Sunlight – Stephen Kingsnorth

 

The bulbs above –

their filaments,

the broken joints of spider legs –

hang lazy, washing on the line,

a sad parade unheeded now,

awaiting switch of energy,

electricity,

spark generation of the sun.

 

The bulbs below –

first snowdrops show,

hint cream and green above the snow,

the phototroph, explosive strength,

breaks crystal ice of brittle soil.

Then corms of crocus, specie, grow,

pale mauve or streaked,

bear stripes of war

from battle through harsh undergrowth,

spark generation of the sun.

 


Stephen Kingsnorth (Cambridge M.A., English & Religious Studies), retired to Wales from ministry in the Methodist Church, has had over 250 pieces published by on-line poetry sites, printed journals and anthologies. Find more at https://poetrykingsnorth.wordpress.com.

Preserved – Stephen Kingsnorth

 

I dusted coal soot from the sill

and came across the brittle bee,

stuck, desiccated, frosted pane.

And yet, with yoghurt, muesli dish, –

a bowl of porridge not amiss –

I plunged my fork deep in the pot

and spooned gold honey onto mix.

 

The jams and pickles, sloe gin jars –

ghoul specimens of organs, blood –

thank God for vinegar preserve,

a promise realised before.

Those languorous, drawn heady days

of elderflower, drone buzzy gnats,

will come gain, blaze summer tastes.

 

For now, past future on the shelves,

swelt sweating stove for spreading loaf,

float gherkins, onions, sweet with cheese,

a ploughman’s grubby hand from sheaves,

slow thaw, then other layered snow

cannot remove year’s heavy brew,

sure harvest cycle, budding soon.

 


Stephen Kingsnorth (Cambridge M.A., English & Religious Studies), retired to Wales from ministry in the Methodist Church, has had over 250 pieces published by on-line poetry sites, printed journals and anthologies. Find more at https://poetrykingsnorth.wordpress.com.

The prints you laid – Gareth Culshaw

 

The coast elbowed the land

a sea came from afar

nudged the pebbles until they rolled.

 

We walked. Left a memory

in the road. I unclipped

the lead from my hand,

 

and you cut away the distance

between yourself and a gull.

 

I followed the earth’s golden dust

as you pounded the edge of land

and water.

 

An oystercatcher flicked up into the gulp.

I watched the sun on your fur

 

that carried light, put prints

in the sand before I got there.

 

I hope they’re still around to lead me

when I go back, alone.

 


Gareth lives in Wales. He has two collections by FutureCycle, The Miner & A Bard’s View. He is a current student at Manchester Met.

Skomer – Rebecca Gethin

 

Above the cliffs a swarm

of sea birds circles

the cinched waist of the island

a nimbus of puffins and auks

flying higher, faster,

almost silent except for beating wings –

a dervish dance

a typhoon rooted in one place

a lighthouse beam of dark motes

a spell to herald darkness

praise for another day of incubation

this ritual of summer evenings

and my small white face

watching from the bobbing boat.

 

 

unnamed 1Rebecca Gethin lives in Devon. She was a winner in the first Coast to Coast to Coast pamphlet competition with Messages. A pamphlet about endangered creatures called Vanishings is due to  be published by Palewell Press in 2020. Two pamphlets were published in 2017: A Sprig of Rowan by Three Drops Press and All the Time in the World by Cinnamon Press who previously published a collection and two novels. She has been a Hawthornden Fellow and undertook a residency at Brisons Veor in 2018. Find more at www.rebeccagethin.wordpress.com.

Belated Farewells – Linda Rhinehart

 

That summer night we walked

together under the moon,

brighter than a fluorescent snow

globe in a Halloween window;

You told me to look up, so I did; I saw

a scattering of sun-dipped stars behind,

stepping stone to bright unknown horizons.

Later that night mist fell over a silent ocean,

and now I sit alone before a window

wondering if there is anything I could have said,

if there was anything I could have done,

and the moon a mere piece of cloth

pinned to an ink-dark sky.

 

 

IMG_1172Linda Rhinehart, 30, is a student, writer and translator currently living and studying in Cardiff, Wales. In the past she has lived in Switzerland, the USA and Germany. She has been writing poetry for around three years and reading it for a lot longer. In her spare time she enjoys playing piano, going for walks in nature and cats.

She stops and says – Claire Sexton

 

She stops and says ‘Hang on, that’s

my Mum calling’,

and suddenly I am back there again;

colour unbecoming; milkshake;

antiseptic.

 

And in the rafters of the old

gymnasium, black birds fritter away

time with backwards and forwards

motions; skipping games; dodgeball

flits amongst falling glass.

 

And wild garlic lies pungent in the

forest; recognisable despite its heady

transformations.

 

 

image1 (2)Claire Sexton is a Welsh poet and writer now living in Berkshire where she works as a school librarian. She has previously been published in Allegro Poetry Magazine, Amaryllis, Amethyst Review, Foxglove Journal, Ink, Sweat and Tears, Light: a Journal of Photography and Poetry, and Peeking Cat Poetry. Claire often writes about mental health, in particular her own experiences with depression and anxiety.

