70 Seconds – Anna Ross

 

A small spark

A flicker, a flash

Blink and you miss it

A lone reaching flame

Small, steady, silent

Growing at both sides

A red hand waving

Calling for attention

Its journey begins

Rug, stool, chair, bookcase

Claiming them all

Flaring up, grasping

Ascending the curtains

Smoke pools above

Now unstoppable

All within is lost

Inferno rages

 


Anna Ross lives in North Yorkshire and works as a university administrator. She greatly enjoys reading and writing stories and poems of all shapes and sizes. Her short stories have been published across a range of anthologies. Though she is noted amongst her peers for writing literature with dark underlying themes and messages she is actually a very friendly person in the real world.

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Chronos – Anna Ross

 

Tick, tick, tick.

The clock hands are all heading for twelve,

And there is nothing I can do to stop them.

Perhaps I could break the clocks.

Tear their hands from their faces,

Scatter their cogs on the floor.

But I don’t. I know it will not help.

For no matter how many timepieces I destroy,

The clock hands will still reach twelve.

 

Tick, tick, tick.

I’ve tried to look the other way.

But time is a tricky thing to hide from.

It is indefinite and exact, constant and ongoing.

And it knows not its own value.

I’ve played my part, fulfilled my role,

And in this I make my exit.

 

Tick, tick, tick

Twelve will be my final hour, when I shall meet my ‘justice’.

Under the midday sun, as the church bell rings,

The hour is near and they have all come for me.

The tides still flow, the sun still rises,

I am no longer scheming escape.

My life and my innocence are inconsequential to time.

For all the clock hands are heading for twelve,

And there is nothing anyone can do to stop them.

 

Tick, tick, tick.

 


Anna Ross lives in North Yorkshire and works as a university administrator. She greatly enjoys reading and writing stories and poems of all shapes and sizes. Her short stories have been published across a range of anthologies. Though she is noted amongst her peers for writing literature with dark underlying themes and messages she is actually a very friendly person in the real world.

When – Louise Wilford

 

and then, when the sluggish earth winds down,

when the wild copper sun streams into the sea,

when the night creeps in like a timid guest

then, beneath the scraps of cloud,

as the air stiffens with the last chirps of the crickets

as the scent of autumn seeps like a charm into my veins

and the still-warm twilight twists about my limbs

when the brush of a dying ladybird on my forearm

or the dry ivy leaf combing my shoulder

is itchy as elf-fingers as I pass, when the shuffling hedgehog

circles the lawn and the first drift of leaves

crumbles beneath our shoes, when the mouse-eyed

elderberries droop, black bubbles in the ripple of moonlight,

and the night’s grey dust dampens the rosehips

and snags among the blood-red haws

then, we will step through the dandelion clocks,

through the lazy cobwebs, through the sleepy moths,

and we will dance, my love – my love, we will dance

and then we will dance as the slow earth turns

 

 

unnamed (2)Yorkshirewoman Louise Wilford has had over 100 poems and short stories published and has won or been shortlisted for several competitions, most recently the £750 Arts Quarterly Prize and the MereFest Poetry Prize. She is currently nearing the end of a Masters degree in Creative Writing with the Open University, and is currently working on a novel inspired by The Tempest, while trying to process why the world appears to be falling apart.

As she waits for news of her son – Louise Wilford

 

She feels the pale green sunlight through the hawthorn leaves –

but May’s evening blaze is darkened for her this year.

She pauses on the path – blots her eyes with her sleeves –

her courage faltering before her labour’s done,

replaced by the slithering worm of impending fear –

her hope extinguished with the setting of the sun.

 

She can’t remember quite what she was looking for.

The ivy winding up the fence twists through her mind.

Every moment the vice of terror grips her more,

her courage faltering before her labour’s done –

desperate to hear some news, yet not wanting to find

her hope extinguished with the setting of the sun.

 

He’s been missing a night and a day. There’s no joy left.

Food is ash in her mouth, the world an empty cage.

The bright bursts of pain leave her vacant and bereft,

her courage faltering before her labour’s done.

The snaking red anguish tangles her up in rage,

her hope extinguished with the setting of the sun.

 

 

unnamed (2)Yorkshirewoman Louise Wilford has had over 100 poems and short stories published and has won or been shortlisted for several competitions, most recently the £750 Arts Quarterly Prize and the MereFest Poetry Prize. She is currently nearing the end of a Masters degree in Creative Writing with the Open University, and is currently working on a novel inspired by The Tempest, while trying to process why the world appears to be falling apart.

Competition – Louise Wilford

 

I won a competition. Yes, I did. My fingers

drew a poetic Fall, all red and gold decay.

I know the debt I owe – Keats’ ode still lingers –

but my creation was, in its own way,

worth fifty quid.

 

Chaotic interlinkage. Velcro hooks of words,

confusing as a froth of wasps stuck in a honey pot.

