Dragonfly – Lynn White

 

It was so beautiful,

gleaming huge and iridescent

gold and green and blue and black.

With wings that should have been clear,

filled with shining rainbows

not like this, twisted at strange angles

and dulled with sticky silk.

Not stuck there waiting

to be prepared for some spider’s supper.

 

I held it gently

and took it from the web.

I carefully removed the sticky silk

and saw the rainbows sparkle as they should,

saw its eyes brighten and gleam

with the prospect of freedom.

It took a while, this disentanglement,

a delicate task to free this fragile creature.

 

And when it was ready,

I opened my fingers and

let it fly away.

It bit me then.

No parting kiss,

but a bite that

left a bruise.

Such gratitude!

 

Lynn...Lynn White lives in north Wales. Her work is influenced by issues of social justice and events, places and people she has known or imagined. She is especially interested in exploring the boundaries of dream, fantasy and reality. Her poem ‘A Rose For Gaza’ was shortlisted for the Theatre Cloud ‘War Poetry for Today’ competition 2014. This and many other poems have been widely published on line and in print publications. Find her at https://www.facebook.com/pages/Lynn-White-Poetry/1603675983213077 and lynnwhitepoetry.blogspot.com.

Respite – Ken Allan Dronsfield

 

face, a wrinkled rustic tan

eyes, clouded faded blue

tattered, old yellow raincoat

stands, watching the sea

dog, spying hungry gulls

his boat, sits needing care

ocean, claims yet another

clouds, billow and race east

waves, crest and roll to land

memories, fade upon twilight

inhales, now more shallow

life, in respite rises higher.

 

Ken Allan Dronsfield, Bio PictureKen Allan Dronsfield is a published poet from New Hampshire, now residing in Oklahoma. He loves thunderstorms and hiking. His published work can be found in reviews, journals, magazines and anthologies throughout the web and in print venues. His poetry has been nominated for two Pushcart Prize Awards and the Best of the Net for 2016.

Spider – Natalie Crick

 

The whisper

Wicks from her lips.

A soothing salve.

 

She bends, twists,

Feet touching the walls

In eight different places.

 

Her laurels always rove.

Search.

Hold.

 

Gagging the dawn chorus

Until

The hunger moon thins.

 

Dissecting a house fly,

She commits

Murder on the brightest window,

 

At first frost

Opens the door

Without a guest to feast.

 

Natalie Crick PhotoNatalie Crick, from the UK, has poetry published or forthcoming in a range of journals and magazines including Interpreters House, Ink In Thirds, The Penwood Review, The Chiron Review and Rust and Moth. Her work also features or is forthcoming in a number of anthologies, including Lehigh Valley Vanguard Collections 13. This year her poem ‘Sunday School’ was nominated for the Pushcart Prize.

The Ebb and Flow – Ken Allan Dronsfield

 

From atop the great redwood trees

dragonflies fantasize of summertime;

of warmer mornings, balmy winds

dodging flycatchers and bullfrogs.

The grasses are green along a pond

baby goslings enjoy the new sunrise;

barn owls love a midnight stellar show

wolves howl and worship the full moon.

Beating hearts prevail in creeks or marshes

deep rivers and great bays ebb and flow

large animals enjoy the salty sweet grass

beautiful wild flowers grace rolling hills.

As the sun now rises in the eastern skies,

from within that great awakening forest

a lone cicada sings his mating sonnet

within the ebb and flow of life’s circle.

 

Ken Allan Dronsfield, Bio PictureKen Allan Dronsfield is a published poet from New Hampshire, now residing in Oklahoma. He loves thunderstorms and hiking. His published work can be found in reviews, journals, magazines and anthologies throughout the web and in print venues. His poetry has been nominated for two Pushcart Prize Awards and the Best of the Net for 2016.

Bali – John Grey

 

Sea water laps against the docks,

the bright, inclusive restaurants,

their gaily painted menus

selling their show

to passing tongues.