Arizona Spring – Linda Rhinehart

 

all around us are spots of red

like measles over a face that

is only now healing, cloaks

draped in wild abandon over the

sun-baked rocks, sentinels peeking

from behind pink stripes and

distant canyon borders

and not a fence post in sight;

what freedom is ours, driving

mile after mile over this

violent sunset land, and our

constant companion temptation,

whispering in our ears that

we are never to return to

a land where there are no

fields of red flowers

 

 

IMG_1172Linda Rhinehart, 30, is a student, writer and translator currently living and studying in Cardiff, Wales. In the past she has lived in Switzerland, the USA and Germany. She has been writing poetry for around three years and reading it for a lot longer. In her spare time she enjoys playing piano, going for walks in nature and cats.

Water – Gareth Writer-Davies

 

catching water

always leads to a cacophony

 

never mute

water talks as it spouts or fountains

 

from mossy lips

to the drum of the barrel

 

murmuring like a cherub

or roaring like a freshwater Neptune

 

who opened his mouth to yawn

and was surprised

 

by a deluge of vowels

that kept on flowing

 

O, if only my hands

could catch what the water is saying

 

 

GWD Twmpa shotGareth Writer-Davies is from Brecon and was shortlisted for the Bridport Prize (2014 and 2017) and the Erbacce Prize (2014). He was commended in the Prole Laureate Competition (2015) and Prole Laureate for 2017. He was commended in the Welsh Poetry Competition (2015) and Highly Commended in 2017. His pamphlet “Bodies”, was published in 2015 by Indigo Dreams and the pamphlet “Cry Baby” came out in 2017. His first collection “The Lover’s Pinch” (Arenig Press) was published June, 2018.

 

A fist lost – Gareth Culshaw

 

The pitch was always poor in under 14s 

footie. At the start of the season the council

would send men out. Paint the lines,

mow the turf, align the goalposts.

 

I always played better when he came

standing there with his accent.

My first goal scored, smiles all round.

Jogging back, raised fist to you

 

yours pumped in the air. We got on 

back then before the stubbornness set, 

distance in years between us showed.

 

That break in the relationship a hole 

in my memory, will never be filled.

 

 

IMG_1727Gareth lives in Wales. He has his first collection out now by FutureCycle called The Miner. He hopes one day to achieve something special with the pen.

Picking up lost leaves – Gareth Culshaw

 

The sunlight I once knew.

That yellow light that crept over

the slates and dripped to the tarmac.

Garages with corrugated roofing

that kept the snow from sliding.

Houses with gable and hip roofs

that now have a buckle of solar panels.

The tree that reached for the sky,

even stroked the clouds when we 

were small. Graffiti on the walls

and swear words in the puddles 

of teenage spit from years ago.

New neighbours with quiet eyes.

Swifts that came for a generation

now lost to the winds. The banging

footballs that hammered away time,

just an echo in the ears of myself. 

Moving back to a place I once knew,

is like a tree picking up the leaves

it lost in autumn, and asking them

to belong again.

 

 

IMG_1727Gareth lives in Wales. He has his first collection out now by FutureCycle called The Miner. He hopes one day to achieve something special with the pen.

Newt – Lynn White

 

I can understand

why

on a hot, hot day,

Lawrence’s snake appeared thirstily

at his water trough.

And why his lizard ran out

onto a rock

to flaunt himself in the sunshine.

But why

on a wet, wet day,

a newt should leave

her splendidly moist habitat

and venture hazardously

into the dry warmth of my kitchen,

that

I cannot understand.

And, of course she couldn’t explain.

 

 

Lynn...Lynn White lives in north Wales. Her work is influenced by issues of social justice and events, places and people she has known or imagined. She is especially interested in exploring the boundaries of dream, fantasy and reality. Her poem ‘A Rose For Gaza’ was shortlisted for the Theatre Cloud ‘War Poetry for Today’ competition 2014. This and many other poems, have been widely published, in recent anthologies such as – ‘Alice In Wonderland’ by Silver Birch Press, ‘The Border Crossed Us’ and ‘Rise’ from Vagabond Press and journals such as Apogee, Firewords Quarterly, Indie Soleil, Light and Snapdragon as well as many other online and print publications.

Watching waves – Byron Beynon

 

Do you recall

watching waves through

a library window,

where a painter stood

on the edge of the beach

with the afternoon light.

Footprints that walked

towards the plastic inhabited sea,

imagination drawn there

by the coastline’s question

as to where all

the labyrinths of life disappear.

Before leaving the wide frame

he stood there,

a personal composition

that changed under

a resurrected air.

 

 

Byron Beynon 2014Byron Beynon lives in Swansea, Wales. His work has appeared in several publications including London Magazine, Poetry Ireland Review, San Pedro River Review, Muddy River Poetry Review, Yellow Nib and the human rights anthology In Protest (University of London and Keats House Poets). Collections include Human Shores (Lapwing Publications) and The Echoing Coastline (Agenda Editions).

Man in the house – Claire Sexton

 

Man in the house and all normal routines stop. We are asked to watch man-programmes, and eat man-sized food and drink.

