Kristy Snedden has been a trauma psychotherapist for thirty-five plus years. She began writing poetry in June 2020. Her poem “Dementia,” was awarded an Honorable Mention in the 90th Annual Writer’s Digest Writing Competition. Her work appears or is forthcoming in various journals and anthologies, most recently Snapdragon, Open Minds Quarterly, The Power Of The Pause Anthology, and The Examined Life. She is a student at Phillip Schultz’s Writers Studio. When she isn’t working, reading, or writing poetry, she can be found hiking in the Appalachian Mountains near her home or hanging out with her husband listening to their dogs tell tall tales.
The mirror, undiscriminating, swallowed everything. Mel studied it, its pink plastic frame, the tarnish around the edges of the pane. It sucked in the carpet, the windowsill, the radiator, Mel’s feet and legs.
How do you photograph a mirror without photographing yourself?
Mel had tried it from several angles. Always, some body part crept obstinately into the reflection. Her hands and wrists, clutching the camera. Her right hip and leg. She’d even thrown a sheet over herself, a ghost of childhood Halloweens, but she remained corporeal. Observable.
Whenever she’d stood next to Lisa, whose mirror it had been, she’d never seen herself reflected. Lisa’s golden glow blotted out all else. Her prettiness, her outgoingness, her unassailable status of family favourite.
Now Mel couldn’t be erased. Unlike the remnants of Lisa. When/if Lisa returned, she’d find her room as impersonal as the cell she was currently living in.
Dad, whose love for Lisa had been spun round like a tarot card to reverse its meaning, had been adamant. He was selling off everything the bedroom contained and chucking what wouldn’t sell. Ripping down old photos, stuffing magazines and romance novels into binbags. Mel and her camera had been pressganged into service. Photographing the furniture for an auction website.
The dressing table, once laden with makeup and perfume. Click.
Wardrobe where the doors never shut, stuffed with clothes. Click.
The bed. The hidey-hole for the bills, the demands for payment. Click.
The chest of drawers Lisa had tried to hide behind when the police came, wanting a word. With a warrant. Click.
Click. A thousand reflections of Lisa, frontpage in the local rag. Falsifying invoices, theft, arrest, bail, court date, four years at Her Majesty’s displeasure. No need of mirrors where Lisa was. Plenty of time for her to take a good long look at herself.
Mirror, mirror. Mel stared at it through the convex eye of the camera. Wondered what it must have seen. Perhaps it had always seen her.
Mel had always been there. She just never saw. The eye lied, not the mirror.
She raised the camera. Her waving outline, her round face, camera at waist height, the mirror imitated them all.
Click.
Carys Crossen has been writing stories since she was nine years old and shows no signs of stopping. Her fiction has been published by FlashBack Fiction, Fudoki Magazine, Dear Damsels, Every Day Fiction and others. Her monograph on werewolves, ‘The Nature of the Beast’ was published by University of Wales Press. She lives in Manchester UK with her husband, their daughter and their beautiful, contrary cat.
It’s near sunset and the horses are high up on the hill.
Clouds are moving in. No rain but much shadow.
The light’s an untrustworthy yellow.
He opens the barn door wide
then climbs the rise toward where
the mare and her colt, the stallion,
nibble away the hours on the lush grass.
It’s the third day of his new status
as a widower farmer.
He looks at the turkey vultures
with a more jaundiced eye.
Likewise, the red fox.
Or anything willing to peck over a carcass.
The death of a loved one
brings out every death.
Some creatures react with glee.
Others, like the horses,
indulge their mellow indifference.
Some things won’t change.
He’ll still cut up his apples,
pour salt on the slices.
He’ll drink tea with globs of honey.
And he’ll attend to the horses,
fetch them back to their stalls
while it’s not too dark out.
Their manes glow.
Their heads nod amiably.
And they follow where he leads.
The horses are the perfect companions
if life is to reestablish itself.
John Grey is an Australian poet, US resident. Recently published in Nebo, Euphony and Columbia Review with work upcoming in Leading Edge, Poetry East and Midwest Quarterly.
us in our seats, but just the glitter on the wall that seeps
into our souls. We love the soothing lullabies of lies
and loss that roll like waves of smoke across our eyes.
These padded gondolas will rest our limbs. Our long
hallucinations glow like pearls. Here sounds our final song.
The dying skeletons of ships float by above,
but here we rest, below – bereft of love.
The sob of marriage split, of love betrayed,
of feuds and frauds and factions – all displayed
in widescreen, stretching thought just broad and high
enough for skimpy hearts and those who’re wide of eye.
Yorkshirewoman Louise Wilford is an English teacher and examiner. She has had around 60 poems and short stories published in magazines including Popshot, Pushing Out The Boat and Agenda, and has won or been shortlisted for several competitions. She is currently writing a children’s fantasy novel.
Rachel is a London-based poet. She was previously a poetry editor for the Mays Anthology and a Young Producer with Poet in the City. Her poetry can also be found on the Poetry Society website, in the Dawntreader and Kindling journals, and unpredictably at live events around London.
William Ruleman’s most recent collections of poetry include From Rage to Hope (White Violet Books, 2016) and Salzkammergut Poems and Munich Poems (both from Cedar Springs Books, 2016). His translations of Hermann Hesse’s Early Poems (also Cedar Springs Books) and Stefan Zweig’s Clarissa (Ariadne Press) were published in 2017. More about him can be found at his website: www.williamruleman.com.
Hannah is a student nurse at the University of Manchester who adores reading, writing and all other creative pursuits. She has previously self published a chapbook collection called Driftlight, and had their poem “Smile(.)” selected for Editor’s choice in the online magazine Under the Fable.
James, a retired professor and octogenarian, is a Pushcart and Best of Web nominee, and his poems were selected for inclusion in The 100 Best Poems of 2016, 2015 & 2014 Anthologies, and the 2017 Poet’s Showcase and Yearbook. He has published 3 collections of poetry, “The Silent Pond” (2012), “Ancient Rhythms” (2014), and “LIGHT” (2016), and 1000 poems, in such magazines as Miller’s Pond, American Aesthetic, Gold Dust Poetry, Scarlet Leaf, The Linnet’s Wings and over 120 others. His fourth collection of poetry will be released this year. He earned his BS and MA from California State Polytechnic University, and his doctorate from BYU.
Ann Christine Tabaka is better known by her middle name, Chris. She has been writing poems and rhymes since she was fourteen. She was an artist, a chemist, and a personal trainer. Her poems are in the Contemporary Group’s anthology “Dandelion in a Vase of Roses,” and the poetry journals “Whispers,” “The Society of Classical Poets,” “Indiana Voice Journal,” “Halcyon Days Magazine,” and “Scarlet Leaf Review.”
Danny P. Barbare resides in the Upstate of the Carolinas. He has been published in Birmingham Arts Journal and Stone Coast Review. He lives with his wife and family and small dog Miley.