Alma Mater – Laura Potts

 

Widow-black and winter, evening took me south into

lamps burning blue in the dusk. Out and over my hometown musk

lay the hinterland hills breathing low in the dark. Still,

frostspark sharp on the city streets, holy rain sweet

in the winter and the wet, with no evening stars ahead I let

the pavement take me home. Through the town nocturnal, gloam

 

and grey, my chimney throat coughing its smoke, I saw aslope

on the city’s slow spine those old black gates, the summer of my days

inside. Grief cracked my face. Those navy girls and me, a pace

always ahead. But in the pale stairwell light the ghost of my girlhood dead

in its fresh green spring and gone. From roadside wet I looked on

at this child of light, her afterglow bright, her ashes of life

 

already black. The cold breath of loss on my face. At my back

a schoolbell cracked at the evening air. I saw Death at my table there

tipping his hat, and the years in my face that sank as I sat

at that desk at the back of the class. I remember that. And last,

on an old December evening, down hallways dark the wilting hymns

of girls turned ghosts before their time, I saw their eyes

 

like candles cold, like lights no longer leading home. Outside, to the bone

I shook and swung, the darkened seas that were my eyes done

and gone at the sight of myself. Each girl ringing her own passing bell.

Well, in that mist and half-dark morning, my face a clenching fist

in pavement pools, I saw that septic, terminal school

for what it was. No, I never went back, of course.

 

I tipped my compass north.

 

 

527Laura Potts is twenty-one years old and lives in West Yorkshire. She has twice been named a Foyle Young Poet. Her poems have appeared in Seamus Heaney’s Agenda, The Interpreter’s House and Poetry Salzburg Review. She has recently been shortlisted for a Charter-Oak Award for Best Historical Fiction at The University of Colorado and also made The 2017 Oxford Brookes International Poetry Prize shortlist. This year Laura became one of The Poetry Business’ New Poets and a BBC New Voice for 2017. Her first BBC radio drama Sweet The Mourning Dew will air at Christmas 2017.

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View from Ferryside – Byron Beynon

 

History oozing into pores

invigorates the past;

there’s the castle for instance,

high on a humpbacked hill

reaching out from Llansteffan’s

sand-ferrying shore.

The eternal language of seabirds

regional accents

in the warm rain

as they dive and soar,

sudden shifts in scale and tempo

recording the deep tales

from the journeying sea.

A landscape navigating

through the syllabus of days

that have vanished

onto the skin of time.

The air pure with thoughts,

clear with water-music

occupies this space

entering the cartographer’s

coast of memory.

 

 

Byron Beynon 2014Byron Beynon lives in Swansea, Wales. His work has appeared in several publications including London Magazine, Poetry Ireland Review, San Pedro River Review, Muddy River Poetry Review, Yellow Nib and the human rights anthology In Protest (University of London and Keats House Poets). Collections include Human Shores (Lapwing Publications) and The Echoing Coastline (Agenda Editions).

Outside the window – Tony Press

 

You can’t see nothing from here but if you could, what would you want it to be? That’s what she asked the first time I ever went to her apartment. We’d met in Sioux City when I was living there on a highway crew. She lived in Correctionville. Yes, Correctionville is the real name and you’ve probably already got an idea why it’s called that. Don’t bet on it.

I thought about it. Really: what would I want to see, if there were anything to see out her kitchen window. I’d seen the rest of the place and my answer was more important than you might think, because the kitchen was the only room with a window. The living room slash bedroom was nothing but three walls and the bathroom was the same, just smaller. It had more plumbing, too, which was a good thing.

Sweetie, I said, I’d like to see one of those Venice canals.

Venice? Venice, Italy?

That’s the one.

Oh, Darrell, did you ever go to Italy? Did you ride in one of those boats there?

No. Nope. I’ve never been across the Atlantic. Or even seen the Pacific. The farthest east I’ve ever been was South Carolina and the farthest west – you’ll laugh, maybe – was Kansas. I was at Fort Riley for four years and two more in Manhattan after I got out.

Manhattan? New York Manhattan? I thought you were talking about Kansas.

I am. It’s smaller than the one with Rockefeller Center and the Empire State Building and all that, but it’s got the same name. I was working at the university there: Kansas State.

Oh. Oh. Okay. Anyway, let’s just stand here and you can tell me about the canal out the window.

I poured her another glass of wine and one more for me, and then I lowered the light. I’ll give the place some credit, it had a cool dimmer switch, at least for the kitchen. I put my left arm around her shoulders and with my other I pointed outside.

