Song – John Muro

 

Last night I fell to dream

of Castle Combe,

 

Its shambling mists and tawny stream,

the holy pathos of its homes.

 

Wind-washed clouds, the lunar gleam

of cream-colored stone.

 

And there, somewhere between

drowsy dusk and day, I stood alone

 

In fevered dream,

in Cotswold cold,

 

Woke to air, moon-tide dimmed,

and the lulled hush of wool-

 

Soft hymns

with all hope gone.

 


A resident of Connecticut, John is a graduate of Trinity College, Wesleyan University and the University of Connecticut. In the Lilac Hour, his first volume of poems, was published in 2020 by Antrim House, and it is available on Amazon. His poems have been published, or are forthcoming, in journals including Euphony, Moria, Penumbra, River Heron, Sheepshead, Third WednesdayAmethyst Review, High WindowPoetica Review and the French Literary Review. John is also a two-time 2021 Pushcart Prize nominee.

Index of Sylvia Plath’s Journals Used to Make a Poem – Anna Percy

 

I cannot and I cannot and enough heartbeat and warmth enough and you won’t see him if he asks again would no doubt be shallow the lady or the tiger encouraging letter I met a man I moved to a new house at midnight excerpt bronze boy night after night screaming only listen to me this last once I thought even dreaming of being strewn with starfish and shells we also had trouble yesterday the rejection girl thought she wanted each wrapped why don’t I write? So the headlines blare the two of them in an unidentified hand

 


Anna Percy has been writing for the page, stage and publication since 2004 mostly in the North of England. In 2010 she co founded the feminist collective Stirred Poetry. She has three full length collections with Flapjack Press. This poem is from an upcoming pamphlet The Everlasting Now from Some Roast Poets.

Hush – Don Thompson

 

The night, this night anyway,

has requested quiet—

using an older, quieter word.

 

The owl complies, sounds one note

pianissimo on a marimba

with a soft mallet.

 

No crickets fidget.

 

No feral tom cats talk trash.

 

Even the hound over on the next farm

howls for only a few minutes

and then, whatever had been bothering him,

lets it drop

and drifts off to sleep.

 


Don Thompson has been writing about the San Joaquin Valley for over fifty years, including a dozen or so books and chapbooks. A San Joaquin Almanac won the Eric Hoffer Award for 2021 in the chapbook category. For more info and links to publishers, visit his website at www.don-e-thompson.com.

Bogquilt – Jacob Riyeff

 

blue goose road at night

cuts thru bog country

streams of leaves

flow the road

and moats dogs 

aflight, all 

of them. gray 

light purpling 

the air. vertigo 

round cedar-lined 

curves. watching 

for deer –

there – the moon

shines over acid

water, pitcher-plant

relics, my brow.

 


jacob riyeff is a translator, poet, and scholar of medieval literature. his work focuses on the western contemplative tradition and the natural world. jacob teaches in the english department at marquette university and lives in milwaukee’s east village.

Flowers and night-time flowers – DS Maolalai

 

camden. the bus

flipped like a swing

in bad weather

with somebody

kicking their heels.

11pm. earth gone

grey in salty

shades of orange.

the shops all closed, bars

curled open,

like flowers

giving way to night-

time flowers. someone

already hammered,

being sick in a corner

next to a fish shop.

pavement alive

like a pond

with ducks.

a part of the city

with evening in shades,

beautiful and busy.

stylish people

and shirts

bought from second

hand stores.

 


DS Maolalai has been nominated eight times for Best of the Net and five times for the Pushcart Prize. His poetry has been released in two collections, Love is Breaking Plates in the Garden (Encircle Press, 2016) and Sad Havoc Among the Birds (Turas Press, 2019).

A short lecture On the female body, and Other beautiful Things – Ann Pedone

 

Yes, you can call me a nymph. How else to explain that

my mouth is a river that never meets

the sea. Don’t be afraid. I understand how this thing

how the body

works. I know everything, all the names

of all of the places inside

of me. Watch. I’ll show you how to make it

more than a metaphor.

