Life with a View – John Short

 

Gascony

 

After we parted yesterday

the grass was dancing.

You’d wanted kind words

but I was happily silent.

 

Outside the old room

with flaking plaster walls

I sat on the porch

and watched young frogs

hop through vines.

 

Rough wine from oak barrels.

I drank it on the porch

as the world seemed to dance.

 

Beyond fields of maize

and bright yellow rapeseed

your village perches

with its pink roof jumble.

 

From the highest point

land shimmers like mirage.

We see for miles

to glacial mountains

ascending from the plain.

 


John Short studied Comparative Religion at Leeds University (UK) then spent many years in France, Spain and Greece doing a variety of jobs. In 2008 he returned to Liverpool and a couple of years later began submitting work to magazines. Now internationally published, he’s appeared in places like Pennine Platform, South Bank Poetry, London Grip, Ink Sweat & Tears, Envoi, French Literary Review and The High Window. In 2018 he was nominated for the Pushcart Prize by StepAway Magazine and has been featured twice as Poet of the Month on the Write Out Loud national poetry forum. He lives in Liverpool, is a member of Liver Bards and reads at local venues and beyond.

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Passing Colours – Martin Potter

 

Rail journey

Thickset windows fix

Fleeting landscape green-chill

Outside carriage warmth

 

A winter sun’s

Tentative intense

Strikes brushwood bark-bole

Bounces lemon curd

 

Off the trees’

December slumber skin

Insinuating dazzle

Lichen imbued light

 


Martin Potter (https://martinpotterpoet.home.blog) is a poet and academic, and his poems have appeared in Acumen, The French Literary Review, Eborakon, Scintilla, Ink Sweat & Tears, The Poetry Village, and other journals. His pamphlet In the Particular was published by Eyewear in December, 2017.

A Chapel of Sunflowers – Marc Janssen

 

Driving out west of town

There is a field, maybe part of an abandoned farm,

Filled with sunflowers.

There should be a name for a group of sunflowers,

Rank on jumble they stand

Lion-faced their ragged yellow manes roar in a June rain shower.

Their faces a cloud confusion.

 

This field of flowers could be called a landscape of sunflowers

A beauty of sunflowers

A Saint Francis of sunflowers

A van Gogh of sunflowers

A peal

A heart

A tender

A good grove of sunflowers.

 

Then it was gone

Somewhere behind me,

And the next thing comes into view

Between rain drops

Green and colorful and new.

 


Marc Janssen lives in a house with a wife who likes him and a cat who loathes him. Regardless of that turmoil, his poetry can be found scattered around the world in places like Penumbra, Slant, Cirque Journal, Off the Coast and Poetry Salzburg. Janssen also coordinates the Salem Poetry Project, a weekly reading, the annual Salem Poetry Festival, and was a 2020 nominee for Oregon Poet Laureate.

Highfield – Ted Mc Carthy

 

Remember this when names won’t come easily:

the patch of green too narrow for houses,

viewed from an upstairs window;

a flit of yellowhammers at year’s turning,

the long view east, milk-souring suns,

far unmeasured mornings. Remember these

when your name moves beyond you

like the sun behind a house.

 

 

Ted - 008Ted Mc Carthy is a poet and translator living in Clones, Ireland. His work has appeared in magazines in Ireland, the UK, Germany, the USA, Canada and Australia. He has had two collections published, ‘November Wedding’, and ‘Beverly Downs’. His work can be found on www.tedmccarthyspoetry.weebly.com.

The Rose Trees are in Bloom – Arlene Antoinette

 

Monday

Mother sits in her favorite armchair, peering through the picture windows onto her backyard garden. The rose trees are beginning to bloom, she calls to me. I’m in the kitchen, washing up last night’s dishes, scrubbing spills from the stove, sweeping and mopping the floor. I respond with a quick, that’s nice. She leaves her spot only for meals and bathroom breaks. Night falls; a veil of darkness obscures her precious flowers. I plant a light kiss on her cheek as I put her to bed.

 

Tuesday

The rose trees are beginning to bloom. Her words seem to dance across her lips. I’m busy loading the washing machine and unloading the dryer. I look up, but I don’t respond. Mother stands at the window like an expectant child on the night before her birthday.

 

Wednesday

Mother, are you finished dressing? Again, she’s standing by the back window, hands clasped together as if in prayer. Have you seen them? The roses are beginning to bloom! Her blouse hangs open; her hair’s undone. I walk over to her and place my hand on her forearm. Come with me mom, we’re running late for your appointment. I don’t bother to look out onto the garden; I’m busy calculating how long it will take me to finish getting her dressed.