 

The air is good enough to eat,

lawa, babi guling,

cascading smells of soy and chili.

 

Night-clubs

soundtrack the breeze.

Some places, its one guy strumming a guitar.

another, the tuneful choral chimes of gamelan.

 

A myna bird rocks on a branch,

converses with the deep loll of a gong.

 

An old woman perches against

the post office wall,

tenun woven cloths spread before her

 

Old men,

their brown faces weathered like figs,

look out at the few moored boats

that appear and disappear

in swaying dock lights.

 

Signposts lead to pleasures great and small.

Sounds or sights, food or drink.

it’s a sorry night

when everyone’s not inebriated with something.

 

unnamed-bioJohn Grey is an Australian poet, US resident. His work has recently been published in New Plains Review, Stillwater Review and Big Muddy Review, and is upcoming in Louisiana Review, Columbia College Literary Review and Spoon River Poetry Review.

The Owl – Sanja Dragojlov

 

Nyctophilia wreathes his senses

while reticent night takes him

in her loving embrace

b.l.i.n.k.i.n.g yellow eyes

burning stars

survey his

complacent kingdom

everything is his

and yet not.

 

Movement catches

his intelligent eyes

his heart shaped face twists, turns

and like a lightning strike

he flies

silent and deadly

he tears, shreds, claws, rips

until mouse dissolves in a

travesty of flesh and fur

for this is

his kingdom.

 

At least

until the silver king

Descends his throne

for a more worthy heiress.

 

sanjapicSanja Dragojlov is a final year Ph.D. student at Cardiff University in EU Politics. She is also the author of Amaranth (Demon City Chronicles), President of the Creative Writing Society at Cardiff University and the Creative Editor for Quench magazine. In her spare time, she also enjoys traveling, reading and learning a new language. She speaks five at the moment which include Serbian, Spanish, Italian, Croatian and French.

Hillside – Ella Kennett

 

I stride up the green staircase,

Its steep struggling surface

is a workout for the lungs.

Never mind the breath of the sky,

holding me hostage in its grip.

 

Adventure calls like the howling of wolves,

and though our fingertips

have conceded to the cold

Having a hand to hold,

exposes skin to expedition

and makes us immune

to the climate,

as we climb higher.

 

Laughter echoes down the rabbit hole.

I’m an animal for your attention,

clawing at your love

Like a fox in the night,

searching for prey.

 

The views up here

are high and mighty

but you, the antidote

are much more beautiful,

than what my eyes can describe.

 

ek-picElla is an 18-year-old A Level student from Kent, England who loves music and film alongside literature. She hopes to study English Literature and Creative Writing at university after she finishes her last year at school. She writes at ellagkpoetry on Instagram.

Da Eye Wifey / Woods Number 1 – Kersten Christianson

 

Title “Da Eye Wifey” borrowed from Shooglenifty.

 

Emerge from the fog road

squint-eyed

to belly flopping waves

jumping from one small sea-

sick ferry to another

saltwater & cod tongues

summer grasses & violet lupine.

Blue butterflies swarm

the sunlit forest.

Awakened, we ramble;

Trans-Canada Highway

from west to east

and back again.

Mile 0,

I’d follow you forever.

Chime of cymbal,

song’s end.

 

img_2972Kersten Christianson is a raven-watching, moon-gazing, high school English-teaching Alaskan. She earned her MFA in Creative Writing/Poetry through the University of Alaska Anchorage in 2016. Kersten’s recent work has appeared in Cirque, Inklette, Sheila-Na-Gig and Pure Slush. Her book Something Yet to Be Named by Aldrich Press and her chapbook titled What Caught Raven’s Eye by Petroglyph Press will be published in 2017. Kersten co-edits the quarterly journal Alaska Women Speak. When not exploring the summer lands and dark winter of the Yukon Territory, she lives in Sitka, Alaska with her husband and photographer Bruce Christianson, and daughter Rie.