I know full

well that sex isn’t some

thing to play at, my valentine. You see this thing here

this immensity

between my legs. This is what turns day in

to night

light into dark. This is flesh of the

same silence.

I know you want to wrap your

self around it.  I see the desire dripping down

your back. Do it now, before it is too

late. Do it before you turn into a poem

inside of me.

 


Ann Pedone graduated from Bard College with a degree in English and has a Master’s degree in Chinese Language and Literature from UC Berkeley. Ann is the author of the chapbook The Bird Happened, and the chapbook perhaps there is a sky we don’t know about: a re-imagining of sappho is forthcoming in December. Her work has recently appeared in Riggwelter, Main Street Rag, Poet head, Cathexis Northwest, The Wax Paper, and The Phare, among others.

Wind spell – Sebastián Díaz Barriga

 

Translated from Spanish by Delphine Tomes

 

I never learned how to whistle

I always waited

for you

for your lessons

and your What´s up buddy

Do you need any help with that maths?

I´ll be right here

for you

 

now that you are gone

my voice

my laugh

and even my weeping

are stronger

 

thank you so much

and have a good night

 

 

EGO_2

Sebastián Díaz Barriga was born in Mexico City in 1998. In 2018, he wrote his first book (Un rezo para mi padre) translated into English in 2020. He achieved first place at the XII National Desiderio Macías Silva Poetry Contest in 2019. He lives in the 21th century while dreaming about life. http://fabricandopajaros.blogspot.com is his blog.

Sight of a Night Otter – Martin Potter

 

Scrabble on the slipway like

A dog making for the water

Caught too far from the river’s edge

Expecting solitude at that hour

 

The otter observed unhurried once

Back in the element supported

On welling untraceability

Swam away into its comfort

 

 

FullSizeRenderMartin Potter is a poet and academic, and his poems have appeared in Acumen, The French Literary Review, Eborakon, Scintilla, and other journals. His pamphlet In the Particular was published by Eyewear in December 2017. Read more at https://martinpotterpoet.home.blog.

When – Louise Wilford

 

and then, when the sluggish earth winds down,

when the wild copper sun streams into the sea,

when the night creeps in like a timid guest

then, beneath the scraps of cloud,

as the air stiffens with the last chirps of the crickets

as the scent of autumn seeps like a charm into my veins

and the still-warm twilight twists about my limbs

when the brush of a dying ladybird on my forearm

or the dry ivy leaf combing my shoulder

is itchy as elf-fingers as I pass, when the shuffling hedgehog

circles the lawn and the first drift of leaves

crumbles beneath our shoes, when the mouse-eyed

elderberries droop, black bubbles in the ripple of moonlight,

and the night’s grey dust dampens the rosehips

and snags among the blood-red haws

then, we will step through the dandelion clocks,

through the lazy cobwebs, through the sleepy moths,

and we will dance, my love – my love, we will dance

and then we will dance as the slow earth turns

 

 

unnamed (2)Yorkshirewoman Louise Wilford has had over 100 poems and short stories published and has won or been shortlisted for several competitions, most recently the £750 Arts Quarterly Prize and the MereFest Poetry Prize. She is currently nearing the end of a Masters degree in Creative Writing with the Open University, and is currently working on a novel inspired by The Tempest, while trying to process why the world appears to be falling apart.

Belated Farewells – Linda Rhinehart

 

That summer night we walked

together under the moon,

brighter than a fluorescent snow

globe in a Halloween window;

You told me to look up, so I did; I saw

a scattering of sun-dipped stars behind,

stepping stone to bright unknown horizons.

Later that night mist fell over a silent ocean,

and now I sit alone before a window

wondering if there is anything I could have said,

if there was anything I could have done,

and the moon a mere piece of cloth

pinned to an ink-dark sky.

 

 

IMG_1172Linda Rhinehart, 30, is a student, writer and translator currently living and studying in Cardiff, Wales. In the past she has lived in Switzerland, the USA and Germany. She has been writing poetry for around three years and reading it for a lot longer. In her spare time she enjoys playing piano, going for walks in nature and cats.

