Soon the Drift of Dusk – Darrell Coggins

 

Twirls of seaweed strew

over dimpled rocks

 

quickly shed free –

across damp sand

playing off each other

 

papery filaments skitter

and flip

 

Later, washed over

crisscrossed in a half-smile

frail footsteps recede

 

disquieting behind me

ribbed with graveyard bones

limestone fragments crumble

 

wallpapered underneath

in imprecise lines

 

snippets of ochre conjure

an amoebic design

a patina stained and flecked

 

Soon the drift of dusk –

unmoored, about to weep

drawn back and back

 

both beautiful and hypnotic

a bevy of clouds merge

towards the sea

 

continuously glassy

minute waves lap

almost silent –

 

gentle against my feet

 

 

IMG_1301Darrell Coggins is a poet, visual artist and musician who lives in Adelaide, South Australia. His poetry has been published in Poetry Matters, Positive Words, The Mozzie, Tamba, Studio, Nine Muses, Envy – Seven Deadly Sins, The Crow and Friendly Street Poets anthologies. Darrell’s poems are of moments seen, heard and felt.

Secret life of seals – Rebecca Gethin

 

Secret life of seals Rebecca Gethin 1

 

unnamed 1Rebecca Gethin lives in Devon. She was a winner in the first Coast to Coast to Coast pamphlet competition with Messages. A pamphlet about endangered creatures called Vanishings is due to  be published by Palewell Press in 2020. Two pamphlets were published in 2017: A Sprig of Rowan by Three Drops Press and All the Time in the World by Cinnamon Press who previously published a collection and two novels. She has been a Hawthornden Fellow and undertook a residency at Brisons Veor in 2018. Find more at www.rebeccagethin.wordpress.com.

Arizona Spring – Linda Rhinehart

 

all around us are spots of red

like measles over a face that

is only now healing, cloaks

draped in wild abandon over the

sun-baked rocks, sentinels peeking

from behind pink stripes and

distant canyon borders

and not a fence post in sight;

what freedom is ours, driving

mile after mile over this

violent sunset land, and our

constant companion temptation,

whispering in our ears that

we are never to return to

a land where there are no

fields of red flowers

 

 

IMG_1172Linda Rhinehart, 30, is a student, writer and translator currently living and studying in Cardiff, Wales. In the past she has lived in Switzerland, the USA and Germany. She has been writing poetry for around three years and reading it for a lot longer. In her spare time she enjoys playing piano, going for walks in nature and cats.

fisherman – Ion Corcos

 

blue bay turns to white

scatters seagulls on the pier

 

splashes high on empty restaurants

onto rocks

 

a lone fisherman on an old cane chair

hot mountain tea on salted stone;

 

no man calls to long-haired goats

along the rugged path, no clinking bells

 

only a loose canvas flapping

a few dead fish in buckets

 

and a dying wind in the cove

 

 

Ion CorcosIon Corcos has been published in Grey Sparrow Journal, Clear Poetry, Communion, The High Window and other journals. He is a Pushcart Prize nominee. Ion is a nature lover and a supporter of animal rights. He is currently travelling indefinitely with his partner, Lisa. Ion’s website iswww.ioncorcos.wordpress.com.

At the Museum – Claire Walker

 

For fossil hunter Mary Anning.

 

In glass cases, bigger than my childhood

home, they display the rocks of my life’s work.

Together, men caw like gulls over scraps,

applaud their knowledge and its evolutionary weight.

 

They will not, yet, accept these finds as a woman’s

will not acknowledge my days searching the tide;

days when the sky could do anything – layers

of grey and blue stacked against each other.

 

How easily we set ourselves this way:

man over woman. They call me Handmaid,

think I gather pretty shells in my bonnet

for no reason but a pleasing shape.

 

They are wrong to try and erase me –

an expert at preserving remains.

The swirls of my fingerprints are spelled out on flint,

letters chiseled in the lines of my nameless bones.

 

 

12718029_871924849596518_4897711566017020968_n (1)Claire Walker’s poetry has been published in magazines, anthologies and webzines including The Interpreter’s House, Prole, Ink Sweat and Tears, The Poetry Shed, and The Chronicles of Eve. She is a Reader for Three Drops Press, and Co-Editor of Atrium poetry webzine. Her first pamphlet – The Girl Who Grew Into a Crocodile – was published by V. Press in 2015, and a second – Somewhere Between Rose and Black – will follow in December 2017.

Riparian zone – John Grey

 

The bends, the lichen-coated rocks,

dissipate the current

so that it spreads out sideways

to the banks,

before continuing downstream.

 

Along the margin,

bees drift in and out

of purple harebell lobes,

bright white arrowhead,

patches of southern iris.

 

For a hundred miles,

a modest greenery

of riffle and grass,

muskrat hole and wildflower,

pilots the flow,

unhurried and content.

 

A selfless strip of life

conjoins these waters.

Without it,

the river draws no breath

 

 

unnamed-bioJohn Grey is an Australian poet, US resident. His work has recently been published in New Plains Review, Stillwater Review and Big Muddy Review, and is upcoming in Louisiana Review, Columbia College Literary Review and Spoon River Poetry Review.

The River – Jade Cuttle

 

Oblinsky Plateau, Siberia

 

The mist above the river hangs in hesitation

like the tingle of flies, time bending slowly

in on itself like the spill of the sun as it turns

 

a blind eye to the chaotic curl of the current,

shoving its swell through the morning rush

of rocks shifting restless beneath the surface:

 

this river is ready to be ripped from its bed,

stripped of its sheets, dragged by the drift,

its stitches of silt worked loose by the tide

 

before it can rise, like a splinter of sunlight 

whose split is slight then all of a sudden

has swallowed the sky.

 

14918995_10207367984386074_1304119016607472935_o (1) 1Jade Cuttle read literature at University of Cambridge. She has performed on BBC Radio 3 in association with BBC Proms (The Art of Splinters) and is broadcast regularly across BBC Introducing. She has been commissioned for BBC podcasts celebrating Shakespeare’s 400th anniversary and won competitions run by Ledbury Poetry Festival, Foyle Young Poets, BBC Proms, and the Poetry Book Society. She is currently working as Daljit Nagra’s Apprentice Poet-In-Residence at Ilkley Literature Festival and is looking to publish her first pamphlet. If you enjoy her work, you are warmly invited to follow here: www.facebook.com/jadecuttle.

Ode to Bishop – Carl Boon

 

Late September means

the chickens—

 

in summer imperturbable—

scatter at the shack’s wall.

 

They sense a flesh confined

trucks moving away,

 

the ends of all things

hot and strange.

 

This evening the wind

has shifted; the vines

 

have browned, fall against

the boy’s summer plan:

 

a pyramid, a monument

to which he did not pray.

 

Mother tries the door.

The cat has perched atop

 

the Hyundai top,

a kind of porch,

 

and symbols here have pushed

away to need—tin foil

 

makes a drape, branches

of fig to fence the strays.

 

When the rains come,

the girl, barely old enough

 

to lie, will gather armfuls

of rocks, wishing they were clouds.

 

cb-picCarl Boon lives in Izmir, Turkey, where he teaches courses in American culture and literature at 9 Eylül University. His poems appear in dozens of magazines, most recently Burnt Pine, Two Peach, Lunch Ticket, and Poetry Quarterly. He is also a 2016 Pushcart Prize nominee.