 

Fishing at midnight – Richard Luftig

 

a blood-red moon

means me no good

 

and stars winking

their secrets

 

are not about to tell.

bass in this lake

 

have gone on strike

for better food

 

and my lures

are not fooling

 

anyone. but later

after my rowboat

 

has cut through

the last diagonal

 

of water, I’ll climb

the hill to my cabin

 

watch squirrels run

under a spotlight

 

floodlamp across

telephone wires

 

like acrobats

without a net

 

crawl under a blanket

try to sleep leaving

 

any upcoming dawns

to fend for themselves.

 

just-dad-2Richard Luftig is a former professor of educational psychology and special education at Miami University in Ohio who now resides in California. He is a recipient of the Cincinnati Post-Corbett Foundation Award for Literature and a semi-finalist for the Emily Dickinson Society Award. His poems have appeared in numerous literary journals in the United States and internationally in Canada, Australia, Europe, and Asia. Two of his poems recently appeared in Ten Years of Dos Madres Press.

Ode to Bishop – Carl Boon

 

Late September means

the chickens—

 

in summer imperturbable—

scatter at the shack’s wall.

 

They sense a flesh confined

trucks moving away,

 

the ends of all things

hot and strange.

 

This evening the wind

has shifted; the vines

 

have browned, fall against

the boy’s summer plan:

 

a pyramid, a monument

to which he did not pray.

 

Mother tries the door.

The cat has perched atop

 

the Hyundai top,

a kind of porch,

 

and symbols here have pushed

away to need—tin foil

 

makes a drape, branches

of fig to fence the strays.

 

When the rains come,

the girl, barely old enough

 

to lie, will gather armfuls

of rocks, wishing they were clouds.

 

cb-picCarl Boon lives in Izmir, Turkey, where he teaches courses in American culture and literature at 9 Eylül University. His poems appear in dozens of magazines, most recently Burnt Pine, Two Peach, Lunch Ticket, and Poetry Quarterly. He is also a 2016 Pushcart Prize nominee.

Jellyfish – Peycho Kanev

 

Ocean glittering in deadly blue light,

filled with small phosphorescent dots,

we are bounded on the east and west

by beaches and the repetitious, drugged

sway of the ocean becomes our way of

living;

the room is empty, save for us, and your

long tentacles scattered on the bed.

This cut piece of reality is a still life

painted with pain and love.

Long hours lead to endless ages as I

dive back into the water to give you

the kiss of life or to get stung.

 

021

Peycho Kanev is the author of 4 poetry collections and two chapbooks, published in the USA and Europe. He has won several European awards for his poetry and his poems have appeared in many literary magazines, such as Poetry Quarterly, Evergreen Review, Front Porch Review, Hawaii Review, Barrow Street, Sheepshead Review, Off the Coast, The Adirondack Review, Sierra Nevada Review, The Cleveland Review and many others.

Scarves – Joan McNerney

 

I want to make scarves from the sky.

Since I’m not much of a seamstress,

here’s hoping it won’t be too hard.

 

To start I’ll just pick up a fleecy

white cloud to cover my neck.

 

Maybe create a dove grey scarf

and cut out pale blue ones too.

Make entire closets full of them.

 

At sunset I will fashion boas

of bright ruby and tangerine.

 

My midnight shawl will be long

gleaming ebony covering my

shoulders keeping me warm.

 

If lucky I’ll find some rainbows…

kaleidoscopes to wrap up in.

 

I will list them on eBay and Craig’s,

hang pictures on my Facebook wall.

 

Imagine, everybody will want them!

Would you like one too?

Better put your order in now.

 

VivitarJoan McNerney’s poetry has been included in numerous literary magazines such as Camel Saloon, Seven Circle Press, Dinner with the Muse, Blueline, Halcyon Days. Her work has been included in many Bright Hills Press , Kind of A Hurricane Press and Poppy Road Review anthologies and has been nominated four times for Best of the Net.

