seals’ dreamtime – Martin Potter

 

readier to roll about

than to drag seal-bulk

shingle-crunch climbing

the beach’s skirts

 

haul and lay their mass

press on the pebble bed

a bay’s broad outscouring

they bask the lull

 

when a pair of helpless eyes

pitch-bright in bristled snout

ratchets round in meeting

yours with sea-thoughts

 


Martin Potter (https://martinpotterpoet.home.blog) is a British-Colombian poet and academic, based in Manchester, and his poems have appeared in Acumen, The French Literary Review, Eborakon, Ink Sweat & Tears, The Poetry Village, and other journals. His pamphlet In the Particular was published in 2017.

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The Beach of the Cathedrals – Glenn Hubbard

 

The pseeping of pipits. The ticking

of robins. The flicking of redstarts.

Is the curtain-raiser.

 

Descend to the sand to walk up

dark naves. Arches and stacks

of schist and layered slate.

 

Stop to peer into the cracks and caves,

the patient work of tireless waves. Wait.

To hear the drip of fresh water.

 

Blue mussels in dense colonies.

Clenched goose barnacles in clusters.

Safety in numbers.

 

Near the shore

note the pools.

How they shelve.

 

Imagine the sun-tempered cool

on a day in July. The slide

in from the soft edge.

 

The sand sucks at the soles

of your shoes. Ascend,

the sound of the sea dissipating.

 

The pseeping of pipits. The ticking

of robins. The flicking of redstarts.

Is the send-off.

 


Glenn Hubbard has been writing since 2013 and lives at the foot of the Sierra de Guadarrama near Madrid. He has written a good deal of nature poetry over the years, inspired by the flora and fauna of both Spain and the UK. Some of this work has been published in journals such as Words for the Wildthe Dawntreader and Sarasvati.

Canvey Island – Rebecca Metcalfe

 

We spend the afternoon playing on the beach surrounded by fumes from the oil-refineries and chemical works. With our plastic spades we build sandcastles and dig for buried treasure. There’s a picnic of marmalade sandwiches and cartons of Ribena, then a shout of “tag: you’re it” starts the running around games. The tide hisses at us if we get too close. We run up to the bulging concrete flood-barrier and take it in turns to sneak round the edge to see if we can spot the troll we know lives behind it. He’ll get us if he sees us. We climb up and jump off into the sand with a thud. We have to rub our hands furiously up and down our legs to get the sand off before we can get back in the car. The drive home smells of seaweed and factory fumes, and we sit and laugh as we pick the grit out from under our fingernails.

 

 

22752130_10210178275199633_1006394601_nOriginally from Essex, Rebecca Metcalfe studied first at the University of Chester and then at the University of Liverpool. She now lives in an attic in Manchester with two black cats and works part time in a museum and part time in a restaurant. She has previously been published in Spelk, Flash: The International Short Story Magazine, Peach Street Magazine, Lumpen Journal, and Foxglove Journal, among others. She can be found on Twitter at @beckyannwriter.

Exmouth – Edward Alport

 

I took my problems to my old friend, the sea.

He watched me with his flashing eyes

And spoke to me with seven foaming lips.

I poured out my problems

And he poured them right back again.

 

Now that I’m sitting, like a stone on a rock,

Now the beach-huts are deserted,

And all the lovers have gone home,

He’s still there;

He’s still there;

The still small voice

Of endless noise,

Wearing at my loneliness.

 

 

Edward Alport is a proud Essex Boy and occupies his time as a teacher, gardener and writer for children. He has had poetry published in a variety of webzines and magazines. When he has nothing better to do he posts snarky micropoems on Twitter as @cross_mouse.

remember – Lisa Reily

 

our dog came first in our relationship,

our first child, our only child,

our Henry.

remember his tongue-wagging runs on the beach,

our cabin amid the paperbarks,

ocean mist coming through our window?

remember the soft call of the butcherbirds,

the laugh of the kookaburras

the only sound to wake us?

remember cups of Earl Grey tea on our balcony

while Henry slept in his basket;

the simple pleasure of our walks on the sand,

Henry running ahead on the empty beach,

ears wagging, sand stuck to his nose;

holding hands over rocks, limpets, starfish

and crashing waves that we thought would sweep him away,

climbing to the tops of cliffs, losing our way back down?

remember the mist that went on forever, covered everything,

took with it the cliff, the long stretch of beach,

Split Solitary Island;

remember the ashes we scattered on the sand,

the beach that took them, that took

the love of our lives,

ashes forever to float to the island;

our first child, our only child,

our Henry.

