The Bedside Book of Renewal – Glen Armstrong

 

This is the story of joy and color.

_

The mystery girl’s heart

where shines a strange

history,

where tears stain latex.

The blurb on the back promises:

so real that you’ll feel

it on your skin.

It tells the truth more often

than you’d think.

She is completely eyes and hands.

While others speak in tongues

at the riverfront,

their divine proclamations

peppered with otherworldly

curses,

she looks at the moon

and we all forget

the seemingly endless moons

leading up to this moment.

Armstrong

Glen Armstrong holds an MFA in English from the University of Massachusetts, Amherst and teaches writing at Oakland University in Rochester, Michigan. He edits a poetry journal called Cruel Garters and has three recent chapbooks: Set List (Bitchin Kitsch,) In Stone and The Most Awkward Silence of All (both Cruel Garters Press.) His work has appeared in Poetry Northwest, Picaroon Poetry and Cream City Review.

Void – Lynn White

 

There are dark misty spaces

topped by the blackest clouds,

so that I can’t see into them.

I have always been afraid

of the monstrous beings

which may lurk there

waiting in the dark.

But now the mist

is lifting,

moving

away.

The cloud is becoming thinner,

allowing the light to penetrate.

Now I am even more afraid,

afraid of the light,

afraid

that it may reveal

not monsters, but

the bare boards

of emptiness.

 

Lynn...Lynn White lives in north Wales. Her work is influenced by issues of social justice and events, places and people she has known or imagined. She is especially interested in exploring the boundaries of dream, fantasy and reality. Her poem ‘A Rose For Gaza’ was shortlisted for the Theatre Cloud ‘War Poetry for Today’ competition 2014. This and many other poems have been widely published on line and in print publications. Find her at https://www.facebook.com/pages/Lynn-White-Poetry/1603675983213077 and lynnwhitepoetry.blogspot.com.

The Painter – Robert Pelgrift

 

What woodland shall my vision paint today?

Like Millais, I’ll mold each leaf of this oak,

Scribe each twig, score its trunk with a fine stroke,

With sunlit drops trim lines of green and gray.

Or perhaps like Monet, I will essay

An inward sight; the folds of a green cloak,

Heedlessly strewn, in memory evoke

Wooded foothills in mists of green and gray.

 

My visions like my poem, seek the real,

Beyond the real, this wood as it should be;

As in my poem’s words, I read in my Millais

From image to image toward this ideal,

Or I glimpse wood or poem in memory,

The remembrance painted in my Monet.

 

RYP JR picRobert Youngs Pelgrift, Jr. practiced law in New York City for many years and is now an editor for a legal publisher, working in New York City.  His poems have been published in various anthologies and in The Lyric, The Rotary Dial and The Galway Review.

New Haven – Michael A. Griffith

 

I miss the flowers of our old garden,

roses, foxglove, bleeding hearts, lilacs and lilies.

 

We had a garden that,

when tended well,

looked like part of Eden.

 

I have a new “our.”

You have a new “we.”

 

Both will start new gardens

and grow new things

as well as plant familiar flowers:

roses, bleeding hearts, lilies.

But enough new will grow

to make our own new paths to Eden.

 

Same sun, different rays, different light.

Different rainbows from opposite arcs.

Stars set in different ways in the same sky,

yours night while I see day.

 

Our own clouds upon which

to build new castles,

each its own

new haven for two.

 

14203237_10154314920188046_3424560890240457416_n-1Michael Griffith turned to poetry during a long stay in a nursing-care facilty to keep his mind healthy as his body grew healthier. So far poetry is doing the trick. He resides in Somerset County, NJ.

The Things No One Prepared You For – James Diaz

 

You want the artifact

without having to go

through the window

to get it

 

a body untouchable

 

the

bluish

fire in your skin

casting its antibodies

on the floor

 

eleven different ways

to wrestle with the dark

inside you

 

none of it holding

things

together

 

we all fall apart

that way.

 

IMG_8420James Diaz is the founding editor of the literary arts & music journal Anti-Heroin Chic. His work has appeared most recently in HIV Here & Now, Foliate Oak, Chronogram, and Cheap Pop Lit. His first book of poems, This Someone I Call Stranger, is forthcoming from Indolent Books (2017.)

Tickling Heaven – Fabrice B. Poussin

 

What will he do, the sequoia living in the city,

to belong in the geometric skyline above the sea?

 

Can he compete, layer by layer, for a life deserved

against the structure made brick by brick, of blood?

 

Does he often cry, dislodged as his old friends

have been for so long, homeless among millions?

 

Is survival an option, for the giant without years,

who faces clones of metal and molten rock?

 

Attempting to breathe, bleeding a sweet thick sap,

how can Earth guarantee his daily meals!

 

Far from mile-long roots, unable to move,

shackled in rebar, concrete, and ill will.

 

Far above his cheap imitation of a false brother,

a single tear begins a journey to shake new grounds.

