Of Wind and Rain – Arlene Antoinette

 

As he stood looking through the back window

at my english tea roses,

he said he couldn’t tell the difference

between the movement of the flowers

from the wind or from the rain.

How could you not, I replied,

confused by his lack of eyesight and insight.

 

When my roses are moved by the wind,

they move as one. Pink headed soldiers

lead by a strict drill sergeant,

each unwilling to be called out

for breaking formation

or for being the weak link in the chain.

Eager recruits desiring to satisfy their sergeant’s

every whim.

 

When my roses are moved by the rain,

each petal dances independently of the others

to the rhythm of the raindrops.

A single drop kissing the petal,

like a passionate lover

toying with his sweetheart’s emotions.

I can almost hear their squeals of delight

floating through the air.

 

He laughed, saying I was foolish 

to have given so much thought 

to such an insignificant thing. 

I cried, thinking him thoughtless

for ignoring one of the small beauties

of this world.

 

 

Arlenstillmyeyee Antoinette enjoys writing poetry and flash fiction. More of her work may be found at: Sick Lit Mag, GIRLSENSE AND NONSENSE, Boston Accent Lit and The Ginger Collect.

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Storm Warfare – Candace Armstrong

 

Charcoal smudges ashen sky

shot with silver missiles,

swept by gusty generals

commandeering the raid.

 

Smoke-like fog smothers russet

soil. Conifers stand at attention.

Snow settles on rocky

ridges in resignation.

 

“Storm Warfare” first appeared in Poaintry2: The Collision of Two Worlds.

 

_MG_0150-EditCandace Armstrong writes poetry in the beautiful woodlands of Southern Illinois. Her work has been published in The Lyric, Journal of Modern Poetry, Distilled Lives Vol 2 & 3, Midwest Journal, California Quarterly and others online. One of her sonnets was a winner in the Maria W. Faust Sonnet Contest in the summer of 2017. Sometimes the poetry becomes prose and has been published in Muse, Diverse Voices, and WOW-Women On Writing online as a finalist in their spring 2017 contest. She is an avid gardener and enjoys hiking with her husband and their canine child, Murphy.

Blackberrying – J V Birch

 

We walk along the river in Arrowtown

from full sun to dappled shade to welcome shadow.

 

Trees hum with a green to remember

as the shallow water trips and twists over rock bed.

 

We find the fat little jewels of blackberries

race back to our childhoods as we share each bounty

kiss clean each other’s purple-stained fingers

recall the tenderness of us.

 

J V Birch website photoJ V Birch lives in Adelaide. Her poems have appeared in anthologies, journals and magazines across Australia, the UK, Canada and the US. She has two collections – Smashed glass at midnight and What the water & moon gave me  published by Ginninderra Press, and is currently working on her third. She blogs at www.jvbirch.com.

Lyrical Swells – Ken Allan Dronsfield

 

Starlight stirs my coffee

the moon a soft croissant

lilac or lace win my flavor

new tidal ebb in accession.

Impassioned lyrical swells

sunny haze; dust in rhyme.

biscuits aligned on a doily

the black tea steeps alone.

April’s innocence bygone

the leaves waiting to glide

orange orbs in the garden

memories of my June bride.

 

Ken Allan Dronsfield, Bio PictureKen Allan Dronsfield is a poet who was nominated for The Best of the Net and 2 Pushcart Awards for Poetry in 2016. His poetry has been published world-wide in various publications throughout North and South America, Europe, Asia, Australia and Africa. His work has appeared in The Burningword Journal, Belle Reve Journal, Setu Magazine, The Literary Hatchet Magazine, The Stray Branch, Now Then Manchester, Bewildering Stories, Scarlet Leaf Review. EMBOSS Magazine and many more. Ken loves thunderstorms, walking in the woods at night, and spending time with his cat Willa. Ken’s new book, The Cellaring, a collection of haunting, paranormal, weird and wonderful poems, has been released and is available through Amazon. He is the co-editor of two poetry anthologies, Moonlight Dreamers of Yellow Haze and Dandelion in a Vase of Roses available from Amazon.

 

A Slow News Day – Maurice Devitt

 

It is already mid-morning and the sky

is still undecided. A placeholder

of pesky grey, not definite enough

for rain and too shy for sun. Maybe

today has been cancelled and nothing

will happen, not even to the man

who is walking his dog by the side

of the lake, revelling in the deal

that he closed just before he came out,

looking forward to a dinner with family

and friends, and failing to hold his footing

as he throws a wet stick across the water.

