The Beach of the Cathedrals – Glenn Hubbard

 

The pseeping of pipits. The ticking

of robins. The flicking of redstarts.

Is the curtain-raiser.

 

Descend to the sand to walk up

dark naves. Arches and stacks

of schist and layered slate.

 

Stop to peer into the cracks and caves,

the patient work of tireless waves. Wait.

To hear the drip of fresh water.

 

Blue mussels in dense colonies.

Clenched goose barnacles in clusters.

Safety in numbers.

 

Near the shore

note the pools.

How they shelve.

 

Imagine the sun-tempered cool

on a day in July. The slide

in from the soft edge.

 

The sand sucks at the soles

of your shoes. Ascend,

the sound of the sea dissipating.

 

The pseeping of pipits. The ticking

of robins. The flicking of redstarts.

Is the send-off.

 


Glenn Hubbard has been writing since 2013 and lives at the foot of the Sierra de Guadarrama near Madrid. He has written a good deal of nature poetry over the years, inspired by the flora and fauna of both Spain and the UK. Some of this work has been published in journals such as Words for the Wildthe Dawntreader and Sarasvati.

all – Mark Goodwin

 

all

 

washed from

land-rim through

 

sea’s miles

 

-high-sky &

fathoms-deep

 

en

 

twined

 

light

 


Mark Goodwin is a poet-sound-artist, and speaks & writes in various ways. He is also a walker, balancer, stroller, & climber. He has a number of books & chapbooks with various poetry houses, including Leafe Press, Longbarrow Press, Nine Arches Press, & Shearsman Books. His poetry was included in The Ground Aslant – An Anthology of Radical Landscape Poetry edited by Harriet Tarlo (Shearsman Books 2011) and The Footing edited by Brian Lewis (Longbarrow Press 2013).  His latest chapbook – a compressed mountain travelogue called Erodes On Air – was recently published in North America by Middle Creek. Mark lives with his partner on a narrowboat just north of Leicester. He tweets poems from @kramawoodgin, and some of his sound-enhanced poetry is here: https://markgoodwin-poet-sound-artist.bandcamp.com.

Arran Postcard – Anna Percy

 

Dear T.

I know you have cycled on the coast road where I bumped along on the bus I haven’t asked if you stopped here at Kildonan where seals are promised or whether in fact the flop of their sea adapted bodies fills you with the same glee a fortification crumbles in a dark stone on the hill a look out a warning place the first line of defence the current light house sits on an islet must be lonely have to row back and forth to find another body the sun has started to blaze and yet the sea froze my toes a swimming costume was a dare to the water the water itself is all subtle movement and glitter past the sand everything is bands of blue and white you would swim.

 


Anna Percy has been writing for the page, stage and publication since 2004 mostly in the North of England. In 2010 she co founded the feminist collective Stirred Poetry. She has three full length collections with Flapjack Press. This poem is from an upcoming pamphlet The Everlasting Now from Some Roast Poets.

Carnota – Elizabeth Gibson

 

We are in a glass dome of summer – pick us up and shake us,

and pollen-dust will swirl around us. The delirious strip of sea

is the other side of our zip: we curve and arc into each other.

Life is reduced to blue and green, with dots of pink and yellow,

and all I could ever need for fullness again is this sea and sky,

these hills of foxglove and gorse, and long Galician granaries,

their stone frames warming lizards and cats. We stop, to sprawl

among the brittle mauve patches of seaweed, watch dolphins

spinning like cogs, in and out, in and out of the wave machine.

Hey, I see a whale – well, I see spray – but no-one believes me.

We find the corpse of a small creature – a porpoise, maybe,

all beak and curve, now brittle with sand. Across the meadows

are chubby brown goats, and foals gulping from patient mothers

whose fringes tumble like kelp. It all keeps circling in on itself.

