Fluttering – Heather Walker

 

I notice the fluttering inside of me at the time the earth stands still. Equal day and night. I turn to the man sleeping with his back to me. The shape of him stirs me and the fluttering increases. I lie my head against him and he does not stir.

The fluttering reminds me of a butterfly whose wings knock against a closed window, yet I cannot open up and let you out. It is not yet time. The year dips into winter. Snow lines the windowsill. I breathe on the glass and draw a heart. How I long to be out in the fields once more.

I have not told him of the fluttering I feel inside. This is my secret and I have no wish to share it. I hug my arms around my stomach, shelter you, to reassure you.

As days move into months, I have not grown much, yet I feel your kick. I caress your movement, talk to you as I shower. Surely it will be soon. I have still not told him. How can I?

Spring comes with a burst of white and yellow. I walk the fields, my feet sodden with dew. Lifting my face to the sun, I ask it what I should do. When the pain begins, I rejoice seeking a hollow rather than return home where he will ask questions.

You are restless to escape and now cramps rage through me as you shift. I hunker down and push, bearing my weight and strength through the length of me. And then the slip-slide of body, membrane, mucus and blood onto the grass. You are all legs as you flounder. Your head turns and we make eye contact. I smile and stroke your body, still wet through. I lift you to the sun and name you Solar. Placing you at my feet, you dry off, all the while trying to find your feet. I hug you, nestle into your furriness, and place you to my breast.

He will never understand. I can never tell him of this. You are mine, and we shall run the fields together, just as I did before I met the human.

 


Heather Walker is a London based writer of poetry, flash and short fiction. Her work has appeared in various magazines, ezines and anthologies, including Paragraph Planet, Visual Verse, Ink Sweat & Tears, Seaborne and Popshop. Her novellas, Where It Ends and The Chair are available through Amazon.

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Life with a View – John Short

 

Gascony

 

After we parted yesterday

the grass was dancing.

You’d wanted kind words

but I was happily silent.

 

Outside the old room

with flaking plaster walls

I sat on the porch

and watched young frogs

hop through vines.

 

Rough wine from oak barrels.

I drank it on the porch

as the world seemed to dance.

 

Beyond fields of maize

and bright yellow rapeseed

your village perches

with its pink roof jumble.

 

From the highest point

land shimmers like mirage.

We see for miles

to glacial mountains

ascending from the plain.

 


John Short studied Comparative Religion at Leeds University (UK) then spent many years in France, Spain and Greece doing a variety of jobs. In 2008 he returned to Liverpool and a couple of years later began submitting work to magazines. Now internationally published, he’s appeared in places like Pennine Platform, South Bank Poetry, London Grip, Ink Sweat & Tears, Envoi, French Literary Review and The High Window. In 2018 he was nominated for the Pushcart Prize by StepAway Magazine and has been featured twice as Poet of the Month on the Write Out Loud national poetry forum. He lives in Liverpool, is a member of Liver Bards and reads at local venues and beyond.

Baskett Slough III – Marc Janssen

 

The milk sun combs uncombed fields

While

An atonal chorus of geese concert invisibly directly overhead.

 

All around

The illusion of softness

In the graceful curving hill-scapes,

Rust carpets of oak leaves,

Before it is broken by an insincere tittering of human voices.

 


Marc Janssen lives in a house with a wife who likes him and a cat who loathes him. Regardless of that turmoil, his poetry can be found scattered around the world in places like Penumbra, Slant, Cirque Journal, Off the Coast and Poetry Salzburg. Janssen also coordinates the Salem Poetry Project, a weekly reading, the annual Salem Poetry Festival, and was a 2020 nominee for Oregon Poet Laureate.

The Strawberry Gel – Raine Geoghegan

 

On warm summer nights they lay on thick blankets looking up at the stars. The door of the vardo left slightly open in case the chavies woke. They would whisper about the time they first met in the strawberry fields. He remembered the blue dress she used to wear, how her hair was braided on top of her head, her sovereign ear rings unlike any he’d ever seen. She would tell him how she was taken by his honest brown eyes and the way he took her hand and said, ‘Shall we go for a stroll Amy?’ He had picked a strawberry for her and it was the sweetest thing she had ever tasted. It was kushti bok that both he and their gel had strawberry marks on their backs. They laughed at how she could never get enough of the fruit. They called her the strawberry gel. Their Phylly, with the corn coloured hair. He yawns loudly. ‘Shush, go t’sleep Alf.’ They both settle down, his hand resting on her hip, her hand on his chest.

 

Romani words: Vardo – wagon; Chavies – children; Kushti Bok – Good Luck

 

 

2017-07-17 18.15.26Raine Geoghegan, MA lives in West Sussex, UK. She is half Romany with Welsh and Irish ancestry. Her poems and short prose have been widely published and her debut pamphlet, ‘Apple Water – Povel Panni’ is due to be published by Hedgehog Press in November 2018. It was previewed at the Ledbury Poetry Festival in July. Her work has been nominated for the Pushcart Prize and the Best of the Net 2018. Her poems were also featured in the film ‘Stories from the Hop Yards’ as part of the Herefordshire Life through a Lens Project and one of the poems was made into a film by the Wellington Primary School. Find out more at rainegeoghegan.co.uk.

Helianthus – Margaret Holbrook

 

These bright, brash plants standing

tall have no pretence.

They are what they are,

and don’t deny it.

 

Fields of them line the

French roadsides. Striking and

purposeful, they are not to be

meddled with.

 

Even their small siblings,

the ones bought in pots from

florists and garden-centres

have attitude.

 

These plants are not shrinking-

violets. You will not find them

cowering in shade or damp woodland;

they are showy, proud, in your face,

demanding to be seen.

 

If sunflowers could speak,

They would be loud, outspoken,

heard above the crowd,

unable to help themselves.

 

But,

sunflowers are silent, intent

on following the sun,

looking for love; and

all the while in that beautiful head,

Fibonacci numbers are calculated,

seeds plotting their spiral patterns.

 

“Helianthus” previously appeared in The Poetry Shed.

 

IMG_0641Margaret Holbrook lives in Cheshire, UK, where she writes poetry, plays and fiction. Her work has appeared widely online and in print including publications such as Jellyfish Whispers, The Poetry Shed, Schooldays, Best of British, Orbis, The Journal. Her latest poetry collection, Not Exactly Life was published in September 2017 and all the poetry features women; from life, fiction, film and history. ‘Where else,’ she says, ‘would Lucrezia Borgia, Jean Harlow and my mum all appear in the same volume?’ Find out more at www.margaretholbrookwrites.weebly.com.