Look, that’s the Grand Canal and over there … can you see it? That’s the Bridge of Sighs. If two people stand on that bridge and kiss they will be together forever. Flat-out-fucking-forever.

Really?

Really, I said. Step up onto it with me, but careful, ‘cuz it was raining so it might be slippery. I held her hand. That’s it, I said. Easy does it.

It feels real, she said. I’ve never been any place like this.

Kiss me, I said, and we’ll never be any place else, no matter where we are.

She did, and we held that kiss until I needed to breathe. She could have lasted longer, she said, and then we kissed again. I moved in that week.

I’ve still never seen the Atlantic, or the Pacific. I did – we did – get out to Nevada once. We drove to Omaha and took the train to Elko, where a buddy’s got a place. We saw mountains on that trip, so that was cool: no mountains in Iowa. I’ve got a cousin who lives in Hills, Iowa, but the name’s a joke. Maybe I ought to tell my cousin to look out her kitchen window and think about what she’d want to see, in her heart of hearts.

We have a bigger place in Correctionville now, a real house, with windows in every room, but each night before we go to bed we stand at a window, and look out at the Bridge of Sighs.

 

 

beast crawl.14.tp fotoTony Press tries to pay attention and sometimes he does. He’d be thrilled if you purchased his 2016 story collection, Crossing the Lines (Big Table). It’s available at indy bookstores, directly from him, or even from that Amazon place. He lives near the San Francisco Bay.

Wickham’s Crick – Robert Pelgrift

 

(Cutchogue, Long Island, New York)

 

The air is still, the Crick is low and clear;

and like the rain slanting down from storm clouds,

the sun’s rays streak this watery atmosphere

and light the mud bottom and wrinkled kelp shrouds.

 

We pole the old boat and silently pass

through a broken wall of mud and green rush,

into a salt pond hidden by marsh grass,

floating, weaving with the prow’s gentle push.

 

Through the muddy bank, the tides barely seep;

and under the pond’s smooth slick, thick with sun,

gray leaf flecks float, then settle, where the years lay

their ruin in a watery carbon heap

in the pond’s bed, as they have always done,

and will ’til all the centuries decay.

 

 

RYP JR picRobert Pelgrift practiced law in New York City for many years and is now an editor for a legal publisher, working in New York City.  His poems have been published in various anthologies and in The Lyric, The Rotary Dial, The Galway Review, The Foxglove Journal and The Waggle.

Of Wind and Rain – Arlene Antoinette

 

As he stood looking through the back window

at my english tea roses,

he said he couldn’t tell the difference

between the movement of the flowers

from the wind or from the rain.

How could you not, I replied,

confused by his lack of eyesight and insight.

 

When my roses are moved by the wind,

they move as one. Pink headed soldiers

lead by a strict drill sergeant,

each unwilling to be called out

for breaking formation

or for being the weak link in the chain.

Eager recruits desiring to satisfy their sergeant’s

every whim.

 

When my roses are moved by the rain,

each petal dances independently of the others

to the rhythm of the raindrops.

A single drop kissing the petal,

like a passionate lover

toying with his sweetheart’s emotions.

I can almost hear their squeals of delight

floating through the air.

 

He laughed, saying I was foolish 

to have given so much thought 

to such an insignificant thing. 

I cried, thinking him thoughtless

for ignoring one of the small beauties

of this world.

 

 

Arlenstillmyeyee Antoinette enjoys writing poetry and flash fiction. More of her work may be found at: Sick Lit Mag, GIRLSENSE AND NONSENSE, Boston Accent Lit and The Ginger Collect.

Oak – Steve Komarnyckyj

 

The oak trees stand so quietly,

Your voice would peter out

In their recesses.

The forest is deep in thought,

As the wind sighs

Through ruptured sunlight,

 

Its depths immersed in dream,

More than one of the trees

Has fallen or been felled

Leaving a stump,

The ghostly absence

Of an amputee’s limb.

 

The new saplings look down

Slender as young girls,

Feeling rain’s shy caress.

Listen and you will hear

Time remaking beauty

The canopy’s whisper

 

A silk dress.

 

 

IMG_2158Steve Komarnyckyj’s literary translations and poems have appeared in Index on Censorship, Modern Poetry in Translation and many other journals. He is the holder of two PEN awards and a highly regarded English language poet whose work has been described as articulating “what it means to be human” (Sean Street). He runs Kalyna Language Press with his partner Susie and three domestic cats.