 

Personal PhotoRunner-up in The Interpreter’s House Poetry Competition in 2017, Maurice Devitt was winner of the Trocaire/Poetry Ireland Competition in 2015 and has been placed or shortlisted in many competitions including the Patrick Kavanagh Award, Listowel Collection Competition, Over the Edge New Writer Competition, Cuirt New Writing Award, Cork Literary Review  and the Doire Press International Chapbook Competition. He has had poems published in Ireland, England, Scotland, the US, Mexico, Romania, India and Australia, runs the Irish Centre for Poetry Studies site and is a founder member of the Hibernian Writers’ Group.

Spring – Amira Benning-Prince, age 10

 

I wake up in the morning,

And shout happily to my mum,

“It’s the beginning of Spring,

And flowers have sprung.”

 

“The busy bees will buzz loudly,

The yellow sun will shine bright,

The blossoming trees will dance softly,

While young birds take their first flight.”

 

Then I look out the window,

There’s animals waking up sleepily,

They’ve obviously been hibernating,

For six months they slept deeply.

 

Things change a lot in Spring.

Out comes the flowers and shining sun,

Out from their slumber comes the animals,

Next comes Summer, the most fun!

 

I am Amira and I love creative writing and film making. I have recently started writing poetry and like to write about different things. My favourite author is JK Rowling and I adore Emma Watson. I like to read novels and am currently reading Charles Dickens’ books.

Everything bright and illuminated – Melissa Goode

 

He sits in the back row. The concert has already begun and the stage is lit. The school orchestra plays Bach. His daughter, Joanna, is stern, focussed, behind a cello. They sound excellent, but he will tell me they dropped x, raced across y, and could have lingered at z and he will hum it a little to show me how it should have sounded. I will say, she’s seventeen. She’s a star. He will smile, probably at my ignorance, my upbringing, my haven’t-got-a-clue.

#

I stand in the doorway, my wet umbrella drips London rain onto the floor. Joanna is vivid on stage with her red hair. She is a flame. He faces straight ahead, lit by the light from the stage, a portrait. His gaze is hard, merciless, like a hawk. She dips her head over the cello and I feel the movement in my chest.

#

We could lie on a beach in Hawaii, him and me, pale beneath the white blaze of the sun. Joanna plays in the water and meets American boys and girls her age who make her laugh. We drink frozen cocktails all day—strawberry, coconut, lime, pineapple. Let’s try mango. There is sand everywhere, in the carpet, the shower, under our nails, inside our ears. When he and I lie down at night, he leaves the lamp on and looks at me like he could eat me entirely. We move slowly as if we have all fucking day and night. We do.

#

He has saved a seat. I touch his shoulder and he looks up at me. Sorry, traffic, I whisper. Hello, he mouths. He smiles. I move past his sharp knees to the seat, his hands reach out and hold my waist as I go.

 

MG_WEB-7Melissa Goode’s work has appeared in Best Australian Short Stories, Griffith Review, New World Writing, Litro Magazine, Pithead Chapel, Gravel, and Jellyfish Review among others. One of her short stories has been made into a film by the production company, Jungle. You can find her here: www.melissagoode.com and at twitter.com/melgoodewriter.

The Trawl – Robert Pelgrift

 

We stand on this sandy point in the bay,

where the channel races into squally seas,

knee deep in riffles that mirror the gray

of iron clouds rushed by the gusting breeze.

 

Partly clothed by the sea, I scarcely heed

the raw, bitter rain.  Balanced here, I stand,

and see schooling, swerving silversides lead

quick unseen hunters past our ledge of sand.

 

In their path, we stretch, then draw, our small seine,

and the wet, the chill, the gray, the chop recall

the old village ships, struck by gusts and spray

as they ploughed these waves.  And now once again,

we net our catch, as those ships dragged their trawl

of silver to the beach across the bay.

 

RYP JR picRobert Youngs Pelgrift, Jr. practiced law in New York City for many years and is now an editor for a legal publisher, working in New York City.  His poems have been published in various anthologies and in The Lyric, The Rotary Dial and The Galway Review.

The searchers – John Grey

 

When I claimed to have seen the boy,

the others shouted “where?”

But he was already gone.

I was in a bunch of weary men and women

who were more than ready to pack it in,

cold and damp, and aching for their warm beds.

As the others retreated, I stayed behind,

in woods so silent and empty,

nothing rivaled my heartbeat for sound.

The trees felt like the dark walls

of an abandoned church,

the rocks, altars stained with rain.

And I was the preacher without flock.

Or was that the flock without preacher?.

Was the boy really out there?

Every square inch of forest had been trudged through

by his would-be rescuers.

The wind was bitter, clouds low and gray.

It wasn’t winter but not through lack of trying

on the weather’s part.