 


Elizabeth Gibson is a Manchester writer and performer, and the Editor and Photographer for Foxglove Journal. Her work is often inspired by her travels, as well as themes of queerness, community, body image, and mental health. She has recently been published in Aurelia Magazine, Giving Room Mag, Lighthouse, Popshot, Queerlings, and York Literary Review. She is @Grizonne on Twitter and Instagram, and she blogs at https://elizabethgibsonwriter.blogspot.com.

Cromarty, 29 April 2019 – Neil Fulwood

 

Wake early. Take a cafetière

through to the conservatory.

Mist blanks out everything:

the road, the firth, the sea

beyond the curve of headland.

The oil rigs are vague shapes –

storybook monsters; phantoms.

Plunge; pour a mugful. Take

your first sip of the day. Feel

the bitter kickstart of caffeine.

The day hasn’t come alive yet.

Give it time. The sun will burn

through the mist. Landscape,

sea and sky will correlate.

 


Neil Fulwood was born in Nottingham, England, where he still lives and works. He has published two pamphlets with The Black Light Engine Room Press, Numbers Stations and The Little Book of Forced Calm; and two full collections with Shoestring Press, No Avoiding It and Can’t Take Me Anywhere. His third collection, Service Cancelled, is due for publication later this year.

A short lecture On the female body, and Other beautiful Things – Ann Pedone

 

Yes, you can call me a nymph. How else to explain that

my mouth is a river that never meets

the sea. Don’t be afraid. I understand how this thing

how the body

works. I know everything, all the names

of all of the places inside

of me. Watch. I’ll show you how to make it

more than a metaphor.

I know full

well that sex isn’t some

thing to play at, my valentine. You see this thing here

this immensity

between my legs. This is what turns day in

to night

light into dark. This is flesh of the

same silence.

I know you want to wrap your

self around it.  I see the desire dripping down

your back. Do it now, before it is too

late. Do it before you turn into a poem

inside of me.

 


Ann Pedone graduated from Bard College with a degree in English and has a Master’s degree in Chinese Language and Literature from UC Berkeley. Ann is the author of the chapbook The Bird Happened, and the chapbook perhaps there is a sky we don’t know about: a re-imagining of sappho is forthcoming in December. Her work has recently appeared in Riggwelter, Main Street Rag, Poet head, Cathexis Northwest, The Wax Paper, and The Phare, among others.

Soon the Drift of Dusk – Darrell Coggins

 

Twirls of seaweed strew

over dimpled rocks

 

quickly shed free –

across damp sand

playing off each other

 

papery filaments skitter

and flip

 

Later, washed over

crisscrossed in a half-smile

frail footsteps recede

 

disquieting behind me

ribbed with graveyard bones

limestone fragments crumble

 

wallpapered underneath

in imprecise lines

 

snippets of ochre conjure

an amoebic design

a patina stained and flecked

 

Soon the drift of dusk –

unmoored, about to weep

drawn back and back

 

both beautiful and hypnotic

a bevy of clouds merge

towards the sea

 

continuously glassy

minute waves lap

almost silent –

 

gentle against my feet

 

 

IMG_1301Darrell Coggins is a poet, visual artist and musician who lives in Adelaide, South Australia. His poetry has been published in Poetry Matters, Positive Words, The Mozzie, Tamba, Studio, Nine Muses, Envy – Seven Deadly Sins, The Crow and Friendly Street Poets anthologies. Darrell’s poems are of moments seen, heard and felt.

Exmouth – Edward Alport

 

I took my problems to my old friend, the sea.

He watched me with his flashing eyes

And spoke to me with seven foaming lips.

I poured out my problems

And he poured them right back again.

 

Now that I’m sitting, like a stone on a rock,

Now the beach-huts are deserted,

And all the lovers have gone home,

He’s still there;

He’s still there;

The still small voice

Of endless noise,

Wearing at my loneliness.

