Martin Potter (https://martinpotterpoet.home.blog) is a British-Colombian poet and academic, based in Manchester, and his poems have appeared in Acumen, The French Literary Review, Eborakon, Ink Sweat & Tears, The Poetry Village, and other journals. His pamphlet In the Particular was published in 2017.
Despite my current condition, I know the edges have been smoothed. I suppose it is necessary. No one wants him to be the villain. If Eros shot him with an arrow, then nothing he did afterward was his fault. He remains the Sun god, glorious and beautiful.
The truth is, he was not enchanted nor enamored with me. He hunted me out of rage. He wanted to possess me. When he failed, he decided he would claim and hurt me. He was predator and I was his prey.
All women knew that if one of them wanted you, you would never be safe. He chased me until my lungs seized and my feet bled. I was terrified. Still, I refused to submit. I fled to the river and begged father for help.
Father knew I never wanted to be reduced to a destructible possession. All he could do was change me. He turned me into my favorite tree, the laurel, that could never be destroyed.
He still tried to hack off my branches, but he failed. He wears another tree’s laurels as part of his crown. He never caught me.
Gillian Moran is an expatriate living in the United Kingdom with her rescue dog. Her flash fiction has been previously published on 50-Word Stories.
Martin Potter (https://martinpotterpoet.home.blog) is a British-Colombian poet and academic, based in Manchester, and his poems have appeared in Acumen, The French Literary Review, Eborakon, Ink Sweat & Tears, The Poetry Village, and other journals. His pamphlet In the Particular was published in 2017.
Louise Walker is a poet and teacher who lives in London. Her work has appeared or is forthcoming in anthologies by the Sycamore Press and Emma Press, as well as journals such as South, Oxford Magazine, Acumen, Second Chance Lit, ARTEMIS and Dreich. Commissions include Bampton Classical Opera and she was Highly Commended in the Frosted Fire Firsts Award in 2022. She is working on her first collection.
I notice the fluttering inside of me at the time the earth stands still. Equal day and night. I turn to the man sleeping with his back to me. The shape of him stirs me and the fluttering increases. I lie my head against him and he does not stir.
The fluttering reminds me of a butterfly whose wings knock against a closed window, yet I cannot open up and let you out. It is not yet time. The year dips into winter. Snow lines the windowsill. I breathe on the glass and draw a heart. How I long to be out in the fields once more.
I have not told him of the fluttering I feel inside. This is my secret and I have no wish to share it. I hug my arms around my stomach, shelter you, to reassure you.
As days move into months, I have not grown much, yet I feel your kick. I caress your movement, talk to you as I shower. Surely it will be soon. I have still not told him. How can I?
Spring comes with a burst of white and yellow. I walk the fields, my feet sodden with dew. Lifting my face to the sun, I ask it what I should do. When the pain begins, I rejoice seeking a hollow rather than return home where he will ask questions.
You are restless to escape and now cramps rage through me as you shift. I hunker down and push, bearing my weight and strength through the length of me. And then the slip-slide of body, membrane, mucus and blood onto the grass. You are all legs as you flounder. Your head turns and we make eye contact. I smile and stroke your body, still wet through. I lift you to the sun and name you Solar. Placing you at my feet, you dry off, all the while trying to find your feet. I hug you, nestle into your furriness, and place you to my breast.
He will never understand. I can never tell him of this. You are mine, and we shall run the fields together, just as I did before I met the human.
Heather Walker is a London based writer of poetry, flash and short fiction. Her work has appeared in various magazines, ezines and anthologies, including Paragraph Planet, Visual Verse, Ink Sweat & Tears, Seaborne and Popshop. Her novellas, Where It Ends and The Chair are available through Amazon.
Ceinwen lives near Newcastle upon Tyne, UK and writes short stories and poetry. She is widely published in online magazines and in print anthologies. Her first chapbook is ‘Cerddi Bach’ [Little Poems], Hedgehog Press, July 2019. She is developing practice as participatory arts facilitator. She believes everyone’s voice counts.
Martin Potter (https://martinpotterpoet.home.blog) is a British-Colombian poet and academic, based in Manchester, and his poems have appeared in Acumen, The French Literary Review, Eborakon, Ink Sweat & Tears, The Poetry Village, and other journals. His pamphlet In the Particular was published in 2017.
Claire Shaw is an emerging UK-born poet and author whose work has appeared in publications including Black Hare Press, The Dawntreader, Silkworm and Grimsy. She currently resides in The Netherlands with her husband and two cats and works in Digital Marketing. She loves to travel, practice her photography, and read like it’s going out of fashion.
