A Summer’s Afternoon in Castile – Glenn Hubbard

 

Endless August afternoon.

Vegetation yellows.

Seed heads

sizzle and pop.

Their beaks

open wide,

distressed,

beside themselves,

the small birds

are overheating.

Only the kite,

tirelessly circling

above the exhausted

earth, endlessly

adjusting the angle

of its forked tail,

appears unaffected.

 

Then a breeze arrives like a blessing

and in the tiny pools spangling the river bed

the pond skaters ride the ripples

while the dragonflies, momentarily spooked,

rise and stand off a while

until the rushes come to rest once more.

Up above, the leaves of the poplar

tremble, sparkle and click.

Down below, the dozy dogs

prick up their ears.

And out on the stubble,

the never-knowingly-not-nibbling sheep

raise their heads

in slack-jawed, dumb surprise.  

 


Glenn Hubbard has been writing since 2013 and lives at the foot of the Sierra de Guadarrama near Madrid. He has written a good deal of nature poetry over the years, inspired by the flora and fauna of both Spain and the UK. Some of this work has been published in journals such as Words for the Wildthe Dawntreader and Sarasvati.

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Perfect Surfaces – Geraldine McCarthy

On Saturday morning, Pam cleans the mixing-bowl at the kitchen sink while buns cook in the oven. She’s wearing rubber gloves to protect her nails. Only had them done the previous day, and they’re €30 a pop.

She’s volunteered to bake for a local coffee morning, in aid of some orphanage in South America.

The fairy cakes will take fifteen minutes. Two dozen should be enough; twelve plain and twelve with cherries. She wipes down the already spotless marble worktops, takes out the cakes, and has a quick coffee while they cool on a wire tray. The aroma of vanilla wafts through the kitchen.

Upstairs, she opts for skinny jeans, and a new baby-pink top. Her face is a little flushed from the heat of the oven, so she applies foundation, and then a little eye-shadow and lip gloss. The neighbours are all so glam, with their highlights and lowlights, their clothes always this season’s.

Fairy cakes in boxes on the back seat, Pam drives to the community centre. The Audi glides along like a dream. She’s glad she traded up this year.

Once inside, she makes sure to hand over the baking to Audrey, the head of the committee, who pecks Pam’s cheek and thanks her profusely from a cloud of Chanel No. 5. Audrey persuades Pam to stay for a cuppa, so they sit down in the far corner of the room, away from the hub-bub at other tables. Deep in conversation about the Tidy Towns contest, Pam feels a tap on her shoulder. She twirls on her chair.

Her mother. Grey roots and crumpled cardigan.

Pam’s stomach clenches. “Mam!” she says. “How did you get here?”

“Diane next door brought me,” her mother says, “thought I could do with a break.” She raises an eyebrow. “There’s only so many kitten videos you can watch on YouTube.”

Pam glances at Audrey, who averts her eyes, and nibbles her bun like a bird at a feeder.

Pam addresses her mother. “Oh, well, you know I’d have collected you, but I thought you were watching your weight, that you’d have no interest.”

Her mother twists her wedding band around her finger, as if she’s strangling a turkey. “Hmm.”

“Well, I can drop you back later.”

Her mother purses her lips. “Sure, if I came with Diane I can go home with her.”

Pam feels her face redden. “Well, I’ll call tomorrow morning then. Is there anything you need?”

“Not a bit,” her mother says. “Diane is beckoning me over. See you tomorrow.”

Audrey finishes her bun. “Well, I must mingle. Thanks so much for all your hard work, Pam.”

“Not a bother, Audrey. I’ll see you Monday night for picking up the litter. The group is meeting at the church, isn’t it?”

“Yes, see you then.”

As Pam drives home, she notices the varnish has chipped.  She’ll go to the nail bar next week for a repair job. They look so nice when they’re freshly done.


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Geraldine McCarthy lives in West Cork, Ireland.  She writes short stories, flash fiction and poetry.  Her work has been published in various journals, both on-line and in print.

Pumpkin pie – Cath Barton

 

In the dark street the window of the sweetshop shone out. Maisie, aged nine and three-quarters, had taken a detour on her way home from school. She pressed her nose up against the shop window; there were meringues iced to look like ghosts, witches’ hats made of chocolate and little marzipan pumpkins. Maisie pushed her hands deep into the pockets of her coat as she continued to stare at the sweets. In the right-hand pocket her hand closed on something unexpected and she pulled it out. It looked like a small, hard, shiny nut. She held it in the palm of her right hand and touched it, very gently, with her left index finger. Would a fairy appear in a puff of smoke and offer her three wishes, or at least her pick from the sweets? Nothing happened. She touched it again, said one of her own magic spells under her breath and waited. Still nothing happened. She put the nut back in her pocket and turned, reluctantly, from the bright window.

