but ghosted out

lamp-glare haunts the home-walk

 


Martin Potter (https://martinpotterpoet.home.blog) is a British-Colombian poet and academic, based in Manchester, and his poems have appeared in Acumen, The French Literary Review, Eborakon, Ink Sweat & Tears, The Poetry Village, and other journals. His pamphlet In the Particular was published in 2017.

Longwood – Louise Walker

 

Hail hard in our faces, sun in our eyes,

we push through brambles, past the dovecot

and piles of tumbled bricks, driving deep into

the heart of the wood. Long before the house

burned down, someone planted daffodils here

and every year there are more, seen only

by those who still remember where to look.

Around the empty walled garden, bastard

fruit trees shoot upwards from ancient rootstock,

foaming white, but there will be no fruit,

unless we bend to read these faded labels

beside each shadow tree against the stone,

unless we plant again to face the sun

with Concorde, Harrow Sweet, Laxton’s Superb.

 


Louise Walker is a poet and teacher who lives in London. Her work has appeared or is forthcoming in anthologies by the Sycamore Press and Emma Press, as well as journals such as SouthOxford MagazineAcumenSecond Chance LitARTEMIS and Dreich. Commissions include Bampton Classical Opera and she was Highly Commended in the Frosted Fire Firsts Award in 2022. She is working on her first collection.

Walking the Dales Way in Autumn – Ceinwen E. Cariad Haydon

 

Rain-glistened raised roots

emerald moss-coated stones

water spattered, spreading cow pats

slippery wooden footbridges

rocking, ancient stiles

with hard-sprung gates –

 

all conspire to tumble me as I walk

our old ways in these Dales

long swept by winds, storms,

artists’ eyes, mizzle and sunlight.

 

Somehow, I stay upright

and advance slowly, mindful

of the present moment

rich with overflows

of tricky beauty

as breezes waft smells of byre

and mulch of fallen, slithered leaves –

 

I find I am

unbalanced only by time

about to run out.

 


Ceinwen lives near Newcastle upon Tyne, UK and writes short stories and poetry. She is widely published in online magazines and in print anthologies. Her first chapbook is ‘Cerddi Bach’ [Little Poems], Hedgehog Press, July 2019. She is developing practice as participatory arts facilitator. She believes everyone’s voice counts.

seals’ dreamtime – Martin Potter

 

readier to roll about

than to drag seal-bulk

shingle-crunch climbing

the beach’s skirts

 

haul and lay their mass

press on the pebble bed

a bay’s broad outscouring

they bask the lull

 

when a pair of helpless eyes

pitch-bright in bristled snout

ratchets round in meeting

yours with sea-thoughts

 


Martin Potter (https://martinpotterpoet.home.blog) is a British-Colombian poet and academic, based in Manchester, and his poems have appeared in Acumen, The French Literary Review, Eborakon, Ink Sweat & Tears, The Poetry Village, and other journals. His pamphlet In the Particular was published in 2017.

Gaia’s Song – Claire Shaw

 

We start slow

Let the fire burn low

As the shadows grow

by Moon Mother’s glow

Wait

 

Lick the grease from our fingers

Breathe the smoke in that lingers

Wait

 

Test the ground with our feet

Wait for the beat

The thrum

Feel the life in the peat

The hum

We drum

 

We dance

fling the embers as we spin

a trance

there’s heat on our skin

a chance

to feel the fire burn within

 

and now we’re striped with sweat and dust

 

we’re dripping

with the scent of musk

heady incense

burning lust

 

and we are bound

to the sound

of the beat

that we found

at the hearth at the heart of the world

 


Claire Shaw is an emerging UK-born poet and author whose work has appeared in publications including Black Hare Press, The Dawntreader, Silkworm and Grimsy. She currently resides in The Netherlands with her husband and two cats and works in Digital Marketing. She loves to travel, practice her photography, and read like it’s going out of fashion.

Palm Civet – Rahana K Ismail 

 

To Úrsula Iguarán

 

A mouth gnawing at the cemented floor.

The tail a sky of shadow. Between niches

mousing, a scratch of claws. Two eyes

planetting the room

 

of my conscience. Guilt can take on

many forms. As a hole

in the sprawl of air. A hole

that housed

 

a spear. A throat it makes around it.

A head it wedges in, the mesh

of bone and body it zeroes in on. The hand

that weaves into esparto grass.

 

Walking as a man does, sad

and searching

until you haunt courtyards

for the open faucet, or floorboards

for the ticking beetle,

or the telling heart in spite.

Ever since grandma told me, a civet cat

 

knocking over boxes of what I have

squirreled in my head.

 


Rahana K Ismail is a poet and doctor from Kozhikode, Kerala. Her work has been featured or is forthcoming in The Penn Review, Yearbook of Indian Poetry in English, nether Quarterly, Contemporary Haibun Online, Usawa Literary Review, POSIT, Io Literary Journal (Refractions), The Alchemy Spoon, Paradoxlit, Farmer-ish, Poetic Sun, Chakkar, Alipore Post, Aainanagar, Hakara, Verse of Silence, EKL Review, Pine Cone Review and elsewhere.

The Wave – Kristy Snedden

 

A wave curled over my bed

last night, fell into the center of my body,

surf ran through each cell.

The words I was saving for today

Washed away leaving empty space.

It was warm, like that glow around

The waning crescent moon.