Twittering and lounging is curtailed, and threadbare togs abandoned wholesale. Legs are shaved, and a new self consciousness prevails.

Once again I am trapped in between male and female spaces. Weighing in and holding back. Gallantry and equal pay. The devil or the nephilim.

Aware of my delinquency, I take to my bed. Not wanting to unbalance either. Not wanting to uncover the gaping hole beneath the smiles and flowers.

Terrified of offending the ying or the yang, I socialise with the under fives. Sing theme tunes and nursery rhymes. Become intimately acquainted with the Twirlywoos.

The truth is I like neither steak nor rabbit food. I am neither cocksure or human snail. I form my own opinions and calculate my own share of the bill.

I prefer my toast brown, but not burnt.

 

 

View More: http://rupaphotography.pass.us/headshots-rcppor2015Claire Sexton is a Welsh writer and librarian living in London. She has previously been published in Peeking Cat Poetry, Ink, Sweat and Tears, Hedgerow, Foxglove Journal, Amaryllis, and Light – a journal of photography & poetry.

View from Ferryside – Byron Beynon

 

History oozing into pores

invigorates the past;

there’s the castle for instance,

high on a humpbacked hill

reaching out from Llansteffan’s

sand-ferrying shore.

The eternal language of seabirds

regional accents

in the warm rain

as they dive and soar,

sudden shifts in scale and tempo

recording the deep tales

from the journeying sea.

A landscape navigating

through the syllabus of days

that have vanished

onto the skin of time.

The air pure with thoughts,

clear with water-music

occupies this space

entering the cartographer’s

coast of memory.

 

 

Byron Beynon 2014Byron Beynon lives in Swansea, Wales. His work has appeared in several publications including London Magazine, Poetry Ireland Review, San Pedro River Review, Muddy River Poetry Review, Yellow Nib and the human rights anthology In Protest (University of London and Keats House Poets). Collections include Human Shores (Lapwing Publications) and The Echoing Coastline (Agenda Editions).

Bees make honey – Cath Barton

 

Three jars of honey glistened on the window sill – golden and translucent. Outside a bee hovered. Lucy raised a finger tip to the glass and the bee came close as if to kiss it. Then, propelled by some unseen force, one of the jars tipped and smashed on the flagstones. Lucy watched, frozen and impotent, as the bee repeatedly flung itself at the glass in distress.

At breakfast Lucy’s hands trembled in her lap. Mark, sitting opposite her and reading the paper, noticed nothing.

“I’m going down to the hives this morning,” she said.

“Okay,” said Mark, through a mouthful of toast. “New honey’s great, by the way,” he added, looking up and grinning at her. “Tell your bees.”

“Cheer up,” he said, when she didn’t respond. “It might never happen. Got to run.”

He kissed the top of her head and ruffled her hair as he got up from the table, scattering crumbs.

Hearing the car leaving minutes later, Lucy put her hands onto the table-top to steady herself. She felt as if the bees had stung her, though they hadn’t, never had, never would, she knew.

She went upstairs, switched on her laptop and looked at her e-mails. Six new messages, all from him. Expressing undying love in six different ways. Their sweetness was cloying. She deleted them all. Immediately another pinged into the in-box.

“You all right??”

“I’m fine,” she wrote back. “Just tired.”

“Tell me you love me,” said the next message. She stared at the words on the screen. Then pressed delete. Her finger trembled as she did so. She didn’t feel fine.

She pulled on her bee suit and wellington boots and walked through the long grass to the hives. Out in the fresh air she felt better. She checked the hives.

“Sorry about the broken jar,” she said, in a whisper. “I’ll be more careful in future.”

The bees circled her head as if telling her not to worry. Lucy knew that bees understood things no humans ever did. She’d like to come back as a bee. She’d said that once to Mark, who’d laughed. That was the trouble with Mark, always laughing, never taking things seriously.

She hadn’t meant to look for someone else. Why would she, with a happy home, everything she could want. Except.

“I think the bees are like your children,” Mark had said.

He’d laughed as he said it of course. It was like a physical blow but she hadn’t let him see that. He hadn’t meant anything bad. She knew she should talk to him about it. But she’d left it too long.

They’d met in the library. Changing their books. They talked and got shushed by the librarian. Out on the street they talked more, gone for coffee. People do that. No harm, she’d thought. But she should have told Mark. Not let it become secret. Not let it become anything.

It had become too much.

Back in the house she made coffee, sat at the computer again. Just one new e-mail from him, reasonable, reasoned. She replied, agreed to meet.

She took him a jar of honey. Gave it to him with trembling hands. Told him that she and Mark were moving. They wouldn’t have bees in the new place.

“No room,” she said, looking down at her hands in her lap, still now.

He cried and it was unbearable. She left without looking back.

The e-mails continued for a bit. She deleted them all, unread.

She did think of getting rid of the bees. But they needed her. And they were a comfort.

 

 

Cath BartonCath Barton is an English writer and photographer who lives in Wales. She won the New Welsh Writing AmeriCymru Prize for the Novella for The Plankton Collector, which will be published in 2018 by New Welsh Review under their Rarebyte imprint. Read more about her writing at https://cathbarton.com.