 

Me-BWFabrice Poussin teaches French and English at Shorter University. Author of novels and poetry, his work has appeared in Kestrel, Symposium, The Chimes, and dozens of other magazines. His photography has been published in The Front Porch Review, the San Pedro River Review and more than 200 other publications.

Respite – Ken Allan Dronsfield

 

face, a wrinkled rustic tan

eyes, clouded faded blue

tattered, old yellow raincoat

stands, watching the sea

dog, spying hungry gulls

his boat, sits needing care

ocean, claims yet another

clouds, billow and race east

waves, crest and roll to land

memories, fade upon twilight

inhales, now more shallow

life, in respite rises higher.

 

Ken Allan Dronsfield, Bio PictureKen Allan Dronsfield is a published poet from New Hampshire, now residing in Oklahoma. He loves thunderstorms and hiking. His published work can be found in reviews, journals, magazines and anthologies throughout the web and in print venues. His poetry has been nominated for two Pushcart Prize Awards and the Best of the Net for 2016.

The searchers – John Grey

 

When I claimed to have seen the boy,

the others shouted “where?”

But he was already gone.

I was in a bunch of weary men and women

who were more than ready to pack it in,

cold and damp, and aching for their warm beds.

As the others retreated, I stayed behind,

in woods so silent and empty,

nothing rivaled my heartbeat for sound.

The trees felt like the dark walls

of an abandoned church,

the rocks, altars stained with rain.

And I was the preacher without flock.

Or was that the flock without preacher?.

Was the boy really out there?

Every square inch of forest had been trudged through

by his would-be rescuers.

The wind was bitter, clouds low and gray.

It wasn’t winter but not through lack of trying

on the weather’s part.

Maybe he’d found a secret place

out of reach of red-eyed shivering saviors.

When I ran away and hid, I wanted people to find me.

But that was a long time ago.

When I claimed to have seen the boy,

maybe that was me skirting between the trunks,

through the brush, terrified, miserable,

but enacting part of a plan to be retrieved, taken back,

squeezed even deeper into the family fold.

I stopped. I listened to the shouts.

I longed to cry out in return.

But that wasn’t how it was supposed to work.

I had to lead them on that weary chase longer,

until the anger was fully drained from my pursuers

and only the compassion remained behind.

Forty years later, I wait and watch.

The boy is probably home and safe with his mother

tor all I know.

Most likely, only I am out here now.

So do I keep searching?

Or do I go home to bed?

Wait a minute. What was that?

I thought I saw… or felt penetrate.

Small but bright. The boy. But which one?

 

unnamed-bioJohn Grey is an Australian poet, US resident. His work has recently been published in New Plains Review, Stillwater Review and Big Muddy Review, and is upcoming in Louisiana Review, Columbia College Literary Review and Spoon River Poetry Review.

Rondeau Beginning With a Line From the Gospel of Judas – Mark J. Mitchell

 

I laugh at the errors of the stars,

Dazzled by the impossible dance of cars

And headlights. They didn’t foresee our streets,

Our cities. They only circle and repeat

Their timeless dance and are held out too far

 

Away. They don’t remember how men are—

How they breathe, sleep, forget, love, how they eat

What they shouldn’t. How they scatter and meet

To ponder the errors of the stars.

 

Of course, their mistakes are different from ours,

With deeper punishments, strange rewards.

They vanish into the hollow lands of grief

While we make up games and find relief

Laughing at the errors of the stars.

 

bio pic 1Mark J. Mitchell studied writing at UC Santa Cruz under Raymond Carver, George Hitchcock and Barbara Hull. His work has appeared in various periodicals over the last thirty five years, as well as the anthologies Good Poems, American Places, Hunger Enough, Retail Woes and Line Drives. It has also been nominated for both Pushcart Prizes and The Best of the Net. He is the author of two full-length collections, Lent 1999 (Leaf Garden Press) and Soren Kierkegaard Witnesses an Execution (Local Gems) as well as two chapbooks, Three Visitors (Negative Capability Press) and Artifacts and Relics, (Folded Word). His novel, Knight Prisoner, is available from Vagabondage Press and a new novel is forthcoming: The Magic War (Loose Leaves Publishing). He lives in San Francisco with his wife, the documentarian and activist Joan Juster where he makes a living showing people pretty things in his city.

Tomatoes – Natalie Crick

 

Plump tomatoes roll

Beautifully, with

Silken skin that puckers

And splits. In my hands,

They have a pulse.

Each one curious, childlike

As a heart thumping in wonder.

 

Natalie Crick PhotoNatalie Crick, from the UK, has poetry published or forthcoming in a range of journals and magazines including Interpreters House, Ink In Thirds, The Penwood Review, The Chiron Review and Rust and Moth. Her work also features or is forthcoming in a number of anthologies, including Lehigh Valley Vanguard Collections 13. This year her poem ‘Sunday School’ was nominated for the Pushcart Prize.

