A fabulous game called “love” – Sebastián Díaz Barriga

 

Translated from Spanish by Delphine Tomes

 

as a child

my parents used to play

this fabulous game:

although the aim

is still unknown

the game arrived

to their relationship

as a forgotten quarter does

on an empty street

in Mexico City

it seemed to say:

hey!    

are you going to grab me or what?

I have been here all day

and I just wanna go back home

I´m so fucking tired.

 

back then, dad

pretended to send money

– instead of love-

to mom’s debit card.

the nearest ATM machine

was about an hour away

so we used to cross

the whole town

in our 1970 VW beetle

just to find

that there was no money

or love

or anything else

inside

mom’s card

mom

dad’s lover

or the neighbor’s dog.

 

I felt so sad

I just wanted a new pair of socks,

a green pencil

and, perhaps

a tiny little fish

whose love

wouldn’t leave

my hands.

 

 


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Sebastián Díaz Barriga was born in Mexico City in 1998. In 2018, he wrote his first book (Un rezo para mi padre) translated into English in 2020. He achieved first place at the XII National Desiderio Macías Silva Poetry Contest in 2019. He lives in the 21th century while dreaming about life. http://fabricandopajaros.blogspot.com is his blog.

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Appearance – Antoinette Carone

 

We used to pretend that we were wealthy. After all, as we were taught in theater class, it is the appearance that counts. Keep up the illusion long enough and it becomes a reality.

We shopped in the jewelry stores uptown. We never bought anything, but we made excellent excuses for not doing so: The amber did not quite go with my eyes; I did not really like the emerald; and so on. Then one day I saw an amethyst pin. I loved it! We said we would think about it and left.

I got a second job – just temporarily. I became a telemarketer. I hated every minute of it, but I was good at it. I guess all that pretending, all that making claim to an alternate reality paid off. At the end of six months I had saved twelve-hundred dollars.

I put on my one good dress – black silk crepe but very plain – and wearing sunglasses but no make-up, I walked into the jewelry store with the cash. The pin was still there! (I imagine it was too small for someone who could afford whatever she wanted to take notice of.) I never wore jewelry when I went into that store except for the gold studs in my ears, a graduation present from my aunts. I went home wearing the pin on my black dress. The austerity of the neckline really set it off.

There was a woman sitting in our living room with David, drinking white wine. David introduced her as Margot. I guess we effectively carried off the appearance of wealth, because Margot took quite a close look at my pin. She was a dancer, or so David said. That seemed to be true from the way she held herself and from the length and tone of her legs. She looked elegant and aloof. Perhaps Margot was pretending to be beautiful.

She certainly convinced David. He left me for her the following weekend. He said that he was obsessed with her exquisite looks, that he had more in common with her that with me and that he and I weren’t really meant for each other.

 

 

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Antoinette Carone was born in West Virginia. She has studied theater in New York city and holds a bachelor’s degree in Romance Languages. When she and her husband decided to spend a year in Naples, she kept a journal which was later published as Ciao, Napoli – A Scrapbook of Wandering in Naples. Her short stories “The Eternal Return” appeared in the May 2018 issue and “The Demon” in the January 2019 issue of the online journal Ovunque Siamo. She is an active member of the New York Writers’ Coalition.

The Hoopoes Are Back – Lynn White

 

The hoopoes are back,

even though

the walls and holes they liked to nest in

were destroyed by human nest builders

four years ago,

when there was a housing boom

and money to be made.

 

The hoopoes are back,

even though

the new holes and rubble they liked to nest in

were destroyed by human nest builders

three years ago,

even though,

there was no market for nests

and no money to be made.

 

The hoopoes are back,

even though

the new holes and rubble they liked to nest in

were washed away two years ago,

as the walls that stopped the storm flow

were destroyed by human nest builders,

to prepare the ground for money to be made.

 

The hoopoes are back,

even though

their nesting places are hidden, buried

under growing mountains of rubble brought

by the human nest builders a year ago

as there is no demand for human nests

and no money to be made, except from rubble.

 

Hey, the hoopoes are back! I’ve seen them!

The hoopoes are back!

 

 

 

Lynn...Lynn White lives in north Wales. Her work is influenced by issues of social justice and events, places and people she has known or imagined. She is especially interested in exploring the boundaries of dream, fantasy and reality. Her poem ‘A Rose For Gaza’ was shortlisted for the Theatre Cloud ‘War Poetry for Today’ competition 2014. This and many other poems, have been widely published, in recent anthologies such as – ‘Alice In Wonderland’ by Silver Birch Press, ‘The Border Crossed Us’ and ‘Rise’ from Vagabond Press and journals such as Apogee, Firewords Quarterly, Indie Soleil, Light and Snapdragon as well as many other online and print publications.

dogeared inspiration – AM Roselli

 

I dogeared a page in your book

of inspirational quotes, Volume Two.

The one you keep in the nightstand

on your side of the bed.

 

The bed we never should have bought

with that money. Rather than a bamboo

pillowtop, we should have invested

in help from voices other than our own.

 

When you wake and find I’m not here

fitting into the lump our sleep pattern created

on a mattress supposedly resistant to lumps–

 

If you shuffle to the dog-eared page

of inspirational quotes, Volume Two,

perhaps you’ll figure out why

 

I was inspired to leave.

 

AM Roselli author picture b_wAM Roselli is a writer and artist who lives in the Hudson Valley, New York. She has a collection of illustrated poetry, Love of the Monster, published by Door in the Floor Publishing, 2016, available on Amazon. She previously served as an art director at Prentice Hall Educational Publishing. Since 2014 she has been sharing her writing and artwork on her blog, anntogether.com.