 

 

Photo - Lisa ReilyLisa Reily is a former literacy consultant, dance director and teacher from Australia. Her poetry and stories have been published in several journals, such as Panoply, Amaryllis, Riggwelter, River Teeth Journal (Beautiful Things), and Magma. Lisa is currently a full-time budget traveller. You can find her at lisareily.wordpress.com.

Beyond the clouds – paul Bluestein

 

If I could see beyond the clouds

what would there be?

As I stand here

(attached by the gravity of my life

to this two feet parcel of earth)

nothing there seems clear.

 

What would I see through the window beyond?

An endless green sea on which I might float (or walk)?

But neither my eyes nor mind have reach enough,

so I am like a shell

washed up on some endless celestial beach.

 

One day the sky may clear

and I  may see and hear

answers to the mystery that I am living.

I will be beyond the clouds,

inside a limitless blue box.

Sky end to end, side to side.

Until then?

The ink of my thoughts will drop from the clouds like rain

and bloom upon a page.

I’ll watch butterflies light on leaves like orange flames.

and know that it is enough.

 

 

Fur Peace Ranchpaul Bluestein has written poetry for many years, but has just recently begun to submit his work. He is hoping Foxglove Journal will be one of his first steps forward on this new journey. He is a physician (OB-GYN) by profession (retired … or just plain tired), a self-taught musician (guitar and piano) and a dedicated Bridge and Scrabble player (yes, ZAX is a word). He writes poetry because The Muse, from time to time, calls him unexpectedly and keep ringing insistently until he answers, even if he doesn’t want to talk with her just then.

Rain – Louise Wilford

 

The rain, it raineth every day.

Slugs cower beneath the pavement slabs –

the sage leaves curl, their powder spent –

the quilted mint leaves pillow through their veins

and spears of tarragon drip glassy beads.

 

The painted terracotta cat

no longer casts out beams of candle light,

just snivels, shoulders huddled in the chill.

The real cat shelters underneath the bench.

The rain, it raineth every day.

 

The rain, it raineth every day.

Chlorophyll glisters green on every branch.

The guttering spews an endless waterfall.

The rags of rubbish blown out of some skip

are stuck with watery bullets to the fence.

 

The rain, it raineth every day.

The traffic is a dampened lullaby,

a pebbled stream that boils across a weir,

the ache of a wave collapsing on a beach,

nudging the rounded rocks and shells.

 

But still the loud rich smell of dampened earth,

the bursts of thyme and parsley as I pass,

the slick pink smell of early flowers, 

trumpets the spring through the cloud-drenched air.

But the rain, it raineth every day.

 

 

unnamed (2)Yorkshirewoman Louise Wilford is an English teacher and examiner. She has had around 60 poems and short stories published in magazines including Popshot, Pushing Out The Boat and Agenda, and has won or been shortlisted for several competitions. She is currently writing a children’s fantasy novel.

Watching waves – Byron Beynon

 

Do you recall

watching waves through

a library window,

where a painter stood

on the edge of the beach

with the afternoon light.

Footprints that walked

towards the plastic inhabited sea,

imagination drawn there

by the coastline’s question

as to where all

the labyrinths of life disappear.

Before leaving the wide frame

he stood there,

a personal composition

that changed under

a resurrected air.

 

 

Byron Beynon 2014Byron Beynon lives in Swansea, Wales. His work has appeared in several publications including London Magazine, Poetry Ireland Review, San Pedro River Review, Muddy River Poetry Review, Yellow Nib and the human rights anthology In Protest (University of London and Keats House Poets). Collections include Human Shores (Lapwing Publications) and The Echoing Coastline (Agenda Editions).

Servitude – Nigel F. Ford

 

They have walked in warm weather all the way from the beach, along the harbour wall, into the city, through the old quarter, up to the skirts of the castle, seeking the shade where possible, trying not to hurry, but not wanting to be late.

An attempt has been made before.

Two attempts in fact.

This time we are determined.

‘Do I look alright?’

‘You look fine. What about me. What do you think?’

‘O you always look alright.’

‘That’s alright then.’

‘What do you think? Can you see? Is there a long queue?’

‘It’s difficult to say. There is a queue of about half a dozen persons at the door. But then, there are several people leaning against the wall opposite the entrance. Some of them have come out for a smoke, I should think. But some of them might be part of the queue.’