Prophetess in the Wrong Time – Mark J. Mitchell

 

“Horrendas canit ambages.”

“She chants her dread enigmas.”

—Virgil

Aeneid VI, 99

 

Salt monks chant—as quiet as time—

Stone voices inhabit old stones.

She stares through waxed smoke at a bowl

of small words from lost tongues. Tears bind

them into riddles that define

the rite. She knows she must not eat

them. Her hands ripple. She repeats

the chant. Words melt like smoke, like fire.

Stirring in sheets her high school choir

breaks her to wake. The dream’s complete.

 

bio pic 1Mark J. Mitchell studied writing at UC Santa Cruz under Raymond Carver, George Hitchcock and Barbara Hull. His work has appeared in various periodicals over the last thirty five years, as well as the anthologies Good Poems, American Places, Hunger Enough, Retail Woes and Line Drives. It has also been nominated for both Pushcart Prizes and The Best of the Net. He is the author of two full-length collections, Lent 1999 (Leaf Garden Press) and Soren Kierkegaard Witnesses an Execution (Local Gems) as well as two chapbooks, Three Visitors (Negative Capability Press) and Artifacts and Relics, (Folded Word). His novel, Knight Prisoner, is available from Vagabondage Press and a new novel is forthcoming: The Magic War (Loose Leaves Publishing). He lives in San Francisco with his wife, the documentarian and activist Joan Juster where he makes a living showing people pretty things in his city.

Bali – John Grey

 

Sea water laps against the docks,

the bright, inclusive restaurants,

their gaily painted menus

selling their show

to passing tongues.

 

The air is good enough to eat,

lawa, babi guling,

cascading smells of soy and chili.

 

Night-clubs

soundtrack the breeze.

Some places, its one guy strumming a guitar.

another, the tuneful choral chimes of gamelan.

 

A myna bird rocks on a branch,

converses with the deep loll of a gong.

 

An old woman perches against

the post office wall,

tenun woven cloths spread before her

 

Old men,

their brown faces weathered like figs,

look out at the few moored boats

that appear and disappear

in swaying dock lights.

 

Signposts lead to pleasures great and small.

Sounds or sights, food or drink.

it’s a sorry night

when everyone’s not inebriated with something.

 

unnamed-bioJohn Grey is an Australian poet, US resident. His work has recently been published in New Plains Review, Stillwater Review and Big Muddy Review, and is upcoming in Louisiana Review, Columbia College Literary Review and Spoon River Poetry Review.

Another Thing – Danielle Dix

 

It is something to understand

you share the space between the sky

and the land

the time that falls from jumping

to standing

the beat of breathing

the peak and plunge of the sun

But as stone to grain,

from mist to rain,

It’s another thing to change

 

2016-11-13 07.13.17Danielle Dix is a poet with a tendency to focus on the challenges that people create within themselves. She is ruled by her impulsive nature, drools for travel, and is compiling a set of poems that she hopes will not fall prey to abandonment in a cardboard box. She tweets at @DanielleNoelDix.

Choking – Jonathan Butcher

 

I remember you in the school

dinner room, choking on the

corned beef sandwiches that

the dinner ladies forced down

your throat; waste held no

relevance between those walls.

 

I remember you sat alone at break

times, hands and stones slapped

across your face like whiplashes,

for an injustice you were far from

capable of committing.

 

And you walked home, your head bowed,

through those orange bricked streets

that framed our morning walks, alongside

the neglected grass verges like miniature

jungles we never dared to enter.

 

Those doors opened once again, before

the sun set behind the grey roofs and dust

like trees, you stand and stare once more

in that hallway mirror that hangs rusted,

and only slightly cracked.

 

Foxglove submissionJonathan Butcher is a poet based in Sheffield, England. He has had poetry appear in various print and online journals including Ink, Sweat and Tears, Elbow Room, Your One Phone Call, Mad Swirl, The Transnational and others. His second chapbook ‘Broken Slates’ was published by Flutter Press.

Weekend – Jonathan Butcher

 

Hapless at weekends, yet still with that

contrived joy; in the beer gardens and car

parks, where perfume and aftershave still

smell fresh against fake fur and denim.

 

The hiss of music from the outside speakers,

that threaten to fall, but never damage conversation.

The bottles strewn across badly mounted tables

and tree torn, cracked pavements.

 

The warmth of this room blocks out winter, yet

its shell remains fragile, like rusted gates that

no longer retain the strength to block out the

weakest of imposters.

 

And again we glide without protest, our voices

placed only where needed, our feet as nimble

as ever; tripping over curbs now an art form,

that at last we have finally mastered.

 

Foxglove submissionJonathan Butcher is a poet based in Sheffield, England. He has had poetry appear in various print and online journals including Ink, Sweat and Tears, Elbow Room, Your One Phone Call, Mad Swirl, The Transnational and others. His second chapbook ‘Broken Slates’ was published by Flutter Press.