Some end up barbed wire bundles, spikily absurd,

or limp on, split and wounded. I’d be the first to spot

my writing sucks.

 

Yet sometimes words escape, their goal the blooded page,

and go home, battle-weary, on figurative legs;

they mesh like lovers meeting, no griping war to wage,

and fit like Lego bricks or halves of Easter eggs,

a greater whole.

 

 

unnamed (2)Yorkshirewoman Louise Wilford is an English teacher and examiner. She has had around 50 poems and short stories published in magazines including Popshot, Pushing Out The Boat and Agenda, and has won or been shortlisted for several competitions. She is currently writing a children’s fantasy novel.

The Good Girl – Louise Wilford

 

Childhood stains it all,

blood that no amount of spit-wet tissue can rub out.

 

The playground grit against our knees,

the slap of rope on asphalt, skipping songs

coating the summer day. The walk-in cupboard where our toys

were kept, silverfish in its dusty corners.

 

That’s where I hid the card, the broken bits

of yellow-painted egg-box daffodils.

Crumbs like dried yolk stuffed in the Ludo box.

 

I’d missed school with the ‘flu’, so couldn’t finish it myself.

She’d stuck on the final leaves, filled in the last

few letters: OTHER’S DAY.

 

Glass animals on the windowsill

watched me as I tore the card to bits,

each wound a slice into her skin.

 

She’d ruined it, just as she soiled that Sunday

when she told them all I’d lied.

And all the while her alligator smile

tuned out their doubts.

 

As if a girl like her…

 

I felt her fingertips against the cardboard flowers,

her grinning brush-strokes on each painted edge.

 

Those old, sad days in which we played and wept.

For good or bad, they’re where we learned to be.

Until we die, they’re where our lives are kept.

 

 

unnamed (2)Yorkshirewoman Louise Wilford is an English teacher and examiner. She has had around 50 poems and short stories published in magazines including Popshot, Pushing Out The Boat and Agenda, and has won or been shortlisted for several competitions. She is currently writing a children’s fantasy novel.

We Will Not Wander More – Louise Wilford

 

We will not wander more. No lotus-blossom keeps

us in our seats, but just the glitter on the wall that seeps

 

into our souls. We love the soothing lullabies of lies

and loss that roll like waves of smoke across our eyes.

 

These padded gondolas will rest our limbs. Our long

hallucinations glow like pearls. Here sounds our final song. 

 

The dying skeletons of ships float by above,

but here we rest, below – bereft of love.

 

The sob of marriage split, of love betrayed,

of feuds and frauds and factions – all displayed

 

in widescreen, stretching thought just broad and high

enough for skimpy hearts and those who’re wide of eye.

 

 

unnamed (2)Yorkshirewoman Louise Wilford is an English teacher and examiner. She has had around 60 poems and short stories published in magazines including Popshot, Pushing Out The Boat and Agenda, and has won or been shortlisted for several competitions. She is currently writing a children’s fantasy novel.

Sunset in October – Louise Wilford

 

The air ticks – the wandering, wild strum of it

breaking through me, rattling the pebbles

like long-dried bones.

 

The wind whines – the banshee bawl of it,

screaming through ginnels of granite,

on the high moor.

 

The land shivers, pulling its coat of gorse 

and heather tight round its ears,

shrugging me off.

 

And the earth drinks the sky.

 

 

unnamed (2)Yorkshirewoman Louise Wilford is an English teacher and examiner. She has had around 60 poems and short stories published in magazines including Popshot, Pushing Out The Boat and Agenda, and has won or been shortlisted for several competitions. She is currently writing a children’s fantasy novel.

Rain – Louise Wilford

 

The rain, it raineth every day.

Slugs cower beneath the pavement slabs –

the sage leaves curl, their powder spent –

the quilted mint leaves pillow through their veins

and spears of tarragon drip glassy beads.

 

The painted terracotta cat

no longer casts out beams of candle light,

just snivels, shoulders huddled in the chill.

The real cat shelters underneath the bench.

The rain, it raineth every day.

 

The rain, it raineth every day.

Chlorophyll glisters green on every branch.

The guttering spews an endless waterfall.

The rags of rubbish blown out of some skip

are stuck with watery bullets to the fence.

 

The rain, it raineth every day.

The traffic is a dampened lullaby,

a pebbled stream that boils across a weir,

the ache of a wave collapsing on a beach,

nudging the rounded rocks and shells.

 

But still the loud rich smell of dampened earth,

the bursts of thyme and parsley as I pass,

the slick pink smell of early flowers, 

trumpets the spring through the cloud-drenched air.

But the rain, it raineth every day.

 

 

unnamed (2)Yorkshirewoman Louise Wilford is an English teacher and examiner. She has had around 60 poems and short stories published in magazines including Popshot, Pushing Out The Boat and Agenda, and has won or been shortlisted for several competitions. She is currently writing a children’s fantasy novel.