 


Kristy Snedden has been a trauma psychotherapist for thirty-five plus years. She began writing poetry in June 2020. Her poem “Dementia,” was awarded an Honorable Mention in the 90th Annual Writer’s Digest Writing Competition. Her work appears or is forthcoming in various journals and anthologies, most recently Snapdragon, Open Minds Quarterly, The Power Of The Pause Anthology, and The Examined Life. She is a student at Phillip Schultz’s Writers Studio. When she isn’t working, reading, or writing poetry, she can be found hiking in the Appalachian Mountains near her home or hanging out with her husband listening to their dogs tell tall tales.

Starlings – John Muro

 

Dispatched from dusk, an iridescent stubble

breaks over everything and lacquers the lawn,

and each inch of terrain becomes a mangle

of brunette sheen. Sodden acres are now

blanketed beneath a chattering with numbers

too vast for counting. In precipitous precision,

they rise, like a head-wind suddenly made

visible, quickly extinguishing any creases

of light as each bird binds itself to the whole,

keeping tightly to form as if something

foreign and intent on anarchy might displace

it and lead the murmuration astray, none

daring to pull opposite of their dark destiny

and fretful portage between earth and heaven.

 


A resident of Connecticut, John is a graduate of Trinity College, Wesleyan University and the University of Connecticut. In the Lilac Hour, his first volume of poems, was published in 2020 by Antrim House, and it is available on Amazon. His poems have been published, or are forthcoming, in journals including Euphony, Moria, Penumbra, River Heron, Sheepshead, Third WednesdayAmethyst Review, High WindowPoetica Review and the French Literary Review. John is also a two-time 2021 Pushcart Prize nominee.

The Tree – Daniel Tobias Behan

 

I spoke with

the tree-man,

and he told me

 

how deep his

roots buried

into the Earth;

 

connected

through moss,

rock, and soil,

to places far

and wide –

 

they held

knowledge

humanity had yet

to even consider.

 

His trunk, he

told me, contained

layers in concentric

rings, infused

 

with memories

of all people who

had passed

him by over

the years.

 

His branches,

he said,

kept secrets

of the birds,

 

who sang him

tales of their

dinosaur ancestors –

 

his leaves

communed, with

the sun,

wind, stars,

 

sky, and moon,

about the

state of affairs

across the galaxy.

 


Daniel Tobias Behan is a London born-and-based poet. From 2017 to 2019, Daniel performed regularly at the London Irish Centre, Camden; in 2018 Daniel was interviewed by the Irish Post as part of their London Calling podcast series, and in 2020 had a short film made of ‘The Visit’ featuring acclaimed actor Nora Connolly and directed by Patrick O’Mahony, was interviewed for Wombwell Rainbow, and commenced a poetry series ‘Findings’ on channillo.com.

The Beach of the Cathedrals – Glenn Hubbard

 

The pseeping of pipits. The ticking

of robins. The flicking of redstarts.

Is the curtain-raiser.

 

Descend to the sand to walk up

dark naves. Arches and stacks

of schist and layered slate.

 

Stop to peer into the cracks and caves,

the patient work of tireless waves. Wait.

To hear the drip of fresh water.

 

Blue mussels in dense colonies.

Clenched goose barnacles in clusters.

Safety in numbers.

 

Near the shore

note the pools.

How they shelve.

 

Imagine the sun-tempered cool

on a day in July. The slide

in from the soft edge.

 

The sand sucks at the soles

of your shoes. Ascend,

the sound of the sea dissipating.

 

The pseeping of pipits. The ticking

of robins. The flicking of redstarts.

Is the send-off.

 


Glenn Hubbard has been writing since 2013 and lives at the foot of the Sierra de Guadarrama near Madrid. He has written a good deal of nature poetry over the years, inspired by the flora and fauna of both Spain and the UK. Some of this work has been published in journals such as Words for the Wildthe Dawntreader and Sarasvati.

all – Mark Goodwin

 

all

 

washed from

land-rim through

 

sea’s miles

 

-high-sky &

fathoms-deep

 

en

 

twined

 

light

 


Mark Goodwin is a poet-sound-artist, and speaks & writes in various ways. He is also a walker, balancer, stroller, & climber. He has a number of books & chapbooks with various poetry houses, including Leafe Press, Longbarrow Press, Nine Arches Press, & Shearsman Books. His poetry was included in The Ground Aslant – An Anthology of Radical Landscape Poetry edited by Harriet Tarlo (Shearsman Books 2011) and The Footing edited by Brian Lewis (Longbarrow Press 2013).  His latest chapbook – a compressed mountain travelogue called Erodes On Air – was recently published in North America by Middle Creek. Mark lives with his partner on a narrowboat just north of Leicester. He tweets poems from @kramawoodgin, and some of his sound-enhanced poetry is here: https://markgoodwin-poet-sound-artist.bandcamp.com.

Arran Postcard – Anna Percy

 

Dear T.

I know you have cycled on the coast road where I bumped along on the bus I haven’t asked if you stopped here at Kildonan where seals are promised or whether in fact the flop of their sea adapted bodies fills you with the same glee a fortification crumbles in a dark stone on the hill a look out a warning place the first line of defence the current light house sits on an islet must be lonely have to row back and forth to find another body the sun has started to blaze and yet the sea froze my toes a swimming costume was a dare to the water the water itself is all subtle movement and glitter past the sand everything is bands of blue and white you would swim.

 


Anna Percy has been writing for the page, stage and publication since 2004 mostly in the North of England. In 2010 she co founded the feminist collective Stirred Poetry. She has three full length collections with Flapjack Press. This poem is from an upcoming pamphlet The Everlasting Now from Some Roast Poets.