Granada – Hannah Patient

 

We step outside of time for just three days

and make this place our own: get coffee

every morning at the same café, where

ageing waiters all wear neat blue waistcoats.

This city’s pomegranate-like, they say:

bursting at the seams with juicy seeds

of things to come, of things that might have been.

We walk around the town in midday heat

and everything slows down: we’re living at the speed

of unripe fruit on orange trees and buskers in the streets.

Lost in Sacromonte, we give up and watch

the whole world pass us by, the palace

on its lonely hill a solid compass point.

As night falls, we get brave and mess around:

go rambling through the undergrowth

in the belly of the town, eat tapas in

our favourite bar as the Spanish sun goes down.

We join processions through the streets

where children chant and incense swings;

get punch-drunk on the smell of it,

turn sleepy listening to the man who sings

each night, alone, in the courtyard by our house.

 

I say that like it’s ours; of course it’s not –

nothing here really belongs to us.

The next day when the sun grows restless, hot,

we pack our bags and leave for a new place.

Time speeds up once more; how quickly we forget

the peerless lustre of these Andalusian days.

 

 

35842420_883314205202005_529810939248115712_nHannah Patient is a third-year English student at Somerville College, Oxford, and the former Essex Young Poet of the Year. Her work has appeared in publications including ASH, The Oxford Review of Books, Blacklist Journal and The Purple Breakfast Review. In her spare time she enjoys exploring crumbling buildings, watching detective dramas and eating chips with mayonnaise.

Daily Dreaming – Kara Goughnour

 

I don’t want to give too much away

but the sun doesn’t rise in this one.

Instead, I light a matchstick on your spine

and our slept-over sweat doesn’t burn

and the bathtub quakes with lavender and grime.

These days, we sleep in shifts

and watch for shadows, crawling about

like things that don’t live here, like things

that don’t live anywhere.

I’m hoping that, in every scenario,

you still love me more in the end.

Outside, the hydrangeas are sagging

with rain and inside you are looking me over.

I don’t want to give too much away

but, in this one, the night is both wasted and spent well.

 

 

Photo Jun 12, 9 13 09 PMKara Goughnour is a writer and documentarian living in Pittsburgh, Pennsylvania. They are the author of “Mixed Tapes,” forthcoming in the Ghost City Press Summer 2019 Micro-Chap Series. They are the recipient of the 2018 Gerald Stern Poetry Award, and have work published or forthcoming in The Bitchin’ Kitsch, Third Point Press, and over forty others. Follow them on Twitter and Instagram @kara_goughnour or read their collected and exclusive works at karagoughnour.com.

The Stars – Linnea Cooley

 

That night, I tied a tiny string to each of the stars

and pulled them down towards the earth

in a big bundle, like a flower bouquet

 

They left trails in the jelly sky

and tangled on the wisps of clouds

A few even clanged into each other

and the sound was like a bell

 

So, I pulled harder

Wrapped the strings around my fist

and let them cut into my pale cold flesh

 

Finally, my efforts came to fruition

and a single star floated down into the troposphere

I cradled it in my arms and sang to it

– until it burst  –

and the embers dissipated in the

milky night

 

 

IMG-6268Linnea Cooley is a poet residing in the Washington D.C. area. Her poetry appears in Neologism Poetry Journal, Boston Accent Lit, and Anti-Heroin Chic among others. More of her work can be seen on her website, linneacooley.weebly.com.

Come stay with me and be my night – Michael H. Brownstein

 

Come stay with me and be my night,

We’re done with dinner’s clutter

As stars blister through the moonlit light.

 

Water anchors moon streams white

Across the wake, across the cutter.

Come stay with me and be my night.

 

The children at peace, everything’s right,

Goat milk, huckleberry bread, apple butter.

Stars blister into pimpled light.

 

The children dream, the wind grows slight,

The storm is but a mutter,

Come stay with me and be my night.