Maybe he’d found a secret place

out of reach of red-eyed shivering saviors.

When I ran away and hid, I wanted people to find me.

But that was a long time ago.

When I claimed to have seen the boy,

maybe that was me skirting between the trunks,

through the brush, terrified, miserable,

but enacting part of a plan to be retrieved, taken back,

squeezed even deeper into the family fold.

I stopped. I listened to the shouts.

I longed to cry out in return.

But that wasn’t how it was supposed to work.

I had to lead them on that weary chase longer,

until the anger was fully drained from my pursuers

and only the compassion remained behind.

Forty years later, I wait and watch.

The boy is probably home and safe with his mother

tor all I know.

Most likely, only I am out here now.

So do I keep searching?

Or do I go home to bed?

Wait a minute. What was that?

I thought I saw… or felt penetrate.

Small but bright. The boy. But which one?

 

unnamed-bioJohn Grey is an Australian poet, US resident. His work has recently been published in New Plains Review, Stillwater Review and Big Muddy Review, and is upcoming in Louisiana Review, Columbia College Literary Review and Spoon River Poetry Review.

Lotus Pond – Seth Jani

 

That menagerie of lost appetites

Comes through when the dream arrives.

 

Those hungers are deep as rain

In the forest’s centrifugal body.

 

You could drown there without

The black cord of awareness

 

To let you down. They are voracious,

Swallowing leaves and minnows,

 

The high-ether flowers

Of the gods’ most cherished gardens.

 

To be near them is to touch a limited fire.

They are like the multicolored fish

 

That dart through the nameless waters

On which we float our frail, constricted blooms.

 

seth-jani-author-picSeth Jani currently resides in Seattle, WA and is the founder of Seven CirclePress (www.sevencirclepress.com). His own work has been published widely in such places as The Chiron Review, The Hamilton Stone Review, Hawai`i Pacific Review, VAYAVYA, Gingerbread House, Gravel and Zetetic: A Record of Unusual Inquiry. More about him and his work can be found at www.sethjani.com.

when in april… – Fritz Eifrig

 

rain, again,

from twilight skies.

echoes of my

past, signals

of those days to come.

nodding yellow crocus

flashes semaphore.

there, another, purple,

shivering,

closed as for night –

these too tell me

of you.

 

falling

water conjures the wet

sound of my name

choking in your throat

like a bite

of rotten peach.

those tears, here

mirrored along

peering iris blades,

pooling onto dirt.

pain feeds growth,

sadness made manifest in these

fragile blooms.

 

wet birds dart

into shadowed trellis shelter.

rain, again.

 

fe-picFritz Eifrig has been writing poems on and off for several decades. He has been published in Poetry Quarterly, and the Hiram Poetry Review. He lives and works in Chicago.

 

Losing interest in the sound of petrichor – Kate Garrett

 

and the scent of the thunder;

you’ll tell me it’s ozone broken by forked

lightning, but thunder has a smell

of its own:

heavy and green, pregnant with wildflowers.

 

The clouds pressed through our roof,

drowning a protestant sun; it was one

of those evenings I wished for a bee sting

one of those evenings when heat rises

and I am overly alive, when I’m breathing

in too much summer to stem the panic.

 

And the weight of your body

on mine did nothing

and the restless sweat escaping

my pores did not cool me down—

 

but when night fell, the owls sheltered

from the hot rain in graveyard trees

and I wandered beneath their calls

to calm the tremors.

 

kate-newKate Garrett is a writer, mother, editor, wife, history buff, and amateur folklorist. Her work is published here and there online and in print, and has been nominated for a Pushcart Prize. Her most recent books are The Density of Salt (Indigo Dreams Publishing, 2016) – which was longlisted for best pamphlet in the 2016 Saboteur Awards – and Deadly, Delicate (Picaroon Poetry, 2016). Her next pamphlet, You’ve never seen a doomsday like it, will be published in 2017 by Indigo Dreams. Kate lives in Sheffield with her husband, four children, and a cat named Mimi.

Cabin Fever Poem #437 – Ryan Quinn Flanagan

 

It was snowing on the snow

and the snow on the ground began

to resent the snow that was falling on it

to the point that when the new snow settled

with all the snow that came before

they formed an alliance against the new snow

that was still falling

or any other snow that still wanted

to fall that

season.

 

Ryan ottawaQuinn Flanagan is a Canadian-born author residing in Elliot Lake, Ontario, Canada with his other half and mounds of snow. His work can be found both in print and online in such places as Evergreen Review, The New York Quarterly, Word Riot, In Between Hangovers, Red Fez, and The Oklahoma Review.