When she arrived home her mother was in the kitchen, looking flustered as she always seemed to be these days.

“Tea’s nearly ready,” she said. “I wondered where on earth you’d got to, Maisie. Wash your hands quickly now.”

They had bread and butter and jam for tea, as usual. Maisie had a cup of milk and her mother drank tea, weak tea. The two of them sat in silence, each lost in her own thoughts, but after a while the warmth from the food and the one-bar gas fire made them easier with one another.

“I’ve got a surprise,” the woman said, and the girl looked up, uncertain whether to ask what it was. Her mother was unpredictable, and Maisie didn’t understand what made her upset.

“It’s a pumpkin. Your dad brought it round. I’m going to make a pie.” She smiled at her daughter in an entreating way.

Maisie found it difficult thinking about her dad, so she thought about the marzipan pumpkins in the sweetshop window instead. She had never eaten pumpkin pie, but she had had marzipan on Christmas cake and she knew she liked that. She managed a wobbly smile

“Tomorrow,” said her mother, “We’ll have it tomorrow. It’ll be a treat.”

That night, when she knelt by her bed to say her prayers, Maisie held the shiny nut between her hands.

“I’m giving you a third chance,” she said, and then, surprising herself with her boldness.

“And just so as you know, this isn’t for me. I want you to make things better for my mum and dad.”

Next day Maisie stopped at the sweetshop window again on her way home from school. The marzipan pumpkins seemed to be winking at her. When she put her hand on the nut in her pocket it felt different. She pulled it out and gasped: it had turned into a coin, as bright and shiny as the shop window. Maisie pushed open the shop door, a bell tinkled and a little old man appeared from a back room.

She ran home with her bag of sweets. At the door she hesitated, hearing voices in the kitchen, but there were no shouts, no tears. Just soft talking.

They had tea together, Maisie and her mother and father. Pumpkin pie. Which, actually, the girl did not like. But she didn’t say so, just smiled. As they all did. Later, Maisie looked in the bag for a marzipan pumpkin. But the bag was empty, apart from a small, hard, empty nutshell.

 

 

Author pic.CathBarton.smallCath Barton is an English writer who lives in Wales. She won the New Welsh Writing AmeriCymru Prize for the Novella 2017 for The Plankton Collector, now published by New Welsh Review under their Rarebyte imprint. Cath was awarded a place on the 2018 Literature Wales Enhanced Mentoring Scheme to complete a collection of short stories inspired by the work of the sixteenth century Dutch artist Hieronymus Bosch. Active in the online flash fiction community, she is also a regular contributor to the online critical hub Wales Arts Review. She tweets @CathBarton1. Find out more at https://cathbarton.com.

Water – Gareth Writer-Davies

 

catching water

always leads to a cacophony

 

never mute

water talks as it spouts or fountains

 

from mossy lips

to the drum of the barrel

 

murmuring like a cherub

or roaring like a freshwater Neptune

 

who opened his mouth to yawn

and was surprised

 

by a deluge of vowels

that kept on flowing

 

O, if only my hands

could catch what the water is saying

 

 

GWD Twmpa shotGareth Writer-Davies is from Brecon and was shortlisted for the Bridport Prize (2014 and 2017) and the Erbacce Prize (2014). He was commended in the Prole Laureate Competition (2015) and Prole Laureate for 2017. He was commended in the Welsh Poetry Competition (2015) and Highly Commended in 2017. His pamphlet “Bodies”, was published in 2015 by Indigo Dreams and the pamphlet “Cry Baby” came out in 2017. His first collection “The Lover’s Pinch” (Arenig Press) was published June, 2018.

 

Sun against Moonspill – Hannah Downs

 

the kind of dream

surprised me.

 

the bruises

are

 

r e a l f a k e

 

(lost in questioning.)

 

thatsnotmyarm anditsnotyours

 

but

she

smile/speaks

 

all light

 

 

into gone glow.

 

 

 

the lamp posts

drifting out of sight(.)

 

clouds of

atmosphere below.

 

 

everything white.

 

She smile/laughs

us

 

into ruin

 

 

you/I

 

moon still.

 

 

image1Hannah is a student nurse at the University of Manchester who adores reading, writing and all other creative pursuits. She has previously self published a chapbook collection called Driftlight, and had their poem “Smile(.)” selected for Editor’s choice in the online magazine Under the Fable.

Balinese Cremation – Lisa Reily

 

In the searing heat and smoke we step back,

not expecting death to find us

on the way home from our fruit smoothie;

the exotic thrill of guava still on our tongues.

 

 

Photo - Lisa ReilyLisa Reily is a former literacy consultant, dance director and teacher from Australia. She is now a budget traveller with two bags, one laptop and no particular home. You can find out more about Lisa at lisareily.wordpress.com.