 

Now comes a fullness full and bright,

Leaves skip across the gutter

As stars blister into moons of light.

 

My love is strong. It knows to fight.

I no longer need to stutter.

Stars blister through the moonlit light.

Come stay with me and be my night.

 

 

unnamed (3)Michael H. Brownstein has had his work appear in The Café Review, American Letters and Commentary, Skidrow Penthouse, Xavier Review, Hotel Amerika, Meridian Anthology of Contemporary Poetry, The Pacific Review, Poetrysuperhighway.com and others. In addition, he has nine poetry chapbooks including A Period of Trees (Snark Press, 2004), Firestorm: A Rendering of Torah (Camel Saloon Press, 2012), The Possibility of Sky and Hell: From My Suicide Book (White Knuckle Press, 2013) and The Katy Trail, Mid-Missouri, 100 Degrees Outside and Other Poems (Kind of Hurricane Press, 2013). His book, A Slipknot Into Somewhere Else: A Poet’s Journey To The Borderlands Of Dementia, was recently published by Cholla Needles Press (2018).

The Conspiracy – Dan A. Cardoza

 

It’s the last night of my once a year visit nearly complete. Actually, it’s our last visit ever. Another uncomfortable Thanksgiving has come and gone. Tomorrow, it’s back to Chicago.

Earlier in the day, mother asks me to trawl through the attic boxes, and fish out our childhood memories before they place the house on the market.

Later in the day, after an early supper, father and I sit alone facing each other at the opposite ends of the kitchen table. Mother is at church, volunteering for just about anything.

I stand; push two dusty childhood photographs I discovered toward father.

Father look, these are so familiar, yet distant? I voice.

Yes, they are nearly identical son, except one is underexposed, sepia. Not sure why you retrieved the photo box from the attic. Most of those years are dead and buried.

I only asked you to look at these two father.

Son, why do you insist that we look at any photos?

Not sure father, maybe it’s time. I remember you thumbing the fat camera levers on your new Polaroid 900. Mother was hovering nearby. I recall your big smile. We were posing and …

Yes.

Its then father stands to exit the room. His massive hand smothers the handle of his lacquered Mallacan cane, veined & crooked, a tan leather glove. Then he limps away.

In the chilled lens of a dusty sunset, the parched air drifts through the half closed window, hissing faintly through the screen, like a thousand tiny tongues singing a chorus of truth. A chill slowly slithers up my spine. It’s moments like this I dread. I feel such gloom, like an orphaned child.

Goodnight father, see you in the morning.

Goodnight.

Much later, as I retire, I hear subtle moans coming from his room, as he toils in the muddy pastures of his sleep. As if on cue, at 3:00 A.M., he sits up and stares into the dark, at nothing in particular. I know this because mother spoke of his nightmares that have only increased after he quit drinking. She also confessed his depression is getting worse.

Over the years, our family has weathered torrents that have washed away bridges, only to be restored by the uncomplicated architecture of distance and malaise. I still want to understand, but after so many years, the melody of deception is a cappella. I close my eyes and begin to wade into the shallow waters of sleep.

Then I enter the dark of a dream,

You take us to the park. We play hide and seek for hours. Only this time I am never found. Mother, crazed with fear eventually finds me walking into the mist of her high beam headlights, a shivering apparition. Nothing is ever the same.

Swimming back from the deep waters of sleep, toward dawns pale shore, I hear an unseen small voice, one Mississippi, two Mississippi, three Mississippi, four…

 

 

Dan A. CardozaDan has an MS Degree. He is the author of four poetry Chapbooks, and a new collection of fiction, Second Stories. Recent Credits: 101 Words, Amethyst, UK., Chaleur Magazine, Cleaver Magazine, Dissections, Door=Jar, Entropy, Esthetic Apostle, Foxglove, Frogmore, High Shelf Press, Poetry Northwest, Rue Scribe, Runcible Spoon, Skylight 47, Spelk, Spillwords, The Fiction Pool, The Stray Branch, Urban Arts, The Zen Space, Tulpa and zeroflash.