After Dark – Ali Jones

 

I wake at 3:15am, weight shifting towards her,

did she hear the rain? I listen to her snared cry,

try to understand the rhythm of dreams,

what happens behind her eyes, as we travel back

into our room, hazy in gathered night,

shadowed gloom making everything strange,

 

I rearrange us, fuss up pillows, billow bedding

to hold us tight until morning light comes.

Other people stir, the breathing agents of sound

too loud for easy rest. She settles, eyelids flutter,

 

I lie awake, stilled by rallying whispers of breathing,

marvel at the differences of our waking world,

how we stand at ease and claim our places,

and how deeply we commit to sleep,

 

though we fight it, nightly, reading story after story,

playing as late as we dare. The day is wrung from us

in fits and starts, sung through open lips,

teasing the snagging air, a stored syntax

 

of waking tongues, that have begun to find the sounds

they need to make, and try them in the wee small hours,

before daytime takes us away into another realm,

to refashion us into sometime else, and make us whole again.

 

 

Author photo 2Ali Jones is a teacher and mother of three. Her work has appeared in Fire, Poetry Rivals, Strange Poetry, Ink Sweat and Tears, Snakeskin Poetry, Atrium, Mother’s Milk Books, Breastfeeding Matters, Breastfeeding Today and Green Parent magazine. She has also written for The Guardian.

A Slow News Day – Maurice Devitt

 

It is already mid-morning and the sky

is still undecided. A placeholder

of pesky grey, not definite enough

for rain and too shy for sun. Maybe

today has been cancelled and nothing

will happen, not even to the man

who is walking his dog by the side

of the lake, revelling in the deal

that he closed just before he came out,

looking forward to a dinner with family

and friends, and failing to hold his footing

as he throws a wet stick across the water.

 

Personal PhotoRunner-up in The Interpreter’s House Poetry Competition in 2017, Maurice Devitt was winner of the Trocaire/Poetry Ireland Competition in 2015 and has been placed or shortlisted in many competitions including the Patrick Kavanagh Award, Listowel Collection Competition, Over the Edge New Writer Competition, Cuirt New Writing Award, Cork Literary Review  and the Doire Press International Chapbook Competition. He has had poems published in Ireland, England, Scotland, the US, Mexico, Romania, India and Australia, runs the Irish Centre for Poetry Studies site and is a founder member of the Hibernian Writers’ Group.

Earthworms – Ion Corcos

 

Beneath the earth,

worms burrow

 

corridors

 

leave behind a map

of nostalgia.

 

On the surface

they find no rain,

search for pools

on concrete paths.

 

Some lie empty,

crumpled;

beyond life,

 

corridors

 

the last relics

left behind.

 

Ion CorcosIon Corcos has been published in Grey Sparrow Journal, Clear Poetry, Communion, The High Window and other journals. He is a Pushcart Prize nominee. Ion is a nature lover and a supporter of animal rights. He is currently travelling indefinitely with his partner, Lisa. Ion’s website is www.ioncorcos.wordpress.com.

Everything bright and illuminated – Melissa Goode

 

He sits in the back row. The concert has already begun and the stage is lit. The school orchestra plays Bach. His daughter, Joanna, is stern, focussed, behind a cello. They sound excellent, but he will tell me they dropped x, raced across y, and could have lingered at z and he will hum it a little to show me how it should have sounded. I will say, she’s seventeen. She’s a star. He will smile, probably at my ignorance, my upbringing, my haven’t-got-a-clue.

#

I stand in the doorway, my wet umbrella drips London rain onto the floor. Joanna is vivid on stage with her red hair. She is a flame. He faces straight ahead, lit by the light from the stage, a portrait. His gaze is hard, merciless, like a hawk. She dips her head over the cello and I feel the movement in my chest.

#

We could lie on a beach in Hawaii, him and me, pale beneath the white blaze of the sun. Joanna plays in the water and meets American boys and girls her age who make her laugh. We drink frozen cocktails all day—strawberry, coconut, lime, pineapple. Let’s try mango. There is sand everywhere, in the carpet, the shower, under our nails, inside our ears. When he and I lie down at night, he leaves the lamp on and looks at me like he could eat me entirely. We move slowly as if we have all fucking day and night. We do.

#

He has saved a seat. I touch his shoulder and he looks up at me. Sorry, traffic, I whisper. Hello, he mouths. He smiles. I move past his sharp knees to the seat, his hands reach out and hold my waist as I go.