John Short studied Comparative Religion at Leeds University (UK) then spent many years in France, Spain and Greece doing a variety of jobs. In 2008 he returned to Liverpool and a couple of years later began submitting work to magazines. Now internationally published, he’s appeared in places like Pennine Platform, South Bank Poetry, London Grip, Ink Sweat & Tears, Envoi, French Literary Review and The High Window. In 2018 he was nominated for the Pushcart Prize by StepAway Magazine and has been featured twice as Poet of the Month on the Write Out Loud national poetry forum. He lives in Liverpool, is a member of Liver Bards and reads at local venues and beyond.
Tracksuit bottoms sparking as I force myself along,
And leg ends heavy with damp;
She skips beside me, taut with a promise of the new,
Her sentences long, long, her questions unanswerable,
Her laughter unanswerable.
In the busy, smelly, milk and plimsoll hall, she stands bemused –
Aware, perhaps, that something is changing,
Hearing across a span which I have lost
(Or, if not lost, forgotten),
The din of warring hopes.
Through the window I see her – a uniformed dot –
Move, unnoticed, to her place.
Jeffrey Joseph was born in London in 1952 and was educated at the University of York, University College Cardiff and at The Open University. He worked at the Guildhall School of Music and Drama before spending many years as Performance Manager at Trinity Laban Conservatoire. He is a heavily published musical journalist and poet. His music has been performed on the South Bank, at St John’s Smith Square, in Westminster Abbey, in the National Concert Hall in Dublin, throughout Europe and in Africa and the USA. He is published by Warwick Music/Hal Leonard Music and is distributed on-line by lulu.com.
Daniel Tobias Behan is a London born-and-based poet. From 2017 to 2019, Daniel performed regularly at the London Irish Centre, Camden; in 2018 Daniel was interviewed by the Irish Post as part of their London Calling podcast series, and in 2020 had a short film made of ‘The Visit’ featuring acclaimed actor Nora Connolly and directed by Patrick O’Mahony, was interviewed for Wombwell Rainbow, and commenced a poetry series ‘Findings’ on channillo.com.
Mark Goodwin is a poet-sound-artist, and speaks & writes in various ways. He is also a walker, balancer, stroller, & climber. He has a number of books & chapbooks with various poetry houses, including Leafe Press, Longbarrow Press, Nine Arches Press, & Shearsman Books. His poetry was included in The Ground Aslant – An Anthology of Radical Landscape Poetry edited by Harriet Tarlo (Shearsman Books 2011) and The Footing edited by Brian Lewis (Longbarrow Press 2013). His latest chapbook – a compressed mountain travelogue called Erodes On Air – was recently published in North America by Middle Creek. Mark lives with his partner on a narrowboat just north of Leicester. He tweets poems from @kramawoodgin, and some of his sound-enhanced poetry is here: https://markgoodwin-poet-sound-artist.bandcamp.com.
Feels it within him as if made of concrete or hard minerals
Ready to decompose into the ground.
It has been just a week since he returned
After his compassionate leave came to an end.
Charlotte Cosgrove is a poet and English lecturer from Liverpool, England. Her work has appeared in Trouvaille Review, Dreich, The Literary Yard, The Broadkill Review, Wingless Dreamer, Confingo, Beyond Words and various anthologies online and in print. She is editor of Rough Diamond poetry journal. Her first poetry book Silent Violence with Petals will be published with Kelsay Books in June 2022.
I know you have cycled on the coast road where I bumped along on the bus I haven’t asked if you stopped here at Kildonan where seals are promised or whether in fact the flop of their sea adapted bodies fills you with the same glee a fortification crumbles in a dark stone on the hill a look out a warning place the first line of defence the current light house sits on an islet must be lonely have to row back and forth to find another body the sun has started to blaze and yet the sea froze my toes a swimming costume was a dare to the water the water itself is all subtle movement and glitter past the sand everything is bands of blue and white you would swim.
Anna Percy has been writing for the page, stage and publication since 2004 mostly in the North of England. In 2010 she co founded the feminist collective Stirred Poetry. She has three full length collections with Flapjack Press. This poem is from an upcoming pamphlet The Everlasting Now from Some Roast Poets.
Mark Goodwin is a poet-sound-artist, and speaks & writes in various ways. He is also a walker, balancer, stroller, & climber. He has a number of books & chapbooks with various poetry houses, including Leafe Press, Longbarrow Press, Nine Arches Press, & Shearsman Books. His poetry was included in The Ground Aslant – An Anthology of Radical Landscape Poetry edited by Harriet Tarlo (Shearsman Books 2011) and The Footing edited by Brian Lewis (Longbarrow Press 2013). His latest chapbook – a compressed mountain travelogue called Erodes On Air – was recently published in North America by Middle Creek. Mark lives with his partner on a narrowboat just north of Leicester. He tweets poems from @kramawoodgin, and some of his sound-enhanced poetry is here: https://markgoodwin-poet-sound-artist.bandcamp.com.
Foxglove Journal 