The Sun and the Moon Dance – Deborah Guzzi

 

Father sits zashiki* across from mother

at a low table in a rice paper walled room—

the moon, Tsuki-Yomi, to her sun.

His eyes crinkle—rays on ice in moonlight.

Mother, Amaterasu, named for the Goddess

returns his smile. Her newlywed

countenance warms him.

 

snow slides from

the ryokan’s roof:

udon steams

 

His chopsticks dance

to and fro, from the sushi to her

lips in an ageless ritual,

pink roe from an ivory stalk,

she licks.

 

the inside door

to the bathhouse stands open:

the hall is too long

 

 

*zashiki – in the tatami room

 

 

debbie 3aDeborah Guzzi writes full time and travels for inspiration. Her third book The Hurricane is available through Prolific Press and at aleezadelta@aol.com. Her poetry appears in: Allegro Poetry Magazine and Artificium in the UK, Existere – Journal of Arts and Literature and Scarlet Leaf Review, Canada – Tincture, Australia – Cha: Asian Literary Review, China – Eunoia in Singapore – Vine Leaves Literary Journal – Greece, mgv2>publishing – France, and Ribbons: Tanka Society of America, pioneertown, Sounding Review, Bacopa Literary Review, Shooter, The Aurorean, Crack the Spine Literary Magazine, Liquid Imagination, Concis, The Tishman Review, Page & Spine & others in the USA. the-hurricanedg.com.

Advertisements

Servitude – Nigel F. Ford

 

They have walked in warm weather all the way from the beach, along the harbour wall, into the city, through the old quarter, up to the skirts of the castle, seeking the shade where possible, trying not to hurry, but not wanting to be late.

An attempt has been made before.

Two attempts in fact.

This time we are determined.

‘Do I look alright?’

‘You look fine. What about me. What do you think?’

‘O you always look alright.’

‘That’s alright then.’

‘What do you think? Can you see? Is there a long queue?’

‘It’s difficult to say. There is a queue of about half a dozen persons at the door. But then, there are several people leaning against the wall opposite the entrance. Some of them have come out for a smoke, I should think. But some of them might be part of the queue.’

‘We should probably start by waiting at the door.’

‘That’s the best plan.’

‘I think those people there are leaving. She’s fishing in her handbag.’

‘Could be. Still, we’re not the first in the queue.’

‘What’s the time?’

Eight thirty.’

‘We’ll wait until eight forty-five, but no longer.’

‘Alright.’

They stand patiently. A waiter talks to them briefly, smiles, laughs, jots down a note on a pad, nods and leaves.

Around them the evening crowd heaves and swirls, revealing empty hollows and then refilling them, like the sea they have watched for much of the afternoon.

‘What’s the time?’

‘Ten to nine.’

‘We’ll wait until nine o’clock. But not a moment longer.’

‘Alright.’

 

 

Photo on 18-12-15 at 13.02Born in 1944, Nigel F. Ford wrote his first radio play aged 14 (refused). Jobs include reporter for The Daily Times, Lagos, Nigeria, travel writer for Sun Publishing, London, English teacher for Berlitz, Hamburg, copy writer for Ted Bates, Stockholm. Had a hand in starting the Brighton Fringe in 1967. He started painting etc. in 1983 and has regularly exhibited in Sweden and on the Internet in various publication. In addition, several magazines in UK and US have been kind enough to publish his writing. Such as Nexus, Outposts, Encounter, New Spokes, Inkshed, The Crazy Oik, Weyfarers, Acumen, Critical Quarterly, Staple, T.O.P.S, The North, Foolscap, Iota, Poetry Nottingham, Tears in the Fence etc. He is now trying to produce & direct one of his stage plays.

Door – Udit Mahalingam

 

The word of a lover.

It is the word of a hinge

That creaks to the sound

Of its own turning.

Hoarse and coarse.

It loves only to lie.

Lie and smile.

 

But, what is a door?

The secluded path

To the past?

A Jetstream of memories…

For me, it’s the way

That leads to a new beginning.

A new face. A new time.

A new lie? A new smile?

 

 

20170114_123337000_iOSUdit Mahalingam is a teenage poet, whose works have appeared in publications such as ‘Hebe’ and ‘BUSTA RHYME: North West Voices. He was a commended winner in the 2017 Foyle Young Poets of the Year Award. Apart from reading whatever he can get his hands on, Udit volunteers at his local library, swims, plays tennis and sometimes over-watches his favourite television shows. He hopes to study English at degree level.

Wabi Sabi – Abigail Elizabeth Ottley Wyatt

 

Removal man

comes early:

apple cheeks, a cheery,

tuneless whistle.

Peaked flat cap,

gruff step on gravel,

Then rat-tat-tatting

at the door.

He slurps his sweet tea,

slaps his broad, beef hands,

makes a pontification

of platitudes.

Best get on,

a job well done,

makes a rosary of

early birds and worms.

‘Change,’ he ruminates,

as he considers my furniture,

sizes up my desk

and old sideboard.

‘Change,’ he grunts,

‘is part of life’s fabric.

Everything tends

toward decay.’

 

SONY DSCAbigail Elizabeth Ottley Wyatt writes poetry and short fiction from her home in Penzance, Cornwall where she lives with her singer/songwriter partner David and her little dog, Percy. Formerly a teacher of English and English Literature, her work has now appeared in more than a hundred journals, magazines and anthologies and on several continents. When she is not actually writing or performing her work she is most likely to be reading, hooking rugs or walking by the ocean.

Spider – Natalie Crick

 

The whisper

Wicks from her lips.

A soothing salve.

 

She bends, twists,

Feet touching the walls

In eight different places.

 

Her laurels always rove.

Search.

Hold.

 

Gagging the dawn chorus

Until

The hunger moon thins.

 

Dissecting a house fly,

She commits

Murder on the brightest window,

 

At first frost

Opens the door

Without a guest to feast.

 

Natalie Crick PhotoNatalie Crick, from the UK, has poetry published or forthcoming in a range of journals and magazines including Interpreters House, Ink In Thirds, The Penwood Review, The Chiron Review and Rust and Moth. Her work also features or is forthcoming in a number of anthologies, including Lehigh Valley Vanguard Collections 13. This year her poem ‘Sunday School’ was nominated for the Pushcart Prize.