‘We should probably start by waiting at the door.’

‘That’s the best plan.’

‘I think those people there are leaving. She’s fishing in her handbag.’

‘Could be. Still, we’re not the first in the queue.’

‘What’s the time?’

Eight thirty.’

‘We’ll wait until eight forty-five, but no longer.’

‘Alright.’

They stand patiently. A waiter talks to them briefly, smiles, laughs, jots down a note on a pad, nods and leaves.

Around them the evening crowd heaves and swirls, revealing empty hollows and then refilling them, like the sea they have watched for much of the afternoon.

‘What’s the time?’

‘Ten to nine.’

‘We’ll wait until nine o’clock. But not a moment longer.’

‘Alright.’

 

 

Photo on 18-12-15 at 13.02Born in 1944, Nigel F. Ford wrote his first radio play aged 14 (refused). Jobs include reporter for The Daily Times, Lagos, Nigeria, travel writer for Sun Publishing, London, English teacher for Berlitz, Hamburg, copy writer for Ted Bates, Stockholm. Had a hand in starting the Brighton Fringe in 1967. He started painting etc. in 1983 and has regularly exhibited in Sweden and on the Internet in various publication. In addition, several magazines in UK and US have been kind enough to publish his writing. Such as Nexus, Outposts, Encounter, New Spokes, Inkshed, The Crazy Oik, Weyfarers, Acumen, Critical Quarterly, Staple, T.O.P.S, The North, Foolscap, Iota, Poetry Nottingham, Tears in the Fence etc. He is now trying to produce & direct one of his stage plays.

A Day Unresolved – Ray Miller

 

So un-asleep, the sheet’s

a beach of footprints

waiting for the tide.

 

Question-marked, crucified,

an inquisition

scales her eyes.

 

Wincing at infinities,

she picks a spot

and stares at it.

 

Each star a prick,

a javelin

thrown across the centuries.

 

She holds her breath

and waits the pin

before light breaks

 

her open skin.

 

OLYMPUS DIGITAL CAMERARay Miller has been writing poetry about 10 years on a regular basis and has appeared in lots of magazines – Antiphon, Snakeskin, Prole, Open Mouse. He is an ex-psychiatric nurse, now retired. He has a marvellous wife and 8 children, 4 of whom are adopted.

The Trawl – Robert Pelgrift

 

We stand on this sandy point in the bay,

where the channel races into squally seas,

knee deep in riffles that mirror the gray

of iron clouds rushed by the gusting breeze.

 

Partly clothed by the sea, I scarcely heed

the raw, bitter rain.  Balanced here, I stand,

and see schooling, swerving silversides lead

quick unseen hunters past our ledge of sand.

 

In their path, we stretch, then draw, our small seine,

and the wet, the chill, the gray, the chop recall

the old village ships, struck by gusts and spray

as they ploughed these waves.  And now once again,

we net our catch, as those ships dragged their trawl

of silver to the beach across the bay.

 

RYP JR picRobert Youngs Pelgrift, Jr. practiced law in New York City for many years and is now an editor for a legal publisher, working in New York City.  His poems have been published in various anthologies and in The Lyric, The Rotary Dial and The Galway Review.

raven’s eye. for vivian – Kersten Christianson

 

she is the sea glass queen

all xtratuf boots and rain gear

trowel and shovel

searcher of shards

of pottery and glass

 

she takes the blue canoe

down to wrangell

a meandering passage

through silvery waterways

lined by rocky beach and forest

 

she is the writer

all creative mind and chapbooks

filled journals and prompts

collector of truths and stories

recorded by pen on paper

 

she will spend the summer

at mickey’s fishcamp

photograph the play

of cloud and setting sun

sort treasures from the beach

organize words on the page

 

img_2972Kersten Christianson is a raven-watching, moon-gazing, high school English-teaching Alaskan. She earned her MFA in Creative Writing/Poetry through the University of Alaska Anchorage in 2016. Kersten’s recent work has appeared in Cirque, Inklette, Sheila-Na-Gig and Pure Slush. Her book Something Yet to Be Named by Aldrich Press and her chapbook titled What Caught Raven’s Eye by Petroglyph Press will be published in 2017. Kersten co-edits the quarterly journal Alaska Women Speak. When not exploring the summer lands and dark winter of the Yukon Territory, she lives in Sitka, Alaska with her husband and photographer Bruce Christianson, and daughter Rie.