 

 

Edward Alport is a proud Essex Boy and occupies his time as a teacher, gardener and writer for children. He has had poetry published in a variety of webzines and magazines. When he has nothing better to do he posts snarky micropoems on Twitter as @cross_mouse.

Bio-luminescent Creatures Of The Deep – Sunita Thind

 

I wish I was a bio-luminescent creature of the deep.

Welded to lightning, conversing in sparkle.

Noxious in the dark.

Optic nerves splattering like fireflies.

This weakening broth of fire and flame.

Cavorting in an indigo sea.

These astral jellyfish glutenous from their latest neon feast.

Flippantly playful is the octopus.

Corpses of the sea.

Contemporary glamour of the synthesizing colours.

Craters of watery moon beams.

Fermenting are these sea soaked elementals.

Water gods disfiguring their oceans.

These deranged, sparkling fish with their minuet brains- melancholically wired.

See their despondent jellied eyeballs and droopy mouths.

A congregation of twinkling fish scales.

Like dress code diamonds.

Embryonic and heavenly, these fish bones.

These dreamy textures and mermaids meandering.

Prismatic light in the howling water.

I wish to be a bio-luminescent creature of the deep.

The embittered old whales.

Sonic flash lights, sonic clicks of porpoises.

Narrow beams and bio sonar.

This whale song.

Marine life habituated to incandescence, pale blue and crystallized.

 

 

sunitaSunita Thind has always been passionate about her writing and now she has the time to concentrate on it fully. She has dabbled in many things including being a model, primary and secondary school teacher and trained as a make up artist. Make up, poetry and animals are her passion. She has recently suffered from Ovarian Cancer and is grateful she has survived it but she is not in remission yet. All these experiences have coloured her as a person and enriched the poetry she writes. She loves to sing and takes singing lessons and has a beautiful, male Samoyed puppy named Ghost.

Siren – Jessica Michael

 

There is an ache like oceans

emptying themselves of everything but salt.

 

I walk the bottom,

cut my feet with wandering,

I fear her reckless chasms

and keep going.

 

Because for years

I thought I had a choice

in who and what and how I loved

 

when the only choice I ever had

was if I loved at all.

 

Here I am,

singing music to call the sea to shore.

 

 

10036_2Jessica Michael lives and writes in Prescott, AZ when she’s not traveling this intriguing blue planet. Her work has appeared in Allegro, Comstock Review, Red Fez, Rebelle Society, Outdoor Australia, and others. Find her poetry and photography at www.authorjessicamichael.com or follow her on Instagram as @authorjessicamichael.

A Wave in the Ocean – Peter Fullagar

 

Just a wave in the ocean,

a drop in the sea,

the tiniest speck

that is you and me.

The wave that may carry us

to lands far beyond,

the gentlest lull

of the sweet-scented song.

The whirlpools that capture

and stay in the round,

refuse to release

to treasures unfound.

The stormiest water

that must be obeyed

withstanding this

and serenity so craved.

The soft soothing current

brings out the best

leads me to shore

and lays me to rest.

 

 

Image-27Peter Fullagar is an editor and writer living in Berkshire. His first book, Virginia Woolf in Richmond, was published in November 2018 to coincide with a Virginia Woolf Statue campaign and his short story, The Walking Stick, is included in an anthology called Tempest. He also writes ELT materials and has some exam books published. He tweets at @peterjfullagarFind more at www.peterjfullagar.co.uk.

Colorful Combinations – Deborah Guzzi

 

Being of earth, wind, fire, and water, I amble wide-eyed in a world of color.

Elements form metaphoric limbs, link the undefined—in a world of color.

 

Unified, stalwart, we stride, side by side, reveling in the differences

from the molten core to the tide-line—enshrined in a world of color.

 

There are no weeds, no right place or time; all life’s sublime, beauteous

in the blessed-eye, like unto like, all entwined in a world of color.

 

Rays, wings, seeds—exploding suns—jellyfish in the sea,

quarks to leptons to universes, all primed in a world of color.