 

MG_WEB-7Melissa Goode’s work has appeared in Best Australian Short Stories, Griffith Review, New World Writing, Litro Magazine, Pithead Chapel, Gravel, and Jellyfish Review among others. One of her short stories has been made into a film by the production company, Jungle. You can find her here: www.melissagoode.com and at twitter.com/melgoodewriter.

Another Thing – Danielle Dix

 

It is something to understand

you share the space between the sky

and the land

the time that falls from jumping

to standing

the beat of breathing

the peak and plunge of the sun

But as stone to grain,

from mist to rain,

It’s another thing to change

 

2016-11-13 07.13.17Danielle Dix is a poet with a tendency to focus on the challenges that people create within themselves. She is ruled by her impulsive nature, drools for travel, and is compiling a set of poems that she hopes will not fall prey to abandonment in a cardboard box. She tweets at @DanielleNoelDix.

raven’s eye. for vivian – Kersten Christianson

 

she is the sea glass queen

all xtratuf boots and rain gear

trowel and shovel

searcher of shards

of pottery and glass

 

she takes the blue canoe

down to wrangell

a meandering passage

through silvery waterways

lined by rocky beach and forest

 

she is the writer

all creative mind and chapbooks

filled journals and prompts

collector of truths and stories

recorded by pen on paper

 

she will spend the summer

at mickey’s fishcamp

photograph the play

of cloud and setting sun

sort treasures from the beach

organize words on the page

 

img_2972Kersten Christianson is a raven-watching, moon-gazing, high school English-teaching Alaskan. She earned her MFA in Creative Writing/Poetry through the University of Alaska Anchorage in 2016. Kersten’s recent work has appeared in Cirque, Inklette, Sheila-Na-Gig and Pure Slush. Her book Something Yet to Be Named by Aldrich Press and her chapbook titled What Caught Raven’s Eye by Petroglyph Press will be published in 2017. Kersten co-edits the quarterly journal Alaska Women Speak. When not exploring the summer lands and dark winter of the Yukon Territory, she lives in Sitka, Alaska with her husband and photographer Bruce Christianson, and daughter Rie.

Ode to Bishop – Carl Boon

 

Late September means

the chickens—

 

in summer imperturbable—

scatter at the shack’s wall.

 

They sense a flesh confined

trucks moving away,

 

the ends of all things

hot and strange.

 

This evening the wind

has shifted; the vines

 

have browned, fall against

the boy’s summer plan:

 

a pyramid, a monument

to which he did not pray.

 

Mother tries the door.

The cat has perched atop

 

the Hyundai top,

a kind of porch,

 

and symbols here have pushed

away to need—tin foil

 

makes a drape, branches

of fig to fence the strays.

 

When the rains come,

the girl, barely old enough

 

to lie, will gather armfuls

of rocks, wishing they were clouds.

 

cb-picCarl Boon lives in Izmir, Turkey, where he teaches courses in American culture and literature at 9 Eylül University. His poems appear in dozens of magazines, most recently Burnt Pine, Two Peach, Lunch Ticket, and Poetry Quarterly. He is also a 2016 Pushcart Prize nominee.

Lotus Pond – Seth Jani

 

That menagerie of lost appetites

Comes through when the dream arrives.

 

Those hungers are deep as rain

In the forest’s centrifugal body.

 

You could drown there without

The black cord of awareness

 

To let you down. They are voracious,

Swallowing leaves and minnows,

 

The high-ether flowers

Of the gods’ most cherished gardens.

 

To be near them is to touch a limited fire.

They are like the multicolored fish

 

That dart through the nameless waters

On which we float our frail, constricted blooms.

 

seth-jani-author-picSeth Jani currently resides in Seattle, WA and is the founder of Seven CirclePress (www.sevencirclepress.com). His own work has been published widely in such places as The Chiron Review, The Hamilton Stone Review, Hawai`i Pacific Review, VAYAVYA, Gingerbread House, Gravel and Zetetic: A Record of Unusual Inquiry. More about him and his work can be found at www.sethjani.com.

Two poems of hope – Danny P. Barbare

 

Good Days

The
pavement
looks
up

it
sees
the
light

hope
is
the
streets
and
rain
that
shine.

 

The Better of a Rainy Day

Thinking
of
the
light

the
glow
of
a
home

hope
is
the
lamp
shade
beside
the
road.

 

Danny P. Barbare resides in the Upstate of the Carolinas. He has been published in Birmingham Arts Journal and Stone Coast Review. He lives with his wife and family and small dog Miley.

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