Taxonomy – Caitlin Johnson

 

Domain: Eukaryota

It’s not just the nucleus:

it’s the membrane-envelope

keeping us from oozing out;

it’s the matriarchal mitochondria

tracing us back before even Eve.

 

Kingdom: Animalia

Sometimes we forget

that we are animals, too-

we love to expunge

the evidence.

 

Phylum: Chordata

Musculature is not enough.

We need to grow a fucking backbone,

prove ourselves capable of contortions.

 

Class: Mammalia

We reject the reptilian brain.

We reject the scaled skin.

We reject the gills.

 

We demand the milk.

 

Order: Primates

Little fingers, little tails.

Eyes that seem to know.

& we hide in the trees.

 

Family: Hominidae

& what is so great

about the Great Apes?

The bonobos, the gorillas, the chimpanzees – sure.

But then comes the fourth.

 

Genus: Homo

Struggling to become upright/upstanding/upheavers.

Striding into the scrum.

Leaving antiquity, entering the man-made universe.

 

Species: H. sapiens

It’s not enough to conquer.

We must humiliate, as well:

subjugate, colonize, destroy.

The natural world?

No. The human one.

 

cj-bio-picCaitlin Johnson holds a Master of Fine Arts in Creative Writing from Lesley University. Her work has appeared in Carcinogenic Poetry, Foliate Oak Literary Magazine, Narrative Northeast, Pembroke Magazine, Vagina: The Zine, and Wild Quarterly, among other outlets. A chapbook, Boomerang Girl, was published in 2015 by Tiger’s Eye Press, and a full-length collection, Gods in the Wilderness, was published in 2016 by Pink.Girl.Ink. Press.

Lotus Pond – Seth Jani

 

That menagerie of lost appetites

Comes through when the dream arrives.

 

Those hungers are deep as rain

In the forest’s centrifugal body.

 

You could drown there without

The black cord of awareness

 

To let you down. They are voracious,

Swallowing leaves and minnows,

 

The high-ether flowers

Of the gods’ most cherished gardens.

 

To be near them is to touch a limited fire.

They are like the multicolored fish

 

That dart through the nameless waters

On which we float our frail, constricted blooms.

 

seth-jani-author-picSeth Jani currently resides in Seattle, WA and is the founder of Seven CirclePress (www.sevencirclepress.com). His own work has been published widely in such places as The Chiron Review, The Hamilton Stone Review, Hawai`i Pacific Review, VAYAVYA, Gingerbread House, Gravel and Zetetic: A Record of Unusual Inquiry. More about him and his work can be found at www.sethjani.com.

Losing interest in the sound of petrichor – Kate Garrett

 

and the scent of the thunder;

you’ll tell me it’s ozone broken by forked

lightning, but thunder has a smell

of its own:

heavy and green, pregnant with wildflowers.

 

The clouds pressed through our roof,

drowning a protestant sun; it was one

of those evenings I wished for a bee sting

one of those evenings when heat rises

and I am overly alive, when I’m breathing

in too much summer to stem the panic.

 

And the weight of your body

on mine did nothing

and the restless sweat escaping

my pores did not cool me down—

 

but when night fell, the owls sheltered

from the hot rain in graveyard trees

and I wandered beneath their calls

to calm the tremors.

 

kate-newKate Garrett is a writer, mother, editor, wife, history buff, and amateur folklorist. Her work is published here and there online and in print, and has been nominated for a Pushcart Prize. Her most recent books are The Density of Salt (Indigo Dreams Publishing, 2016) – which was longlisted for best pamphlet in the 2016 Saboteur Awards – and Deadly, Delicate (Picaroon Poetry, 2016). Her next pamphlet, You’ve never seen a doomsday like it, will be published in 2017 by Indigo Dreams. Kate lives in Sheffield with her husband, four children, and a cat named Mimi.