New Beginnings – Rachel Bower

 

We are starting again

this wrinkly belly and me

learning how to walk again

and even how to talk

to strangers without

the shield of peach cheeks

and little legs.

 

We are tottering through the retail park

off kilter

but determined to find a latte

and drink it hot this time,

just this time,

even if the milk floods our shirt

even though we’re waddling a bit,

still bruised from birth

and we think of him safe

and scan the tarmac again

without anchor.

 

Our balance is off.

You shrivel in my hollow

as I try to unfurl

and wonder how to tilt on my feet.

 

Only eighteen minutes left

’til we see his starfish hands.

 

We wobble together and smile.

 

Rachel Bower photoRachel Bower is a poet and research fellow at the University of Leeds. Her pamphlet, Moon Milk, will be published with Valley Press in May 2018. She is currently co-editing an anthology with Helen Mort entitled Verse Matters, which is out with Valley Press in November 2017. Her book, Epistolarity and World Literature, 1980-2010 will be published by Palgrave Macmillan in August 2017. Rachel’s poems have been published by Stand Magazine, BBC Radio, Now Then Magazine, Valley Press, Three Drops Press, The Stare’s Nest, Pankhearst and others, and she has had poems shortlisted for several prizes, including The London Magazine Poetry Prize and the Plough Prize 2016. She is also the founder of Verse Matters, a feminist arts collective in Sheffield.

Cherries – Rachel Bower

 

Sometimes habits pull you through

and you wonder if it should be scuffed

and slack and holding hands

in the dark, bristle calved, taking

turns to spit in the sink and piss.

Or if it should gleam tight like a cherry.

 

You wonder if this is the taste of bruises

from the bag, whether the crash of juice

in your ears will stop when the rot sets in

whether it is better to shrivel as a pair

on the stalk or pluck now – softest pop

and lick sweet sap from the wound.

 

Rachel Bower photoRachel Bower is a poet and research fellow at the University of Leeds. Her pamphlet, Moon Milk, will be published with Valley Press in May 2018. She is currently co-editing an anthology with Helen Mort entitled Verse Matters, which is out with Valley Press in November 2017. Her book, Epistolarity and World Literature, 1980-2010 will be published by Palgrave Macmillan in August 2017. Rachel’s poems have been published by Stand Magazine, BBC Radio, Now Then Magazine, Valley Press, Three Drops Press, The Stare’s Nest, Pankhearst and others, and she has had poems shortlisted for several prizes, including The London Magazine Poetry Prize and the Plough Prize 2016. She is also the founder of Verse Matters, a feminist arts collective in Sheffield.

Waiting – Rachel Bower

 

I scrutinise my nipples for sap

but I’m not even sure where to look

and listen carefully for a splash

of colour but hear nothing I know.

 

It’s been months of course

but I think you might not come now

and even with your head between my walking legs

I do not know where you are.

 

In time my body will prove wiser

and when all that raspberry tea and swirling

does not bring you any quicker

I feel into age-old maps of women.

You will come when it is time.

 

 

Rachel Bower photoRachel Bower is a poet and research fellow at the University of Leeds. Her pamphlet, Moon Milk, will be published with Valley Press in May 2018. She is currently co-editing an anthology with Helen Mort entitled Verse Matters, which is out with Valley Press in November 2017. Her book, Epistolarity and World Literature, 1980-2010 will be published by Palgrave Macmillan in August 2017. Rachel’s poems have been published by Stand Magazine, BBC Radio, Now Then Magazine, Valley Press, Three Drops Press, The Stare’s Nest, Pankhearst and others, and she has had poems shortlisted for several prizes, including The London Magazine Poetry Prize and the Plough Prize 2016. She is also the founder of Verse Matters, a feminist arts collective in Sheffield.

Choking – Jonathan Butcher

 

I remember you in the school

dinner room, choking on the

corned beef sandwiches that

the dinner ladies forced down

your throat; waste held no

relevance between those walls.

 

I remember you sat alone at break

times, hands and stones slapped

across your face like whiplashes,

for an injustice you were far from

capable of committing.

 

And you walked home, your head bowed,

through those orange bricked streets

that framed our morning walks, alongside

the neglected grass verges like miniature

jungles we never dared to enter.

 

Those doors opened once again, before

the sun set behind the grey roofs and dust

like trees, you stand and stare once more

in that hallway mirror that hangs rusted,

and only slightly cracked.

 

Foxglove submissionJonathan Butcher is a poet based in Sheffield, England. He has had poetry appear in various print and online journals including Ink, Sweat and Tears, Elbow Room, Your One Phone Call, Mad Swirl, The Transnational and others. His second chapbook ‘Broken Slates’ was published by Flutter Press.