A Day Unresolved – Ray Miller

 

So un-asleep, the sheet’s

a beach of footprints

waiting for the tide.

 

Question-marked, crucified,

an inquisition

scales her eyes.

 

Wincing at infinities,

she picks a spot

and stares at it.

 

Each star a prick,

a javelin

thrown across the centuries.

 

She holds her breath

and waits the pin

before light breaks

 

her open skin.

 

OLYMPUS DIGITAL CAMERARay Miller has been writing poetry about 10 years on a regular basis and has appeared in lots of magazines – Antiphon, Snakeskin, Prole, Open Mouse. He is an ex-psychiatric nurse, now retired. He has a marvellous wife and 8 children, 4 of whom are adopted.

The River – Jade Cuttle

 

Oblinsky Plateau, Siberia

 

The mist above the river hangs in hesitation

like the tingle of flies, time bending slowly

in on itself like the spill of the sun as it turns

 

a blind eye to the chaotic curl of the current,

shoving its swell through the morning rush

of rocks shifting restless beneath the surface:

 

this river is ready to be ripped from its bed,

stripped of its sheets, dragged by the drift,

its stitches of silt worked loose by the tide

 

before it can rise, like a splinter of sunlight 

whose split is slight then all of a sudden

has swallowed the sky.

 

14918995_10207367984386074_1304119016607472935_o (1) 1Jade Cuttle read literature at University of Cambridge. She has performed on BBC Radio 3 in association with BBC Proms (The Art of Splinters) and is broadcast regularly across BBC Introducing. She has been commissioned for BBC podcasts celebrating Shakespeare’s 400th anniversary and won competitions run by Ledbury Poetry Festival, Foyle Young Poets, BBC Proms, and the Poetry Book Society. She is currently working as Daljit Nagra’s Apprentice Poet-In-Residence at Ilkley Literature Festival and is looking to publish her first pamphlet. If you enjoy her work, you are warmly invited to follow here: www.facebook.com/jadecuttle.

The Emerald Tide – Robert Pelgrift

 

How can I hold on to this leafy scene

of emerald lights that, numberless, do glint

in glistening points at times more gold than green –

a scene that shimmers with each shade and tint?

 

Mirroring these leaves, the emerald tide

seems motionless, a glassy pool at rest,

till it meets a sharply riffled divide

whose race freezes in a curled, crystal crest.

 

How to possess these fleeting greens and golds,

that shimmer in and out of leafy heights?

Would that their beauty could ever abide

in verse, just as the crystal cascade holds

its crest, and, mirroring the green gold lights,

the watery leaves rest in the glassy tide.

 

RYP JR picRobert Youngs Pelgrift, Jr. practiced law in New York City for many years and is now an editor for a legal publisher, working in New York City.  His poems have been published in various anthologies and in The Lyric, The Rotary Dial and The Galway Review.