 

Gather the multitudes—reform and combine—splatter watercolors

for all creations shines—life’s sublime in a world of color.

 

 

 

debbie 3aDeborah Guzzi writes full time. Her third book, The Hurricane, is available through Prolific Press. Her poetry appears in Allegro, Artificium, Shooter, Amethyst Review and Foxglove Journal in the UK, Existere, The Ekphrastic Review, Scarlet Leaf Review and Subterranean Blue Poetry, Canada – Tincture, Australia – mgv2>publishing, France – Cha: Asian Review, China – Vine Leaves Literary Journal, Australia – The Scarlet Leaf Review – Greece, Ribbons, pioneertown, Sounding Review, Bacopa Literary Review, The Aurorean, Liquid Imagination, The Tishman Review, Page & Spine and others in the USA.

Beyond the clouds – paul Bluestein

 

If I could see beyond the clouds

what would there be?

As I stand here

(attached by the gravity of my life

to this two feet parcel of earth)

nothing there seems clear.

 

What would I see through the window beyond?

An endless green sea on which I might float (or walk)?

But neither my eyes nor mind have reach enough,

so I am like a shell

washed up on some endless celestial beach.

 

One day the sky may clear

and I  may see and hear

answers to the mystery that I am living.

I will be beyond the clouds,

inside a limitless blue box.

Sky end to end, side to side.

Until then?

The ink of my thoughts will drop from the clouds like rain

and bloom upon a page.

I’ll watch butterflies light on leaves like orange flames.

and know that it is enough.

 

 

Fur Peace Ranchpaul Bluestein has written poetry for many years, but has just recently begun to submit his work. He is hoping Foxglove Journal will be one of his first steps forward on this new journey. He is a physician (OB-GYN) by profession (retired … or just plain tired), a self-taught musician (guitar and piano) and a dedicated Bridge and Scrabble player (yes, ZAX is a word). He writes poetry because The Muse, from time to time, calls him unexpectedly and keep ringing insistently until he answers, even if he doesn’t want to talk with her just then.

An Almost Empty City – Samuel W. James

 

The sea is tired and the sky above seems runny

while on the shore of the sea

humans swarm like bees;

you’d think the slow waves were made of honey.

 

Inland, mile by mile, the leaves seem to glow

with the lime leaves’ piercing greens

which is only the sun’s gleam,

and neither the trees nor the sun even know.

 

The bees themselves patrol the streets

and they are the only ones.

Even down to the concrete, the world is sweet;

down to the marrow of its bones.

Its secretive souls need not be discreet

when the humans have all either hidden or flown.

 

 

 

SWJ picSamuel W. James’ poems can also be found in AllegroThe Eyewear ReviewThe Fortnightly ReviewDissident VoiceThe Literary HatchetAmsterdam QuarterlyLondon GripClockwise CatPeeking CatSentinel QuarterlyScarlet Leaf ReviewDoor is a JarThe Beautiful SpaceElsewhere Journal and Ink, Sweat and Tears.

Traveller – Ali Jones

 

He arrived, a long washed sailor,

over the rolling sea, making home

because he likes what he sees;

the waist nipped flouncers in sky

high heels, he brings them sunshine,

 

in the grey northern streets, freestyles

beats, wears flip flops with no thought

for others. He wants to fit in though,

with winkle-pickers and pool cue crowds,

not with grim suited pen-pushers.

 

Under his feet, colours splatter the pavement,

smiles spread silently across his face,

he hears old ladies whisper, scandalised,

then turn silently away;

he wears the world well.

 

 

Author photo 2Ali Jones is a teacher and mother of three. Her work has appeared in Fire, Poetry Rivals, Strange Poetry, Ink Sweat and Tears, Snakeskin Poetry, Atrium, Mother’s Milk Books, Breastfeeding Matters, Breastfeeding Today and Green Parent magazine. She has also written for The Guardian.