 

Thursday

Okay mom. I’m off. Lunch is in the fridge. There’s a glass of coconut water on the table and if you need a snack there’s a granola bar in the cabinet. I should be back by dinner time.
Have you seen them?
Seen what?
The roses buds. The rose trees are beginning to bloom.
I know, I know. I’ll look at them when I get back. I have to go. Love you. I grab my purse and head out the door.

 

Thursday Evening

Mom, I’m home. Mom, I’m back. I open the fridge and retrieve a bottle of cold water. It’s 5:30, and her lunch is still there. Mom, where are you? Why haven’t you eaten? I walk through the house, glancing into her bedroom, the bathroom and the living room. Finally, I look out the back window. She’s there, sitting on the bench in her beloved garden. I retrieve her lunch from the fridge and head outside. Mom. She doesn’t respond. Mom, you must be starving. I lay my hand on her shoulder, there’s no response. Mom, mom! Are you alright? Mom say something! Mom! Mom!

 

Friday

The hospital’s ER is ice-cold. Pictures of children playing in fields adorn the walls.

 

Saturday

I call close friends and family. My hands shake as I dial each number. 

 

Sunday

I stand at the window gazing out into the back yard. Yellow, pink and red roses adorn my mother’s garden. The roses are in full bloom

 

 

stillmyeye

Arlene Antoinette is a poet of West Indian birth who grew up in Brooklyn, New York. She graduated from Brooklyn College and worked as an instructor with disabled individuals for many years. You may find additional work by Arlene at Foxglove Journal, Little Rose Magazine, I am not a silent Poet, Tuck Magazine, The Feminine Collective, The Open Mouse, Amaryllis Poetry, Boston Accent Lit, Sick Lit Magazine, Postcard Shorts, 50 Word Stories, The Ginger Collect, Neologism Poetry Journal and Your Daily Poem.

Desire – Nigel F. Ford

 

From the top of the window down the climb of the sky is cobalt. As the eye moves down it, scrutinising and searching, it comes up against a straight-bottomed, moustache-shaped cloud that stretches across the entire width of the view.

The lightening drop of the cobalt travels down behind the cloud and emerges on the other side as very light cerulean.

This description covers the view from the perspective of top to bottom / bottom to top.

The diagonal perspectives reaching from the width of the view and forming the flat floor of the triangulating lines that meet at the end of the thus formed long thin triangle at an elegant spindly television mast perched on a small white square block atop an angular building.

The spectator assumes this to be the top of a lift shaft or flight of stairs that opens onto a roof terrace behind the square block perched on top of the triangular building.

If that is a roof terrace, reasons the spectator, then I would like to buy that house and live in it.

The spectator then frowns.

On the other hand, reasons the spectator, I could simply be pleased that such a place exists and leave it be.

 

 

Photo on 18-12-15 at 13.02Born in 1944, Nigel F. Ford wrote his first radio play aged 14 (refused). Jobs include reporter for The Daily Times, Lagos, Nigeria, travel writer for Sun Publishing, London, English teacher for Berlitz, Hamburg, copy writer for Ted Bates, Stockholm. Had a hand in starting the Brighton Fringe in 1967. He started painting etc. in 1983 and has regularly exhibited in Sweden and on the Internet in various publication. In addition, several magazines in UK and US have been kind enough to publish his writing. Such as Nexus, Outposts, Encounter, New Spokes, Inkshed, The Crazy Oik, Weyfarers, Acumen, Critical Quarterly, Staple, T.O.P.S, The North, Foolscap, Iota, Poetry Nottingham, Tears in the Fence etc. He is now trying to produce & direct one of his stage plays.

View from Ferryside – Byron Beynon

 

History oozing into pores

invigorates the past;

there’s the castle for instance,

high on a humpbacked hill

reaching out from Llansteffan’s

sand-ferrying shore.

The eternal language of seabirds

regional accents

in the warm rain

as they dive and soar,

sudden shifts in scale and tempo

recording the deep tales

from the journeying sea.

A landscape navigating

through the syllabus of days

that have vanished

onto the skin of time.

The air pure with thoughts,

clear with water-music

occupies this space

entering the cartographer’s

coast of memory.

 

 

Byron Beynon 2014Byron Beynon lives in Swansea, Wales. His work has appeared in several publications including London Magazine, Poetry Ireland Review, San Pedro River Review, Muddy River Poetry Review, Yellow Nib and the human rights anthology In Protest (University of London and Keats House Poets). Collections include Human Shores (Lapwing Publications) and The Echoing Coastline (Agenda Editions).